Seven Seas will release the entire action-packed series across six low-priced omnibus editions.In a world where witches have declared war against humanity, the surviving human population has gathered specialists with the power to hunt and destroy witches.Tasha Godspell, also known as the "Magic Marksman," is one of the best Witch Hunters there is. Along with his sword-wielding Jack-o'-Lantern partner known as Halloween, Tasha puts his magical training and weaponry to good use, in his constant battles against witches. And yet, he cannot bring himself to fully hate the very witches he is tasked to destroy.

    3!Merging with a bizarre spiritual force called Genesis, Texan Preacher Jesse Custer becomes completely disillusioned with the beliefs that he had dedicated his entire life to. Now possessing the power of "The Word," an ability to make people do whatever he utters, Custer begins a violent and riotous journey across the country. Joined by his gun-toting girlfriend Tulip and the hard-drinking Irish vampire Cassidy, the Preacher loses faith in both man and God as he witnesses dark atrocities and improbable calamities during his exploration of America.Collects issues #41-66 of PREACHER in an oversize Absolute Edition format, complete with a new slipcase and bonus material!

    Mark Beyer was breathing delirious, heartbreaking, otherworldly life into it by means of Amy and Jordan. Obviously, you weren’t reading New York Press. But I sure was. Voraciously. Back in 1989, when I discovered that Beyer’s strips were appearing regularly in this new “alternative weekly” paper, I quickly became hooked, and a thought seized me: I had to clip and save them–they were exquisite poems of urban despair, dreamy and nightmarish. I was already a fan of Beyer’s talent based on his book Agony (Pantheon, 1988), but these new strips revealed, week by week, a whole new dimension to his work–an ingenious reinvention of panel-design that redefined what a comic strip could be. As with Peanuts, it helps to try and picture these in the context which they first appeared in order to appreciate just how profoundly they emerged from anything else on the newspaper page. Even the “outré” NYP ads and listings which often ran alongside them were hopelessly dull by comparison. One of its most impressive aspects was the way Form served the Content–no matter how eccentric the layout got, it somehow never confused the narrative. And what narrative: it was as if Candide had been transported to the East Village and split in two like an amoeba and holed up in a squat on Avenue C. Along with giant bugs from outer space. So I did clip and save them, and put them into an envelope, which was then placed in a shoebox with a lot of other envelopes (receipts, receipts!), which was shoved to the back of the closet of my sixth-floor walk-up studio apartment, which I moved out of three years later and in the process I unwittingly threw them all away. Which frankly is just the sort of thing that Amy and Jordan would do. Drat. “Oh well,” I thought, once I’d realized it, “at some point someone will collect and publish them, and I’ll get them back that way.” And that was that. Fast forward more than ten years, to the spring of 2002. During a panel of cartoonists I was chairing in Philadelphia, a member of the audience asked what Mark was working on and where he was. No one seemed to know. The discussion was transcribed and published in The Comics Journal that summer, and in the fall Mark contacted me with the best possible news: He’d read the panel transcript and wanted to publish again. And the Amy and Jordan strips had never been comprehensively collected. So now, as an editor, I was able to grant my own wish. Amy and Jordan ran from 1988 through early 1996. After that, Beyer put cartooning aside to pursue other projects. This book signals his return to the realm of comics, which he says he wants to start making again. We can only hope he does. For now, I’m just thankful I finally have my Amy and Jordan collection back. –Chip Kidd, NYC, 10/03

    That is, until she’s accidentally woken up by a father and daughter on a vacation.Cars? Cell phones? What’s an Instagram? How can Craig and Alexis explain the world? No one said educating a teenage vampire would be easy. The Girl in The Back Row: High school means classes, making friends, hanging out, cutting classes… and keeping your fangs to yourself. Watch out world, this teen’s bite is worse than her bark. Welcome to public school Vampire teen. Keep an eye out for the ones who would rather put you back in a box, but this time forever.Vicki is getting a crash course in teenage life, if she can just keep her true nature hidden.Fortunately, she wants to make new friends more than mayhem. Too bad others aren’t going to make that so easy. The Girl With A Secret: Vickie’s a 400-year-old teenage vampire in a suburban public school. Combine that with vampire strength and speed, mix in typical teenage impulse control and trouble follows. Her new dad, Craig and adopted sister, Alexis are having trouble helping Vickie keep her identity under wraps – especially as classmates realize there’s something different about her. Is time running out? Reports of a Last Vampire are getting back to the centuries old Circle. Dedicated to hunting down vampires, they are getting closer to tracking her down. The GIrl In Plain Sight: New semester. New classes. New challenges. Can a 400-year-old teenage vampire learn to control her powers enough to manage the halls of public school? And not bite anyone of course… Vickie is making friends with a new girl, someone Alexis doesn’t trust. Alexis is starting a romance with Will, and Vickie smells trouble. Are the girls worried about the wrong things or can they help each other out? The Girl Unleashed: No matter the century, being a teenage vampire is hard when there’s no one around to teach you how to be cool, date and lift a car out of the way without getting caught. Vickie has grown into a rockstar vampire with her powers, but she can still cause harm. Not a good way to stay hidden when everyone has the number to TMZ and a camera in their pocket. Selfie with the teenage vampire anyone? Social media can bite worse than a vampire’s fangs. The Girl Revealed: Even though she’s a 400-year-old teenager, Vickie still hasn’t grasped the dangers of modern technology. Everyone has a cellphone and can catch anything on video… It’s only a matter of time before our favorite hero with fangs ends up on everyone’s small screen.

