These thirty-three short stories and poems, crafted with a deliberate delicacy, each capture the candid, private moments of women in love.Together, these stories and the women who inhabit them reveal an illuminating portrait of the sacred female romance, with all its nuances, complexities, burdens, and triumphs revealed. Violence, sickness, chaos, tenderness, beauty, and freedom adorn these pages in a mosaic of unforgettable moments, including a lesbian granddaughter discovering unexpected commonalities with her grandmother, a teenager’s tryst with her friend after disenchanting sex with a boy, and an old couple’s dreamy Sunday-morning ritual.Sweeping nearly every major Brazilian literary prize in 2016—including the Prêmio Jabuti and Prêmio Açorianos de Literatura—Amora has propelled Natália Borges Polesso to the forefront of the international literary world.

    Where other people see junk he sees potential ... My dad collects broken people too ... Vincent is nearly forty years old, with little to show for his life except his precious sixteen-year-old daughter, Gemma: sensitive, insightful and wise beyond her years. When a stranger crashes her car outside Vincent and Gemma's bush home, their lives take a dramatic turn. In an effort to help the stranded woman, father and daughter are drawn into a world of unexpected and life-changing consequences. DARKNESS ON THE EDGE OF TOWN is a haunting tale that beguiles the reader with its deceptively simple prose, its gripping and unrelenting tensions, and its disturbing yet tender observations.

    They exchange numbers. They text, flirt and eventually have sex – the type of sex you attempt to forget. How could one date go so wrong?Everything that takes place in Cat Person happens to countless people every day. But Cat Person is not an everyday story. In less than a week, Kristen Roupenian's New Yorker debut became the most read and shared short story in their website's history. This is the bad date that went viral. This is the conversation we’re all having.This gift edition contains photographs by celebrated photographer Elinor Carucci, who was commissioned by the New Yorker to capture the image that accompanied Kristen Roupenian's Cat Person when it appeared in the magazine.

    These stories are filled with in-laws, outlaws and common-laws. Get ready for illegal wrestling moves (“The Camel Clutch”), pinky promises, a doctored casino, extraterrestrials or “Sky People,” love, lust and prayers for peace.While this is Van Camp’s most hilarious short story collection, it’s also haunted by the lurking presence of the Wheetago, human-devouring monsters of legend that have returned due to global warming and the greed of humanity. The stories in Moccasin Square Gardens show that medicine power always comes with a price.To counteract this darkness, Van Camp weaves a funny and loving portrayal of the Tłı̨chǫ Dene and other communities of the North, drawing from oral history techniques to perfectly capture the character and texture of everyday small-town life. “Moccasin Square Gardens” is the nickname of a dance hall in the town of Fort Smith that serves as a meeting place for a small but diverse community. In the same way, the collection functions as a meeting place for an assortment of characters, from shamans and time-travelling goddess warriors to pop-culture-obsessed pencil pushers, to con artists, archivists and men who just need to grow up, all seeking some form of connection.

    Herein lives the village idiot.Professor Frederick Lothian, a retired engineer, world expert on concrete and connoisseur of modernist design, has quarantined himself from life by moving to a retirement village. His wife, Martha, is dead and his two adult children are lost to him in their own ways. Surrounded and obstructed by the debris of his life - objects he has collected over many years and tells himself he is keeping for his daughter - he is determined to be miserable but is tired of his existence and of the life he has chosen.When a series of unfortunate incidents forces him and his neighbor, Jan, together, he begins to realise the damage done by the accumulation of a lifetime's secrets and lies and to comprehend his own shortcomings. Finally, Frederick Lothian has the opportunity to build something meaningful for the ones he loves.Humorous, poignant and galvanising by turns, Extinctions is a novel about all kinds of extinction - natural, racial, national and personal - and what we can do to prevent them.

    As in our world itself, humanity prevails in the courage, love, and laughter of singular spirits--of men and women for whom life is an adventure no Organization can quell, and whose souls remain their own.

    At 7, she discovers that love isn't necessarily forever.At 21, she finds love but it escapes her.At 35, she learns that love can be dangerous.By 49, she realises that the greatest love of all comes from the heart.As her life's milestones come and go, you will recognise yourself in her: her loves, her mistakes, and her belief that she doesn't deserve more.Australian author Tasma Walton's debut novel is a moving and confronting fable about the power of the human heart, the worthiness of its desires and the often dire consequences of ignoring them.

    Each tale offers glimpses into familiar, shadowy worlds that push the boundaries of the spirit and leave the mind haunted with the knowledge that black juice runs through us all.Contents:Earthly Uses (2004)House of the Many (2004)My Lord's Man (2004)Perpetual Light (2004)Red Nose Day (2004)Rite of Spring (2004)Singing My Sister Down (2004)Sweet Pippit (2004)Wooden Bride (2004)Yowlinin (2004)

    In "Exhalation," an alien scientist makes a shocking discovery with ramifications that are literally universal. In "Anxiety Is the Dizziness of Freedom," the ability to glimpse into alternate universes necessitates a radically new examination of the concepts of choice and free will.Including stories being published for the first time as well as some of his rare and classic uncollected work, Exhalation is Ted Chiang at his best: profound, sympathetic—revelatory.

