She thinks that chapter of her life hasended, and starts afresh in Mumbai. But strangely, it seems her past is trying to catch up. Dhruv suddenlycomes back into her life. Even as they try to figure out their relationship, horrible things start happening to people they know. Together, Anuradha and Dhruv need to find out who it is that cannot bear to see them together. Who is carrying out these shocking crimes? Are they really soulmates cursed to stay apart, or is there some karmic debt they have to repay? Taut and thrilling, Only the Good Die Young is unputdownable.

    Three hundred years ago, as legend goes, the frightened Yorkshire villagers smothered a crying babe in Keldale Abbey, where they'd hidden to escape the ravages of Cromwell's raiders.Now into Keldale's pastoral web of old houses and older secrets comes Scotland Yard Inspector Thomas Lynley, the eighth earl of Asherton. Along with the redoubtable Detective Sergeant Barbara Havers, Lynley has been sent to solve a savage murder that has stunned the peaceful countryside. For fat, unlovely Roberta Teys has been found in her best dress, an axe in her lap, seated in the old stone barn beside her father's headless corpse. Her first and last words were "I did it. And I'm not sorry."Yet as Lynley and Havers wind their way through Keldale's dark labyrinth of secret scandals and appalling crimes, they uncover a shattering series of revelations that will reverberate through this tranquil English valley—and in their own lives as well.

    But when a disturbing pattern in recent cases begins to emerge, he chooses to postpone his self-imposed retirement in order to help out an old flame.Detective Katharina Rosenberg has a new case and a new cop killer on the run. When two colleagues are murdered in rapid succession, a shocking theory emerges: Is someone killing off the detectives Christian worked alongside solving homicide cases? And is Katharina next?Now, Katharina and Christian must team up once again to catch the murderer before it’s too late. With their buried passion rising to the surface, they give in to their desire while racing against time to find the vengeful cop killer before he finds them.

    As she’s drawn deeper into the mystery and becomes convinced she’s on the trail of a killer, she also must face her own demons and her own mortality. Would anyone notice if she just disappeared?

    Two streets away, through the open window of an unmarked police car, and they could hear the screams.HER BABY IS SNATCHED OFF THE STREET.When a child goes missing, every minute’s precious. When a baby’s taken, every second counts.Detective Sarah Quinn is called in.Baby Evie’s mother is in pieces. But then she seems unwilling to help. What isn’t she telling them?Time is running out to find Evie alive.TWO WOMEN ON THE CASERuthless TV journalist Caroline King is a thorn in the side of career cop DI Sarah Quinn. Caroline’s emotional and impulsive. Sarah’s known at work as the Ice Queen.WILL SPARKS FLY? CAN THE THIN BLUE LINE HOLD?The investigation reaches a dead end. The clock is ticking. The two enemies must work together to get baby Evie back alive.A heart-pounding thriller you won’t be able to put down. Perfect for fans of Helen H. Durrant, Charlie Gallagher, Angela Marsons, DS Butler, Carol Wyer and Rachel Abbott.

    Held in an underground cell, her only contact was with her sadistic captor, and reading his face was her entire existence. Learning his every line, every movement, and every flicker of thought is what kept her alive.After her experience with isolation and torture, she is left with a fierce desire for justice—and a heightened ability to interpret the body language of both the living and the dead. Despite colleagues’ doubts about her mental state, she resumes her role at Homicide. Her new partner, Detective Uriah Ashby, doesn’t trust her sanity, and he has a story of his own he’d rather keep hidden. But a killer is on the loose, murdering young women, so the detectives have no choice: they must work together to catch the madman before he strikes again. And no one knows madmen like Jude Fontaine.

    Ruth Galloway is in her late thirties and lives happily alone with her two cats in a bleak, remote area near Norfolk, land that was sacred to its Iron Age inhabitants—not quite earth, not quite sea. But her routine days of digging up bones and other ancient objects are harshly upended when a child’s bones are found on a desolate beach. Detective Chief Inspector Nelson calls Galloway for help, believing they are the remains of Lucy Downey, a little girl who went missing a decade ago and whose abductor continues to taunt him with bizarre letters containing references to ritual sacrifice, Shakespeare, and the Bible. Then a second girl goes missing and Nelson receives a new letter—exactly like the ones about Lucy. Is it the same killer or a copycat murderer, linked in some way to the site near Ruth’s remote home?