And definitely the sweariest.For over three years now, Esther Walker has been entertaining foodies with her hilarious Recipe Rifle blog. Charting her progress from bad cook to, well, not-so-bad cook, she is blistering honest about what works, and what doesn’t, in the kitchen. If a recipe works for her, it will probably work for you. If it doesn’t, she will swear quite a lot.Crammed full of recipes, tips for entertaining, stories of pregnancy and tales of her husband (restaurant critic Giles Coren) coming home drunk, The Bad Cook will make you laugh out loud. It will also make you want to start cooking.

    At first I tried to deny my condition (trying to treat a tumor with hot baths and ice packs). Eventually, I decided I would learn as much about my illness as possible while trying to keep my emotions on hold.What followed was an experience that finally forced me to deal with issues about my body that I had tried to ignore for decades. Along the way I dealt with a physician who gave me ridiculous advice and acquaintances who asked unbelievable questions. But I was also fortunate to be surrounded by people who supported me and doctors who helped me through the process.

    A heart warming, slow burn, late in life, friends to lovers story.Georgina owns an independent coffeehouse. Her co-owner, ex lover and sometime friend with benefits, has recently died in a car accident. Grieving, and trying to keep the business going, she finds out the half share has been willed to a complete stranger.Catherine has flitted from job to job, always searching for an important missing piece in her life. Dumped by her boyfriend, jobless, single, penniless and soon to be homeless, Catherine receives a letter which could solve all her problems.Georgina has said she would never again date a straight woman. So why is Catherine continually invading her thoughts? Catherine knows she isn’t gay. So why is she feeling something more than friendship towards Georgina? Will Georgina let her past control her future? Will Catherine acknowledge a future different to her past?Set in a coffeehouse on a busy, bustling main thoroughfare into Bristol. The Perfect Blend introduces us to the owners and characters who frequent the establishment.

     She writes of making up her mind at a young age to become a country music star, knowing then that her feelings and crushes on girls were “sinful” and hoping and praying that she would somehow be “fixed.” (“Dear God, please don’t let me be gay. I promise not to lie. I promise not to steal. I promise to always believe in you . . . Please take it away.”) We see her, high school homecoming queen, heading out on her own at seventeen and landing a job as a featured vocalist on the Ozark Jubilee (the show that started Brenda Lee, Red Foley, and Porter Wagoner), being cast in Country Music U.S.A., doing four live shows a day, and—after only a few months in Nashville—her dream coming true, performing on the stage of the Grand Ole Opry . . .  She describes writing and singing her own songs for producers who’d discovered and recorded the likes of Reba McEntire, Shania Twain, and Toby Keith, who heard in her music something special and signed her to a record contract, releasing her first album and sending her out on the road on her first bus tour . . . She writes of sacrificing all for a shot at success that would come a couple of years later with her first hit single, “Shut Up And Drive” . . . her songs (from her fourth album, Single White Female) climbing the Billboard chart for twenty-nine weeks, hitting the #1 spot . . .   She writes about the friends she made along the way—Vince Gill, Brad Paisley, and others—writing songs, recording and touring together, some of the friendships developing into romantic attachments that did not end happily . . . Keeping the truth of who she was clutched deep inside, trying to ignore it in a world she longed to be a part of—and now was—a world in which country music stars had never been, could not be, openly gay . . . She writes of the very real prospect of losing everything she’d worked so hard to create . . . doing her best to have a real life—her best not good enough . . .  And in the face of everything she did to keep herself afloat, she writes about how the vortex of success and hiding who she was took its toll: her life, a tangled mess she didn’t see coming, didn’t want to; and, finally, finding the guts to untangle herself from the image of the country music star she’d become, an image steeped in long-standing ideals and notions about who—and what—a country artist is, and what their fans expect them to be . . . I am a songwriter,” she writes. “I am a singer of my songs—and I have a story to tell. As I’ve traveled this path that has delivered me to where I am today, my monument of thanks, paying honor to God, remains. I will do all I can with what I have been given . . .”  Like Me is fearless, inspiring, true.

    Three years later, a lot changed. For one thing, she met the right girl. Here, for the first time, Katie opens up about realizing that she is gay. She tackles everything from the trials of dating in New York City to the growing pains of her first relationship, from obsessing over Harry Styles (because, actually, he does look a bit like a lesbian) to learning to accept herself all over again. Exploring love and sexuality with her neurotic wit and endearing intimacy, Katie shares the message that it's never too late to find love--or yourself.

    In the empty days after her son's death, left alone in her grief by her husband, Isabelle Berendon falls in love with the unlikeliest person in the world: her sister-in-law.Self-published by one of President Ronald Reagan's daughters, who does not identify as a lesbian.

    Having uprooted herself from a promising career in publishing in her adopted Brooklyn, Palmer embarks on a quest to determine the fate of her lost homes—and of a community that has been erased by unchecked Southern progress. Palmer's journey takes her from the ruins of kudzu-covered, airport-owned ghost towns to carefully preserved cemeteries wedged between the runways; into awkward confrontations with airport planners, developers, and even her own parents. Along the way, Palmer becomes an amateur detective, an urban historian, and a mother. Lyrically chronicling the overlooked devastation and beauty along the airport’s fringe communities in the tradition of John Jeremiah Sullivan and Leslie Jamison, Palmer unearths the startling narratives about race, power, and place that continue to shape American cities. Part memoir, part urban history, Flight Path: A Search for My Roots beneath the World's Busiest Airport is a riveting account of one young mother's attempt at making a home where there’s little home left.