    Plagued with doubt, the artist is confronted by setbacks punctuated with occasional glimpses of recognition. Based on Haifisch’s own experiences as an illustrator in Germany and the US, The Artist has most recently run as a serialised comic in Vice Magazine to critical acclaim. Her work has also been published in the anthologies Two Fast Colour and Smoke Signal as well as the storytelling studio Narratively.

    Prelude to a Million Years (1933) is a dark meditation on art, inspiration, and the disparity between the ideal and the real. Song Without Words (1936), a protest against the rise of European fascism, asks if ours is a world still fit for the human soul. Vertigo (1937), Ward’s undisputed masterpiece, is an epic novel on the theme of the individual caught in the downward spiral of a sinking American economy. Its characters include a young violinist, her luckless fiancé, and an elderly business magnate who—movingly, and without ever becoming a political caricature—embodies the social forces determining their fate.The images reproduced in this volume are taken from prints pulled from the original woodblocks or first-generation electrotypes. Ward’s novels are presented, for the first time since the 1930s, in the format that the artist intended, one image per right-hand page, and are followed by four essays in which he discusses the technical challenges of his craft. Art Spiegelman contributes an introductory essay, “Reading Pictures,” that defines Ward’s towering achievement in that most demanding of graphic-story forms, the wordless novel in woodcuts.

    Manchester United away against Crystal Palace at a packed-out Selhurst Park. Eric Cantona, United's mercurial talisman, has been man-marked closely all game by Richard Shaw and become increasingly frustrated. In the 48th minute, Cantona’s temper boils over and he kicks out at Shaw. The ref shows him a red card. On his way off the pitch, a Palace fan rushes towards the hoardings to hurl abuse. The Frenchman loses it. He launches into the crowd, aiming a kung-fu kick at the fan’s chest. He is forcibly restrained and then taken off down the tunnel. The football world is stunned. Nothing like this has ever happened before.What followed has entered football folklore: the media furore, the seagulls following the trawler, and the longest domestic ban ever handed to a player; it would end up lasting 250 days. As Manchester United’s campaign stuttered towards a trophy-less conclusion, surrendering the league on the last day of the season and losing the FA Cup final, Cantona withdrew from the public eye. But, behind closed doors, Ferguson was planning the most remarkable of fresh starts for his star player and for a new-look United.250 Daystells the story in brilliant detail of one of the most turbulent times in United’s recent history. Showing Cantona in a new light, and the genius of Ferguson’s man management and vision in close relief, it is an incredibly entertaining and insightful look at the most controversial episode of the Premier League era.

    The only thing that stands in the way of the apocalypse?Hipsters, hotties, and nerds. It's time to throw down--and look sharp as hell while doing so.

    Written and illustrated by Kurtzman, Jungle Book inspired and influenced comics creators such as Robert Crumb, Art Spiegelman, Gilbert Shelton, and Terry Gilliam. Back in print for the first time in over twenty-five years, this deluxe hardcover features an essay by comics archivist Denis Kitchen; a new introduction by Gilbert Shelton; a conversational afterword between Pete Poplaski and Robert Crumb; and and a selection of Kurtzman's photographs, correspondence, and artwork. The definitive edition of this graphic novel masterpiece is not to be missed!

    Arkham City is closed. As a new day begins, Bruce Wayne finds himself in devastating pain, recovering from his injuries and questioning whether his role as Batman is still necessary to the city’s survival. But as the sun rises in Gotham City, dangerous new threats emerge from the shadows…and the Arkham Knight is just beginning. Don’t miss this in-continuity prequel comic set prior to the events of the brand-new video game Batman: Arkham Knight!

    - Five Go Adventuring Again - Five on a Treasure Island - Five on Finniston Farm - Five Go to Demon's Rock

    One of the UK’s most exciting up-and-coming hip-hop artists, Scroobius Pip, is a master of the spoken word lyric.From his childhood musings in the school playground to his feelings on the rat race, Pip has selected from his online fan collective artistic collaborations that bring the power of his lyrics to the printed page, creating an innovative multimedia collection of modern poetry.

    Legend of Korra continues the epic action begun in Avatar: The Last Airbender! Now fantasy fans ages 12 and up can bend their way into the beginning of Korra's adventures with this novelization of Nickelodeon's hit series, The Legend of Korra.

    He is so famous that there have been seven books written about his life. Plus a movie. And so he has agreed to provide the world with his extraordinary origin story, as dictated to his biographer and best friend, Charles Rollo" Tookus.  New York Times best-selling author Stephan Pastis is back with the hilariously heartwarming tale of how it all started for our favorite clueless detective-including how he got that red scarf!"

    Together, these Extraordinary X-Men will struggle with the familiar burden of being hated and feared, while facing threats the likes of which they've never seen. Here's hoping they survive the experience!Collecting: Extraordinary X-Men 1-5