Cammie McGovern's insightful young adult debut is a heartfelt and heartbreaking story about how we can all feel lost until we find someone who loves us because of our faults, not in spite of them.Born with cerebral palsy, Amy can't walk without a walker, talk without a voice box, or even fully control her facial expressions. Plagued by obsessive-compulsive disorder, Matthew is consumed with repeated thoughts, neurotic rituals, and crippling fear. Both in desperate need of someone to help them reach out to the world, Amy and Matthew are more alike than either ever realized.When Amy decides to hire student aides to help her in her senior year at Coral Hills High School, these two teens are thrust into each other's lives. As they begin to spend time with each other, what started as a blossoming friendship eventually grows into something neither expected.

    “Bono met his wife in high school,” Park says.“So did Jerry Lee Lewis,” Eleanor answers.“I’m not kidding,” he says.“You should be,” she says, “we’re 16.”“What about Romeo and Juliet?”“Shallow, confused, then dead.”“I love you,” Park says.“Wherefore art thou,” Eleanor answers.“I’m not kidding,” he says.“You should be.”Set over one school year in 1986, Eleanor & Park is the story of two star-crossed misfits – smart enough to know first love almost never lasts, but brave and desperate enough to try.

    For Winona Olsen and Lucille Pryce, that fire happened the night they met outside the police station—both deciding whether to turn their families in.Winona has been starving for life in the seemingly perfect home that she shares with her seemingly perfect father, celebrity weatherman Stormy Olsen. No one knows that he locks the pantry door to control her eating and leaves bruises where no one can see them.Lucille has been suffocating beneath the needs of her mother and her drug-dealing brother, wondering if there’s more out there for her than disappearing waitress tips and generations of barely getting by.One harrowing night, Winona and Lucille realize they can’t wait until graduation to start their new lives. They need out. Now. All they need is three grand, fast. And really, a stolen convertible to take them from Michigan to Las Vegas can’t hurt.

    At a party she discovers her younger sister, Audrey, hooking up with her boyfriend, Mike—and she abandons them both in a rage. When Mike drunkenly attempts to drive Audrey home, he crashes and Audrey ends up in a coma. Now Harley is left with guilt, grief, pain and the undeniable truth that her ex-boyfriend (who is relatively unscathed) has a drinking problem. So it’s a surprise that she finds herself reconnecting with Raf, a neighbor and childhood friend who’s recently out of rehab and still wrestling with his own demons. At first Harley doesn’t want to get too close to him. But as Audrey awakens and slowly recovers, Raf starts to show Harley a path forward that she never would have believed possible—one guided by honesty, forgiveness, and redemption.

    Again.Because sometimes there are problems bigger than this week’s end of the world, and sometimes you just have to find the extraordinary in your ordinary life.Even if your best friend is worshipped by mountain lions...

    And he had no idea that I was the only girl in the world who hated his music." Stella will do anything for her sick sister, Cara—even stand in line for an autographed Heartbreakers CD...for four hours. She's totally winning best birthday gift this year. At least she met a cute boy with soft brown hair and gorgeous blue eyes while getting her caffeine fix. Too bad she'll never see him again.Except, Stella's life has suddenly turned into a cheesy love song. Because Starbucks Boy is Oliver Perry – lead singer for the Heartbreakers. And even after she calls his music crap, Oliver still gives Stella his phone number. And whispers quotes from her favorite Disney movie in her ear. OMG, what is her life?But how can Stella even think about being with Oliver — dating and laughing and pulling pranks with the band — when her sister could be dying of cancer?

    One boy, one girl. One gay, one straight. One black, one white. And SUMMER DRAMA CAMP. It's a season of hormones, gold lame, hissy fits, jazz hands, song and dance, true love, and unitards that will determine their future--and test their friendship.

    She speaks High School, College, Friends, Boyfriends, Break-ups, and even the language of Beautiful Girls. But none of these is her native tongue -- the only people who speak that are her best friend Stu and her sister Kate. So when Kate gets engaged to an epically insufferable guy, how can Josie see it as anything but the mistake of a lifetime? Kate is determined to bend Josie to her will for the wedding; Josie is determined to break Kate and her fiancé up. As battles are waged over secrets and semantics, Josie is forced to examine her feelings for the boyfriend who says he loves her, the sister she loves but doesn't always like, and the best friend who hasn't said a word -- at least not in a language Josie understands.

    The right people knew her name, her performances were booked months in advance, and her future seemed certain.That was all before she turned fourteen.Now, at sixteen, it's over. A death, and a betrayal, led her to walk away. That leaves her talented ten-year-old brother, Gus, to shoulder the full weight of the Beck-Moreau family expectations. Then Gus gets a new piano teacher who is young, kind, and interested in helping Lucy rekindle her love of piano -- on her own terms. But when you're used to performing for sold-out audiences and world-famous critics, can you ever learn to play just for yourself?The Lucy Variations is a story of one girl's struggle to reclaim her love of music and herself. It's about finding joy again, even when things don't go according to plan. Because life isn't a performance, and everyone deserves the chance to make a few mistakes along the way.

