In medieval Cambridge, England, four children have been murdered. The crimes are immediately blamed on the town's Jewish community, taken as evidence that Jews sacrifice Christian children in blasphemous ceremonies. To save them from the rioting mob, the king places the Cambridge Jews under his protection and hides them in a castle fortress. King Henry II is no friend of the Jews-or anyone, really-but he is invested in their fate. Without the taxes received from Jewish merchants, his treasuries would go bankrupt. Hoping scientific investigation will exonerate the Jews, Henry calls on his cousin the King of Sicily-whose subjects include the best medical experts in Europe-and asks for his finest "master of the art of death," an early version of the medical examiner. The Italian doctor chosen for the task is a young prodigy from the University of Salerno. But her name is Adelia-the king has been sent a "mistress" of the art of death. Adelia and her companions-Simon, a Jew, and Mansur, a Moor-travel to England to unravel the mystery of the Cambridge murders, which turn out to be the work of a serial killer, most likely one who has been on Crusade with the king. In a backward and superstitious country like England, Adelia must conceal her true identity as a doctor in order to avoid accusations of witchcraft. Along the way, she is assisted by Sir Rowley Picot, one of the king's tax collectors, a man with a personal stake in the investigation. Rowley may be a needed friend, or the fiend for whom they are searching. As Adelia's investigation takes her into Cambridge's shadowy river paths and behind the closed doors of its churches and nunneries, the hunt intensifies and the killer prepares to strike again . .

    There are many unresolved questions. Why, for instance, have both victims left their fortunes to an orphanage run by the English Lady Astair? And who is the beautiful "A.B.," whose signed photograph is found in the apparent suicide's apartment? Relying on his keen intuition, the eager sleuth plunges into an investigation that leads him across Europe, landing him at the deadly center of a terrorist conspiracy of worldwide proportions.

    Ruth Galloway is in her late thirties and lives happily alone with her two cats in a bleak, remote area near Norfolk, land that was sacred to its Iron Age inhabitants—not quite earth, not quite sea. But her routine days of digging up bones and other ancient objects are harshly upended when a child’s bones are found on a desolate beach. Detective Chief Inspector Nelson calls Galloway for help, believing they are the remains of Lucy Downey, a little girl who went missing a decade ago and whose abductor continues to taunt him with bizarre letters containing references to ritual sacrifice, Shakespeare, and the Bible. Then a second girl goes missing and Nelson receives a new letter—exactly like the ones about Lucy. Is it the same killer or a copycat murderer, linked in some way to the site near Ruth’s remote home?

    When Rutledge is assigned to investigate a murder involving the military, his emotional war wounds flare. It is a case that strikes dangerously close to home--one that will test Rutledge's precarious grip on his own sanity. A "Publishers Weekly" Best Book selection. Martin's Press.

    Suspicious, the Archbishop sends for Owen Archer, a Welshman with the charm of the devil, who's lost one eye to the wars in France and must make a new career as an honest spy.Masquerading as an apprentice to Apothecary Nicholas Wilton, whose shop dispensed the fatal potion, Owen's dark curls, leather eyepatch and gold earring intrigue Wilton's wife. But is this lovely woman a murderess? and what links the Wiltons to bumbling Brother Wulfstan, ascetic Archdeacon Anselm and his weaselly agent Potter Digby, and the ragged midwife Magda the Riverwoman? Answers as slippery as the frozen cobblestones draw Owen into a dangerous drama of old scandals and tragedies, obsession and unholy love...The Apothecary Rose marks the arrival of a bold and quick-witted detective in this expertly detailed, engrossing tale of medieval life-and death.

    From shopkeepers to kings, everyone wants the help of Sherlock Holmes, but can he solve these mysteries?

    In Full Dark House, Christopher Fowler tells the story of both their first and last case--and how along the way the unlikely pair of crime fighters changed the face of detection.A present-day bombing rips through London and claims the life of eighty-year-old detective Arthur Bryant. For his partner John May, it means the end of a partnership that lasted over half-a-century and an eerie echo back to the Blitz of World War II when they first met. Desperately searching for clues to the killer's identity, May finds his old friend's notes of their very first case and becomes convinced that the past has returned...with a killing vengeance.It begins when a dancer in a risque new production of Orpheus in Hell is found without her feet. Suddenly, the young detectives are plunged in a bizarre gothic mystery that will push them to their limits--and beyond. For in a city shaken by war, a faceless killer is stalking London's theaters, creating his own kind of sinister drama. And it will take Arthur Bryant's unorthodox techniques and John May's dogged police work to catch a criminal whose ability to escape detection seems almost supernatural--a murderer who even decades later seems to have claimed the life of one of them...and is ready to claim the other.Filled with startling twists, unforgettable characters, and a mystery that will keep you guessing, Full Dark House is a witty, heartbreaking, and all-too-human thriller about the hunt for an inhuman killer.

    Thomas Silkstone, anatomist and pioneering forensic detective. . .The death of Sir Edward Crick has unleashed a torrent of gossip through the seedy taverns and elegant ballrooms of Oxfordshire. Few mourn the dissolute young man--except his sister, the beautiful Lady Lydia Farrell. When her husband comes under suspicion of murder, she seeks expert help from Dr. Thomas Silkstone, a young anatomist from Philadelphia.Thomas arrived in England to study under its foremost surgeon, where his unconventional methods only add to his outsider status. Against his better judgment he agrees to examine Sir Edward's corpse. But it is not only the dead, but also the living, to whom he must apply the keen blade of his intellect. And the deeper the doctor's investigations go, the greater the risk that he will be consigned to the ranks of the corpses he studies. . .