    Yapas.They are also best friends. It doesn’t matter that Rosie is white and Nona is Aboriginal: their family connections tie them together for life.Born just five days apart in a remote corner of the Northern Territory, the girls are inseperable, until Nona moves away at the age of nine. By the time she returns, they’re in Year 10 and things have changed. Rosie has lost interest in the community, preferring to hang out in the nearby mining town, where she goes to school with the glamorous Selena, and Selena’s gorgeous older brother Nick.When a political announcement highlights divisions between the Aboriginal community and the mining town, Rosie is put in a difficult position: will she be forced to choose between her first love and her oldest friend?

    Although she loves her children and husband, April is plagued by the growing doubt that she has not lived up to her mother's expectations for her--until one day when something terrible and unexpected happens, and April must face the truth about her own life and discover what really matters.

    Two very different people. They were there, and then they were gone, as if through a crack in the sky. After that, in a small town like Goodwood, where we had what Nan called 'a high density of acquaintanceship', everything stopped. Or at least it felt that way. The normal feeling of things stopped.Goodwood is a small town where everyone knows everything about everyone. It's a place where it's impossible to keep a secret.In 1992, when Jean Brown is seventeen, a terrible thing happens. Two terrible things. Rosie White, the coolest girl in town, vanishes overnight. One week later, Goodwood's most popular resident, Bart McDonald, sets off on a fishing trip and never comes home.People die in Goodwood, of course, but never like this. They don't just disappear.As the intensity of speculation about the fates of Rosie and Bart heightens, Jean, who is keeping secrets of her own, and the rest of Goodwood are left reeling.Rich in character and complexity, its humour both droll and tender, Goodwood is a compelling ride into a small community, torn apart by dark rumours and mystery.

    On a cold night in the middle of winter she breaks all her own rules when she agrees to go home with a customer.What she finds in his house will change her life forever.Across the country Sarah and Doug are trapped in limbo, struggling to accept the loss that now governs their lives.Pete is the local policeman who feels like he is watching the slow death of his own family.Every day brings a fresh hell for each of them.Told from the alternating points of view of Tina, Sarah, Doug and Pete, The Boy Under the Table is gritty, shocking, moving and, ultimately, filled with hope.A harrowing glimpse into the real world behind the headlines, this is a novel of immense power and compassion-one that will not fail to move all who read it.

    1 Flight (Samaria) To be chosen as the lover of an angel is the highest honor in Samaria, but narrator Salome knows the hidden dangers of such a life and tries to warn her niece Sheba.2 Blood (Heart of Gold) As a gold-skinned gulden man, Kerk values race and pride above all, until he meets blue-skinned Jalcie and his decades-past well-missed runaway mother.3 Gold (Summers in Castle Auburn) On the eve of war, royal guard Orlain escorts his beloved Princess Zara, narrator to seductive elvish Alora, that lures her away.4 Flame (Twelve Houses) Roaming Mystic Senneth rescues a town from burning but a rogue fire power forces her into captivity.

    Every morning she uses 100 strokes to brush her hair, 160 strokes to brush her teeth. She remembers the day she started to count, how she used numbers to organize her adolescence, her career, even the men she dated. But something went wrong. Grace used to be a teacher, but now she's surviving on disability checks. According to the parents of one of her former students, "she's mad."Most people don't understand that numbers rule, not just the world in a macro way but their world, their own world. Their lives. They don't really understand that everything and everybody are connected by a mathematical formula. Counting is what defines us...the only thing that gives our lives meaning is the knowledge that eventually we all will die. That's what makes each minute important. Without the ability to count our days, our hours, our loved ones...there's no meaning. Our lives would have no meaning. Without counting, our lives are unexamined. Not valued. Not precious. This consciousness, this ability to rejoice when we gain something and grieve when we lose something—this is what separates us from other animals. Counting, adding, measuring, timing. It's what makes us human.Grace's father is dead and her mother is a mystery to her. Her sister wants to sympathize but she really doesn't understand. Only Hilary, her favorite niece, connects with her. And Grace can only connect with Nikola Tesla, the turn-of-the-twentieth-century inventor whose portrait sits on her bedside table and who rescues her in her dreams. Then one day all the tables at her regular café are full, and as she hesitates in the doorway a stranger—Seamus Joseph O'Reilly (19 letters in his name, just like Grace's)—invites her to sit with him. Grace is not the least bit sentimental. But she understands that no matter how organized you are, how many systems you put in place, you can't plan for people. They are unpredictable and full of possibilities—like life itself, a series of maybes and what-ifs.And suddenly, Grace may be about to lose count of the number of ways she can fall in love.