Lewis, J.R.R. Tolkien, and Charles Williams met regularly to discuss philosophy and read aloud from their works. Carpenter's account brings to life those warm and enchanting evenings where their imaginations ran wild.

    With bestselling books such as Light a Penny Candle, Circle of Friends, Tara Road, Evening Class, and A Week in Winter, which was published four months after her death, no one else told stories like Maeve Binchy. Humane, down-to-earth, and funny, her novels captured imaginations on both sides of the Atlantic in a way that most authors only dream of.More than simply a biography, this extraordinary book visits Maeve Binchy in the land of her birth, which is the environment of her novels, and in the company of the author and her fictional characters sets out to discover the emotional contours which define her as a writer and a person.

    “Babel’s 1920 Diary, the source for many of his remarkable Red Cavalry stories, is itself as remarkable as the stories, particularly when one considers that the diarist was a journalist of only twenty-six. The staccato sentences in which Babel rapidly describes the horrific details of revolutionary brutality have the impact of an accomplished style, one that in its spontaneously elliptical way is strangely no less artful than the artfully nuanced directness that is the triumph of Red Cavalry.”—Philip Roth “An electrifying translation accompanied by an indispensable introduction. . . . Babel’s journey is a Jewish lamentation . . . a tragic masterwork.” —Cynthia Ozick, The New Republic “A precursor of Holocaust literature, and more powerful in its effect than any Holocaust literature that I have managed to read.”—Harold Bloom, New York Times Book Review

    When it was first published in 1979, it became an international bestseller. This 25th anniversary edition includes a new foreword by Vladimir Ashkenazy, as well as black-and-white photos. "Testimony changed the perception of Shostakovich's life and work dramatically, and influenced innumerable performances of his music." - New Grove Dictionary

    He was also an extremely able politician who won the esteem of many statesmen-including Winston Churchill and influential persons in the United States. This biography describes Mussolini's childhood; his education (including his suspension from school for attacking other boys with knives); his World War I experiences and severe wounding; his involvement in, and eventual expulsion from the revolutionary Italian Socialist Party; his numerous love affairs, his early career as a journalist and his rise to power and brutal rule.

    Chances are you’ve also read Jane Eyre; if you were an exceptionally moody teenager, you might have even read Wuthering Heights. English majors might add George Eliot or Virginia Woolf to this list…but then the trail ends. Were there truly so few women writing anything of note during late 18th and 19th century Britain?In Not Just Jane, Shelley DeWees weaves history, biography, and critical analysis into a rip-roaring narrative of the nation’s fabulous, yet mostly forgotten, female literary heritage. As the country, and women’s roles within it, evolved, so did the publishing industry, driving legions of ladies to pick up their pens and hit the parchment. Focusing on the creative contributions and personal stories of seven astonishing women, among them pioneers of detective fiction and the modern fantasy novel, DeWees assembles a riveting, intimate, and ruthlessly unromanticized portrait of female life—and the literary landscape—during this era. In doing so, she comes closer to understanding how a society could forget so many of these women, who all enjoyed success, critical acclaim, and a fair amount of notoriety during their time, and realizes why, now more than ever, it’s vital that we remember.Rediscover Charlotte Turner Smith, Helen Maria Williams, Mary Robinson, Catherine Crowe, Sara Coleridge, Dinah Mulock Craik, and Mary Elizabeth Braddon.

    Contents: Rasputin; The Cellar Preacher; Before the High Priests; The Fateful Idyll of Tsarskoe Selo; The Friend; The Penitential Journey of the Great Sinner; In the Holy of Holies; The Revolt Against the Holy Devil; The Murderer with the Guitar; The Death Ship; Bibliography; Index.

    In the twilight of the Cold War (the late 1980s), nine-year old Lev Golinkin and his family cross the Soviet border with only ten suitcases, $600, and the vague promise of help awaiting in Vienna. Years later, Lev, now an American adult, sets out to retrace his family's long trek, locate the strangers who fought for his freedom, and in the process, gain a future by understanding his past.Lev Golinkin's memoir is the vivid, darkly comic, and poignant story of a young boy in the confusing and often chilling final decade of the Soviet Union. It's also the story of Lev Golinkin, the American man who finally confronts his buried past by returning to Austria and Eastern Europe to track down the strangers who made his escape possible . . . and say thank you. Written with biting, acerbic wit and emotional honesty in the vein of Gary Shteyngart, Jonathan Safran Foer, and David Bezmozgis, Golinkin's search for personal identity set against the relentless currents of history is more than a memoir—it's a portrait of a lost era. This is a thrilling tale of escape and survival, a deeply personal look at the life of a Jewish child caught in the last gasp of the Soviet Union, and a provocative investigation into the power of hatred and the search for belonging. Lev Golinkin achieves an amazing feat—and it marks the debut of a fiercely intelligent, defiant, and unforgettable new voice.

    A quarter of a century after his death, his masterpiece, The Master and Margarita, became a worldwide bestseller. In Manuscripts Don't Burn the title a line from his famous novel, J.A. E. Curtis presents a gripping chronicle of Bulgakov's life, using as source material, among other documents, a partial copy of one of his diaries which was presumed lost and uncovered decades later in the KGB’s archives. That diary and those of his third wife record the nightmarish precariousness of life during the Stalinist purges. Also included are letters to Stalin, in which Bulgakov pleads to be allowed to emigrate; letters to his siblings; intimate notes to his second and third wives; and letters to and from other writers such as Gorky and Zamyatin.

    During his lifetime he was a bourgeois-baiting visionary, and the list of his known crimes is longer than the list of his published poems. But his posthumous career is even more astonishing: saint to symbolists and surrealists; poster child for anarchy and drug use; gay pioneer; a major influence on artists from Picasso to Bob Dylan.

    When the old world is unexpectedly brought down in a total war, the band seizes control of the country, and the new regime it founds as the vanguard of a new world order is ruthlessly dominated from within by the former seminarian until he stands as the absolute ruler of a vast and terrible state apparatus, with dominion over Eurasia. But the largest country in the world is also a poor and backward one, far behind the great capitalist countries in industrial and military power, encircled on all sides. Shortly after seizing total power, Stalin conceives of the largest program of social reengineering ever attempted: the root-and-branch uprooting and collectivization of agriculture and industry across the entire Soviet Union. To stand up to the capitalists he will force into being an industrialized, militarized, collectivized great power is an act of will. Millions will die, and many more will suffer, but Stalin will push through to the end against all resistance and doubts. Where did such power come from? We think we know the story well. Remarkably, Stephen Kotkin’s epic new biography shows us how much we still have to learn. The product of a decade of scrupulous and intrepid research, Stalin contains a host of astonishing revelations. Kotkin gives an intimate first-ever view of the Bolshevik regime’s inner geography, bringing to the fore materials from Soviet military intelligence and the secret police. He details Stalin’s invention of a fabricated trial and mass executions as early as 1918, the technique he would later impose across the whole country. The book places Stalin’s momentous decision for collectivization more deeply than ever in the tragic history of imperial Russia. Above all, Kotkin offers a convincing portrait and explanation of Stalin’s monstrous power and of Russian power in the world. Stalin restores a sense of surprise to the way we think about the former Soviet Union, revolution, dictatorship, the twentieth century, and indeed the art of history itself.