    This alone could have got him burned at the stake, but he was also a student of occult philosophies and magic. In S.J. Parris's gripping novel, Bruno's pursuit of this rare knowledge brings him to London, where he is unexpectedly recruited by Queen Elizabeth I and is sent undercover to Oxford University on the pretext of a royal visitation. Officially Bruno is to take part in a debate on the Copernican theory of the universe; unofficially, he is to find out whatever he can about a Catholic plot to overthrow the queen. His mission is dramatically thrown off course by a series of grisly murders and a spirited and beautiful young woman. As Bruno begins to discover a pattern in these killings, he realizes that no one at Oxford is who he seems to be. Bruno must attempt to outwit a killer who appears obsessed with the boundary between truth and heresy. Like The Dante Club and The Alienist, this clever, sophisticated, exceptionally enjoyable novel is written with the unstoppable narrative propulsion and stylistic flair of the very best historical thrillers.

    Conspirators plot an assassination, while mysterious, violent death stalks the shadowy cloisters of the Abbey of St Hilda. When the Abbess Etain, a leading speaker for the Celtic Church, is found murdered suspicion inevitably rests on the Roman faction.Attending the Synod is Fidelma, of the community of St Brigid of Kildare. As an advocate of the Brehon Court, she is called on to investigate the murder with Brother Eadulf, of the Roman faction. However, the two are so unlike that their partnership is described as that of a wolf and a fox - but which is which?More gruesome deaths follow and the friction among the clerics could end in civil war. Can the solution to the mysteries avert such a conflict?

    Florence Armstrong, her maid and confidante, is an expert in martial arts. The year is 1908 and they’ve just moved from London to the country, hoping for a quiet life.But it is not long before Lady Hardcastle is forced out of her self-imposed retirement. There’s a dead body in the woods, and the police are on the wrong scent. Lady Hardcastle makes some enquiries of her own, and it seems she knows a surprising amount about crime investigation…As Lady Hardcastle and Flo delve deeper into rural rivalries and resentment, they uncover a web of intrigue that extends far beyond the village. With almost no one free from suspicion, they can be certain of only one fact: there is no such thing as a quiet life in the country.

    When a student bearing a striking resemblance to artists' renderings of Jesus Christ is found murdered -- by crucifixion -- in London's Jewish ghetto, 19th-century private detective Barker must hire an assistant to help him solve the sinister case. Out of all who answer an ad for a position with "some danger involved," the eccentric and enigmatic Barker chooses downtrodden Llewelyn, a gutsy young man whose murky past includes recent stints at both an Oxford college and an Oxford prison. As Llewelyn learns the ropes of his position, he is drawn deeper and deeper into Barker's peculiar world of vigilante detective work, as well as the dark heart of London's teeming underworld. Together they pass through chophouses, stables, and clandestine tea rooms, tangling with the early Italian mafia, a mad professor of eugenics, and other shadowy figures, inching ever closer to the shocking truth behind the murder.

    Created after the Metropolitan Police’s spectacular failure to capture Jack the Ripper, The Murder Squad suffers rampant public contempt. They have failed their citizens. But no one can anticipate the brutal murder of one of their own . . . one of the twelve . . .When Walter Day, the squad’s newest hire, is assigned the case of the murdered detective, he finds a strange ally in the Yard’s first forensic pathologist, Dr. Bernard Kingsley. Together they track the killer, who clearly is not finished with The Murder Squad . . . but why?Filled with fascinating period detail, and real historical figures, this spectacular debut in a new series showcases the depravity of late Victorian London, the advent of criminology, and introduces a stunning new cast of characters sure to appeal to fans of The Sherlockian and The Alienist.

    The first of an exciting new series of novels.London, September 1666. The Great Fire rages through the city, consuming everything in its path. Even the impregnable cathedral of St. Paul’s is engulfed in flames and reduced to ruins. Among the crowds watching its destruction is James Marwood, son of a disgraced printer, and reluctant government informer.In the aftermath of the fire, a semi-mummified body is discovered in the ashes of St. Paul’s, in a tomb that should have been empty. The man’s body has been mutilated and his thumbs have been tied behind his back.Under orders from the government, Marwood is tasked with hunting down the killer across the devastated city. But at a time of dangerous internal dissent and the threat of foreign invasion, Marwood finds his investigation leads him into treacherous waters – and across the path of a determined, beautiful and vengeful young woman.

     In the year 1780, Harriet Westerman, the willful mistress of a country manor in Sussex, finds a dead man on her grounds with a ring bearing the crest of Thornleigh Hall in his pocket. Not one to be bound by convention or to shy away from adventure, she recruits a reclusive local anatomist named Gabriel Crowther to help her find the murderer, and historical suspense's newest investigative duo is born. For years, Mrs. Westerman has sensed the menace of neighboring Thornleigh Hall, seat of the Earl of Sussex. It is the home of a once- great family that has been reduced to an ailing invalid, his whorish wife, and his alcoholic second son, a man haunted by his years spent as a redcoat in the Revolutionary War. The same day, Alexander Adams is slain by an unknown killer in his London music shop, leaving his children orphaned. His death will lead back to Sussex, and to an explosive secret that has already destroyed one family and threatens many others. Instruments of Darkness combines the brooding atmosphere of Anne Perry with the complex, compelling detail of Tess Gerritsen, moving from drawing room to dissecting room, from coffee house to country inn. Mrs. Westerman and Mr. Crowther are both razor-sharp minds and their personalities breathe spirit into this gripping historical mystery.