    She made a compelling argument about the fluidity of partnerships, and how families today come in a myriad of designs. In her first book, Bello broadens her insights as she examines the idea of partnership in every woman’s life, and her own. She examines the myths that so many of us believe about partnership—that the partnership begins when the sex begins, that partnerships are static, that you have to love yourself before you can be loved, and turns them on their heads. Bello explores how many different relationships—romantic, platonic, spiritual, familial, educational—helped define her life. She encourages women to realize that the only labels we have are the ones we put on ourselves, and the best, happiest partnerships are the ones that make your life better, even if they don’t fit the mold of “typical.” Throughout this powerful and engaging read, Bello shares intimate stories and lessons on how she has come to discover her happiest self, accept who she is, and live honestly and freely, and tells the stories of those who came to her after her Times’ columns, grateful that someone gave voice to their life choices.Love is Love is not a memoir about an actress. It is a frank, raw, and honest book about the way every woman questions the roles she plays in love, work, and life, filled with wisdom, questions, and insights relevant to us all.

    They haven't spent three minutes with us in an alleyway."Meet two women with sharp knives, soft hearts, and a big secret. Oh, and a new recruit they can't seem to dislodge from the back seat.Carly and Jane travel the roads, helping women in need. This time, someone has asked for their help - but the guy she wants them to take care of isn't scared of their knives. And probably hasn't done anything worth ending up dead for. Yet.

    She is used to calling the shots in her London life but a move to Scotland changes everything.When she meets a beautiful, younger woman, Libby, who sees the world quite differently, her life is turned on its head. Everybody loves Libby but will she be able to win Brogan's heart?A slow-burn, romantic tale of new beginnings, hope and family.Please also note that this book contains some hot and steamy sex scenes and a little angst. You have been warned.This novel was first published under the title of Reclamation in July 2020. First Comes Love is the edited and extended republished novel of the original work.

    Her new autobiography holds nothing back.     In it she will talk about:   • Her controversial marriage to stripper Kieran;    • Their very public split after he slept with one of her oldest friends;    • Her difficult pregnancy and the fear she felt giving birth to her fifth child prematurely;    • The continued joy and challenges of looking after her severely disabled son, Harvey;    • Her public battle with Peter Andre, and the truth behind his allegations;    • Why she forgave her third husband Kieran Hayler, and the truth behind his affair with Jane Pountney; And much, much more.

    In a book shining with warmth, humour and compassion, she discovers that inheritance is about much more than genes: that we are shaped by songs as much as by cells, and that our internal landscapes are as important as those through which we move. Taking the reader from Glasgow to Lagos and beyond, Red Dust Road is revelatory, redemptive and courageous, unique in its voice and universal in its reach. It is a heart-stopping story of parents and siblings, friends and strangers, belonging and beliefs, biology and destiny, and love.

    A christian mother comes to terms with her son being gay through a personal journey that starts with the Church and ends at the Pride Parade.

    Trying her best to hold it together in Chicago, she is battling both the effects of her mother’s death and the betrayal of her ex-girlfriend. Opting to throw herself into work and the gym, she at first ignores an invitation from her largely absentee father to take some time off at his estate in Texas. He may be the Chairperson of Foster Oil & Gas, but it doesn’t change the fact that he was never part of her life. Besides, she’s up for a big promotion and sees it as the solution away from her one-way track into deep depression. In many ways, Natalie Silva is the complete opposite of London. Where London is pale, Natalie is sun-kissed. In that dark space deep down where London is filled with regrets and bitterness, Natalie radiates warm light. As a Texas native and sort-of Southern belle, Natalie is compassionate, kind and raised with a healthy dose of Southern hospitality. She’s followed her passion for baking throughout her adult life and it’s led her to being a co-owner of Mission Bakery – A popular bakery and food truck she manages with her lesbian aunts and the occasional help from her best friend’s precocious daughter. After a years-old heartbreak, the one lesson she has taken through her life is to never fall for an outsider. You know the type – The mysterious, attractive out-of-towners who offer equal promise of passion and complications. London and Natalie are less than impressed with each other upon their first meeting. But fate and Texas have a very different and much more sensual plan for these two polar opposite women. In the sultry-hot summer heat, they will learn just as much about themselves and their lives as they will about each other…And it might just be everything they want.

    No one yet knew that an experimental antibiotic given to her mother had wreaked havoc on her fetal nervous system, eventually causing her to go deaf. As a self-proclaimed "child freak," she acted out her fury with her boxy hearing aids and Coke-bottle glasses by faking her own drowning at a camp for crippled children. Ever since that first real-life performance, Galloway has used theater, whether onstage or off, to defy and transcend her reality. With disarming candor, she writes about her mental breakdowns, her queer identity, and living in a silent, quirky world populated by unforgettable characters. What could have been a bitter litany of complaint is instead an unexpectedly hilarious and affecting take on life.From the Trade Paperback edition.