Terpsichore can’t wait to follow in Laura Ingalls Wilder’s footsteps . . . now she just has to convince her mom. It’s 1934, and times are tough for their family. To make a fresh start, Terpsichore’s father signs up for President Roosevelt’s Palmer Colony project, uprooting them from Wisconsin to become pioneers in Alaska. Their new home is a bit of a shock—it’s a town still under construction in the middle of the wilderness, where the residents live in tents and share a community outhouse. But Terpsichore’s not about to let first impressions get in the way of this grand adventure. Tackling its many unique challenges with her can-do attitude, she starts making things happen to make Alaska seem more like home. Soon, she and her family are able to start settling in and enjoying their new surroundings—everyone except her mother, that is. So, in order to stay, Terpsichore hatches a plan to convince her that it’s a wonderful—and civilized—place to live . . . a plan that’s going to take all the love, energy, and Farmer Boy expertise Terpsichore can muster.

    For Milo, everything’s a bore. When a tollbooth mysteriously appears in his room, he drives through only because he’s got nothing better to do. But on the other side, things seem different. Milo visits the Island of Conclusions (you get there by jumping), learns about time from a ticking watchdog named Tock, and even embarks on a quest to rescue Rhyme and Reason! Somewhere along the way, Milo realizes something astonishing. Life is far from dull. In fact, it’s exciting beyond his wildest dreams. . . .

    A devoted admirer of the great detective, he had learned his craft by listening at the feet of Holmes himself. The Mystery of the Missing Twins was one of the strangest cases in Basil's career. He had only a few crumbs of clues with which to find solutions to such baffling questions as: Who had masterminded the plot? Where were the twins, Angela and Agatha, being kept?

    All four are tangled up in a sinister plot to take over the kingdom, and together they must face kind monsters, a cruel magician, and dozens of deathly boring palace bureaucrats. They’re a ragtag bunch, but with strength, courage, and plenty of deductive reasoning, they just might outwit the villains and crack the goblin’s puzzle.

    They set fire to Fred Shoemaker’s toolshed, blackmailed Wanda Pierce to get her charm bracelet, and smacked Alice Wendelken across the head. And that’s just the start! When the Herdmans show up at church for the free snacks and suddenly take over the Christmas pageant, the other kids are shocked. It’s obvious that they’re up to no good. But Christmas magic is all around and the Herdmans, who have never heard the Christmas story before, start to reimagine it in their own way.This year’s pageant is definitely like no other, but maybe that’s exactly what makes it so special.

    Readers will enjoy "an intricate, one-of-a-kind comedy".--School Library Journal.

    Dominic is a talented dog, and when he encounters the notorious Doomsday Gang up to their old tricks, it becomes obvious they have met their match!An ALA Notable Book

    But his life takes a turn for the worse when his parents decide to move to middle-of-nowhere Petersville―a town with one street and no restaurants. It's like suddenly they're supposed to be this other family, one that can survive without bagels and movie theaters.His suspicions about his new town are confirmed when he's tricked into believing the local general store has life-changing chocolate cream doughnuts, when in fact the owner hasn't made them in years. And so begins the only thing that could make life in Petersville worth living: getting the recipe, making the doughnuts, and bringing them back to the town through his very own doughnut stand. But Tristan will soon discover that when starting a business, it helps to be both Gifted and Talented, and it's possible he's bitten off more than he can chew...

    He is very much a beetle. James Pompaday lives with his family in New York City. He is very much an eleven-year-old boy. After James gets a pen-and-ink set for his birthday, Marvin surprises him by creating an elaborate miniature drawing. James gets all the credit for the picture and before these unlikely friends know it they are caught up in a staged art heist at the Metropolitan Museum of Art that could help recover a famous drawing by Albrecht Dürer. But James can’t go through with the plan without Marvin’s help. And that’s where things get really complicated (and interesting!). This fast-paced mystery will have young readers on the edge of their seats as they root for boy and beetle. In Shakespeare’s Secret Elise Broach showed her keen ability to weave storytelling with history and suspense, and Masterpiece is yet another example of her talent. This time around it’s an irresistible miniature world, fascinating art history, all wrapped up in a special friendship— something for everyone to enjoy. Masterpiece is a 2009 Bank Street - Best Children's Book of the Year.