    After a personal crisis and her subsequent expulsion from high school, she’s going nowhere fast. Jane’s well-meaning parents push her to attend a high school completion program at the nearby Elbow River Community College, and she agrees, on one condition: she gets to move out.   Jane tackles her housing problem by signing up for House of Orange, a student-run reality show that is basically Big Brother, but for Elbow River Students. Living away from home, the chance to win a car (used, but whatever), and a campus full of people who don't know what she did in high school… what more could she want? Okay, maybe a family that understands why she’d rather turn to Freud than Jesus to make sense of her life, but she'll settle for fifteen minutes in the proverbial spotlight.   As House of Orange grows from a low-budget web series to a local TV show with fans and shoddy T-shirts, Jane finally has the chance to let her cynical, competitive nature thrive. She'll use her growing fan base, and whatever Intro to Psychology can teach her, to prove to the world—or at least viewers of substandard TV—that she has what it takes to win.

    All we wanted was to get near them. That’s why we got a room in the hotel where they were staying.We were not planning to kidnap one of them. Especially not the most useless one. But we had him—his room key, his cell phone, and his secrets.We were not planning on what happened next.We swear.From thrilling new talent Goldy Moldavsky comes a pitch-black, hilarious take on fandom and the badass girls who have the power to make—or break—the people we call “celebrities.”

    Ryn has held onto many things ever since, including one text message that allows her to keep Lottie near— it has gotten to the point that she questions her own sanity, and even keeps her therapist from knowing that she still sees and speaks to her friend. Now Ryn is stuck in the Denver Airport on the night before the anniversary of Lottie's death due to a blizzard with Xander, a boy she meets when they accidentally swap phones. The airport setting allows Ryn to open up to Xander, who is connected to her by circumstance and weighed down by his own issues. It also allows them to interact with other unique characters, including a child prodigy and the slightly older airport workers Siri and Harvey, who throw an illicit New Year's Eve party, while helping Ryn work out problems that she has been unable to face in her own life.

    but in the real world, it's more complicated. In this debut novel Marisa Kanter explores what happens when internet friends turn into IRL crushes.There are a million things that Halle Levitt likes about her online best friend, Nash.He’s an incredibly talented graphic novelist. He loves books almost as much as she does. And she never has to deal with the awkwardness of seeing him in real life. They can talk about anything…Except who she really is.Because online, Halle isn’t Halle—she’s Kels, the enigmatically cool creator of One True Pastry, a YA book blog that pairs epic custom cupcakes with covers and reviews. Kels has everything Halle doesn’t: friends, a growing platform, tons of confidence, and Nash.That is, until Halle arrives to spend senior year in Gramps’s small town and finds herself face-to-face with real, human, not-behind-a-screen Nash. Nash, who is somehow everywhere she goes—in her classes, at the bakery, even at synagogue.Nash who has no idea she’s actually Kels.If Halle tells him who she is, it will ruin the non-awkward magic of their digital friendship. Not telling him though, means it can never be anything more. Because while she starts to fall for Nash as Halle…he’s in love with Kels.

    They’ve endured summer vacations, Sunday brunches, even dentist visits together. Their mothers, who are best friends, are convinced that Mia and Jake would be the perfect couple, even though they can’t stand to be in the same room together.After Mia’s mom turns away yet another cute boy, Mia and Jake decide they’ve have had enough. Together, they hatch a plan to get their moms off their backs. Permanently. All they have to do is pretend to date and then stage the worst breakup of all time—and then they’ll be free.The only problem is, maybe Jake and Mia don’t hate each other as much as they once thought...

    I am a human being.”Actually Sarah is several human beings. At once. And only one of them is sixteen. Her parents insist she’s a gifted artist with a bright future, but now she can’t draw a thing, not even her own hand. Meanwhile, there’s a ten-year-old Sarah with a filthy mouth, a bad sunburn, and a clear memory of the family vacation in Mexico that ruined everything. She’s a ray of sunshine compared to twenty-three-year-old Sarah, who has snazzy highlights and a bad attitude. And then there’s forty-year-old Sarah (makes good queso dip, doesn’t wear a bra, really wants sixteen-year-old Sarah to tell the truth about her art teacher). They’re all wandering Philadelphia—along with a homeless artist allegedly named Earl—and they’re all worried about Sarah’s future.But Sarah’s future isn’t the problem. The present is where she might be having an existential crisis. Or maybe all those other Sarahs are trying to wake her up before she’s lost forever in the tornado of violence and denial that is her parents’ marriage.“I am a human being. I am sixteen years old. That should be enough.”