She knows her destiny-it lies at Oxford, where she will begin a great career of public service. But this view of herself is at odds with reality; it springs from ideas she has of her idolized English father and of her blessed Italian mother, Constanza. Only when she is caught up in an intrigue that is to determine the fate of those she most loves does she begins to discover her own true nature-even as she loses the bearings of her moral compass.

    Tracing many of the same themes as that earlier work, this novel is a bemused, sometimes acid portrait of people caught in private sexual hells of their own making. Its four episodes are connected by four narrators. All are called "Christopher Isherwood, " but each is a different character inhabiting a new setting: Berlin in 1928, the Greek Isles in 1933, London in 1938, and California in 1940. Down There on a Visit is a major work that shows Isherwood at the height of his literary powers.

    In order to be true to himself, he goes against the grain of society’s often unspoken rules of class, wealth, and politics.Forster understood that his homage to same-sex love, if published when he completed it in 1914, would probably end his career. Thus, Maurice languished in a drawer for fifty-seven years, the author requesting it be published only after his death (along with his stories about homosexuality later collected in The Life to Come).Since its release in 1971, Maurice has been widely read and praised. It has been, and continues to be, adapted for major stage productions, including the 1987 Oscar-nominated film adaptation starring Hugh Grant and James Wilby.

    Stuck in a passionless marriage, Arthur becomes infatuated with Annabel, a much younger woman. Their relationship sets into motion a series of intertwining affairs between five close friends less concerned with love than with their attempts to keep the other lovers apart.

    "Impeccably composed and meticulously particular in its observation of everything" (Harpers & Queen), it focuses on the friendship of two men: William Beckwith, a young gay aristocrat who leads a life of privilege and promiscuity, and the elderly Lord Nantwich, an old Africa hand, searching for someone to write his biography and inherit his traditions.

    The two begin a love affair that affects their lives in ways neither could have predicted. "Absorbing from start to finish" (The New Yorker), The Page Turner testifies to the tenacity of the human spirit and the resiliency of the human heart.

    There he befriends the young, bright Andrew, a conscientious objector serving as an orderly. As they find solace and companionship together in the idyllic surroundings of the hospital, their friendship blooms into a discreet, chaste romance. Then one day, Ralph Lanyon, a mentor from Laurie’s schoolboy days, suddenly reappears in Laurie’s life, and draws him into a tight-knit social circle of world-weary gay men. Laurie is forced to choose between the sweet ideals of innocence and the distinct pleasures of experience. Originally published in the United States in 1959, The Charioteer is a bold, unapologetic portrayal of male homosexuality during World War II that stands with Gore Vidal’s The City and the Pillar and Christopher Isherwood’s Berlin Stories as a monumental work in gay literature.

    No one -- not aspiring actor Rusty Godowski, not his girlfriend, Mary-Ann Pringle, not powerful agent Letitia Van Allen -- remains untouched by Myra's quest. Her job teaching Empathy and Posture at the Academy of Drama and Modeling, owned by her uncle Buck Loner, gives her the perfect opportunity to vamp, scheme, and seduce her way into the undiscovered lives and passions of others -- while trying to keep a few secrets of her own.In the sequel, Myron, the Breckinridge saga takes an increasingly bizarre turn. Myron seems to be an inconspicuous man with a sweet wife and a Chinese catering business, and Myra, determined to become a megastar, wages an outrageous battle for hormonal supremacy over the body she shares with Myron. In a tale that combines time-travel with the ultimate Hollywood fantasy, Gore Vidal leads us through the movie-star world of the fabulous forties as Myra attempts to alter cinema history.When Myra Breckinridge first appeared in 1968, critics were delighted, baffled, and somewhat appalled by this comedy of sex change. (Readers made it the number-one best-seller.) Time magazine queried: Has literary decency fallen so low? Perhaps they should have asked, Has literature ever been so witty, so provoking, so intriguing? Thirty years later Myra has become literature's most famous transsexual. After all, this is her/his/their age.

    Following a group of British tourists vacationing on the Italian Riviera during the 1920s, The Hotel explores the social and emotional relationships that develop among the well-heeled residents of the eponymous establishment. When the young Miss Sydney falls under the sway of an older woman, Mrs. Kerr, a sapphic affair simmers right below the surface of Bowen's writing, creating a rich story that often relies as much on what is left unsaid as what is written on the page. Bowen depicts an intense interpersonal drama with wit and suspense, while playing with and pushing the English language to its boundaries.

    Though Fuller was well known as an accomplished realist and had published twelve previous novels, this was his first to address sexual ambivalence. Bertram Cope, a young college teaching assistant, is befriended by Medora Phillips, a rich society type who tries to match him with three eligible young women. However, Bertram is emotionally attached only to his friend and housemate, Arthur Lemoyne. The portrayal of various friendships makes it an ironic and witty comedy of manners.

    There is Victoria, a Pre-Raphaelite beauty intent on marriage; Maurice, shaking his fist at the injustices of the world; Stanley, a follower of Ruskin ad Morris, doing good as radical fashion dictates; Irving, a lusty young capitalist, and Una, born for happy marriage and maternity. All are watched from the sidelines by their sister Rome. Detached, intelligent, urbane, she observes three generations of her family strut and fret their hour upon the stage. To her their sound and fury signify nothing -- but to us the memory of Rome's one brief love affair strikes the final note of truth, defiantly affirming that it is better to have loved and lost...

    At least not until he was abandoned by his partner of fifteen years and suddenly thrust into a dating scene with men half his age and no discernible trace of love handles. But this unexpected hole in his life inspires Joel's search for a 1964 edition ofan Esquire-like magazine that contained a swimsuit ad that obsessed and haunted him throughout his youth. Determined to find out what happened to the model shown in the ad, Joel slowly begins to understand what has happened to his own life. Sexy, smart, and deftly observed, Man About Town is a new twist on the idea that the personal is political and a must read for anyone who's ever wondered what happened to that first crush.

    Austin Smith is pushing fifty, loveless and drifting, until one day he meets Julien, a much younger, married Frenchman. In the beginning, the lovers' only impediments are the comic clashes of culture, age, and temperament. Before long, however, the past begins to catch up with them. In a desperate quest to save health and happiness, they move from Venice to Key West, from Montreal in the snow to Providence in the rain. But it is amid the bleak, baking sands of the Sahara that their love is pushed to its ultimate crisis.

    Spanning three centuries, the novel opens as Orlando, a young nobleman in Elizabeth's England, awaits a visit from the Queen and traces his experience with first love as England under James I lies locked in the embrace of the Great Frost. At the midpoint of the novel, Orlando, now an ambassador in Constantinople, awakes to find that he is now a woman, and the novel indulges in farce and irony to consider the roles of women in the 18th and 19th centuries. As the novel ends in 1928, a year consonant with full suffrage for women. Orlando, now a wife and mother, stands poised at the brink of a future that holds new hope and promise for women.

    In lavish, pitch-perfect, and supple, readable prose, Burgess matches his splendid Shakespeare novel, Nothing Like the Sun. The whole world of Elizabethan England—from the intrigues of the courtroom, through the violent streets of London, to the glory of the theater—comes alive in this joyous celebration of the life of Christopher Marlowe, murdered in suspicious circumstances in a tavern brawl in Deptford more than four hundred years ago.