    Consisting of a series of episodes in the story of the English outlaw Robin Hood and his band of Merry Men, the novel compiles traditional material into a coherent narrative in a colorful, invented "old English" idiom that preserves some flavor of the ballads, and adapts it for children. The novel is notable for taking the subject of Robin Hood, which had been increasingly popular through the 19th century, in a new direction that influenced later writers, artists, and filmmakers through the next century.[1]Pyle had been submitting illustrated poems and fairy tales to New York publications since 1876, and had met with success. The Merry Adventures of Robin Hood was the first novel he attempted. He took his material from Middle Age ballads and wove them into a cohesive story, altering them for coherence and the tastes of his child audience. For example, he included "Robin Hood and the Curtal Friar" in the narrative order to reintroduce Friar Tuck. He needed a cooperative priest for the wedding of outlaw Allan a Dale (Pyle's spelling of the original Alan-a-Dale) to his sweetheart Ellen. In the original "A Gest of Robyn Hode", the life is saved of an anonymous wrestler who had won a bout but was likely to be murdered because he was a stranger. Pyle adapted it and gave the wrestler the identity of David of Doncaster, one of Robin's band in the story "Robin Hood and the Golden Arrow." In his novelistic treatment of the tales, Pyle thus developed several characters who had been mentioned in only one ballad, such as David of Doncaster or Arthur a Bland. Pyle's book continued the 19th-century trend of portraying Robin Hood as a heroic outlaw who robs the rich to feed the poor; this portrayal contrasts with the Robin Hood of the ballads, where the protagonist is an out-and-out crook, whose crimes are motivated by personal gain rather than politics or a desire to help others.[1] For instance, he modified the ballad "Robin Hood's Progress to Nottingham", changing it from Robin killing fourteen foresters for not honoring a bet to Robin defending himself against a band of armed robbers. Pyle has Robin kill only one man, who shoots at him first. Tales are changed in which Robin steals all that an ambushed traveler carried, such as "Robin Hood and the Bishop of Hereford", so that the victim keeps a third and another third is dedicated to the poor. Pyle did not have much concern for historical accuracy, but he renamed the queen-consort in the story "Robin Hood and Queen Katherine" as Eleanor (of Aquitaine). This made her compatible historically with King Richard the Lion-Hearted, with whom Robin eventually makes peace. The novel was first published by Scribner's in 1883, and met with immediate success,[1] ushering in a new era of Robin Hood stories. It helped solidify the image of a heroic Robin Hood, which had begun in earlier works such as Walter Scott's 1819 novel Ivanhoe. In Pyle's wake, Robin Hood has become a staunch philanthropist protecting innocents against increasingly aggressive villains.[1] Along with the publication of the Child Ballads by Francis James Child, which included most of the surviving Robin Hood ballads, Pyle's novel helped increase the popularity of the Robin Hood legend in the United States. The Merry Adventures also had an effect on subsequent children's literature. It helped move the Robin Hood legend out of the realm of penny dreadfuls and into the realm of respected children's books.[2] After Pyle, Robin Hood became an increasingly popular subject for children's books: Louis Rhead's Bold Robin Hood and His Outlaw Band (1912) and Paul Creswick's Robin Hood (1917), illustrated by Pyle's pupil N. C.

    Sure, other people have little sisters that bother them sometimes, but is there anyone in the world like Ramona? Whether she's taking one bite out of every apple in a box or secretly inviting 15 other 4-year-olds to the house for a party, Ramona is always making trouble--and getting all the attention. Every big sister can relate to the trials and tribulations Beezus must endure. Old enough to be expected to take responsibility for her little sister, yet young enough to be mortified by every embarrassing plight the precocious preschooler gets them into, Beezus is constantly struggling with her mixed-up feelings about the exasperating Ramona.

    Mark's wish zaps them to a desert without island, where half-talking cat Carrie gabbles to a camel. Romantic Katherine battles Launcelot. Eldest Jane rejects siblings for another family. Stubborn youngest, Martha, causes a riot downtown.

    Escaping over the orphanage wall to explore the outside world, Mandy discovers a tiny deserted cottage in the woods. All through the spring, summer, and fall, Mandy works to make it truly hers. Sometimes she "borrows" things she needs from the orphanage. Sometimes, to guard her secret, she even lies. Then, one stormy night at the cottage, Mandy gets sick, and no one knows how to find her--except a special friend she didn't know she had.

    It is beautiful and it is comic. It is philosophical and it is cheery. What we suppose we are trying fumblingly to say is, in a word, that it is Thurber.There are only a few reasons why everybody has always wanted to read this kind of story: if you have always wanted to love a Princess; if you always wanted to be a Prince; if you always wanted the wicked Duke to be punished; or if you always wanted to live happily ever after. Too little of this kind of thing is going on in the world today. But all of it is going on valorously in The 13 Clocks.

    In 1946 a ten-year-old girl tries to understand and overcome her stern father's objections to having a Christmas tree in the house.