It's the most miraculous substance on earth, responsible for our food, our weather, our water, and our ability to hear. In this exuberant book, gifted science writer Gabrielle Walker peels back the layers of our atmosphere with the stories of the people who uncovered its secrets: - A flamboyant Renaissance Italian discovers how heavy our air really is: The air filling Carnegie Hall, for example, weighs seventy thousand pounds. - A one-eyed barnstorming pilot finds a set of winds that constantly blow five miles above our heads. - An impoverished American farmer figures out why hurricanes move in a circle by carving equations with his pitchfork on a barn door. - A well-meaning inventor nearly destroys the ozone layer. - A reclusive mathematical genius predicts, thirty years before he's proved right, that the sky contains a layer of floating metal fed by the glowing tails of shooting stars.

    It was alive with ten hundred thousand fireflies darting in the night and frogs booming at them. But Grandpa said it was dangerous, too - they had to keep on the path - when SPLASH Grandpa fell in! Aunt Hinka came to the rescue in her little boat just in time! Oh, what a menacing and magical journey it was from Peppermint Street.

    . . Everything Is Going to Kill Everybody is bringing panic back. Twenty illustrated, hilariously fear-inducing 
essays reveal the chilling and very real experiments, dangerous emerging technologies, and terrifying natural disasters that soon could—or very nearly already did—bring about the end of humanity. In short, everything in here will kill you and everyone you love. At any moment. And nobody’s told you about it—until now: •   Experiments in green energy like the HiPER, which uses massive lasers to create a tiny “contained” sun; it’s an idea that could save the world if it doesn’t consume us all in a fiery fusion reaction first. •   Global disasters like the hypercane—a hurricane so large it could cover all of North America and shoot trailer parks into space!•   Terrifying new developments in robotics like the EATR, which powers itself on meat—an invention in the running for “Worst Decision Made by Anybody.”

    Michael Grunwald, a prize-winning national reporter for The Washington Post, takes readers on a journey from the Ice Ages to the present, illuminating the natural, social and political history of one of America's most beguiling but least understood patches of land.

    Like her father, she came to love the Galapagos and to dream of having a life there. Her experience was filled with the perils and incomparable pleasures of living on the Galapagos.

    Only the absence of leaves and sap, the presence of straggling bands of awkward crows, the gray-yellow flutter of field larks, and the broad, matter-of-fact hibernation of the earth said it was winter as Sam Tucker walked along the road, his long legs functioning automatically, farmerly. His body had about it the look of country dogs at the end of winter, when they are all ribs and leg muscles and jaw muscles and teeth. . . .Hold Autumn in Your Hand, is the memorable story of Sam Tucker and the year that he contracts to farm sixty-eight acres of San Pedro bottomland. He is eager to work the rich soil despite the fact that he will earn only six bits a day. Sam, his wife Nona, their two children, and one of the most irrepressible grandmothers in modern fiction absorb the reader in their joys and disappointments. The story is built around Sam Tucker's determination to use his knowledge of the land and hard work to provide food for his family and hope for the future.

    From his first book, The Grave of the Right Hand, to the extraordinary China Trace, this selection of early works represents "Charles Wright's grand passions: his desire to reclaim and redeem a personal past, to make a reckoning with his present, and to conjure the terms by which we might face the future," writes David St. John in the forward. These poems, powerful and moving in their own right, lend richness and insight to Wright's recently collected later works. "In Country Music we see the same explosive imagery, the same dismantled and concentric (or parallel) narratives, the same resolutely spiritual concerns that have become so familiar to us in Wright's more recent poetry," writes St. John.

    Lying in the eastern Pacific Ocean, straddling the equator off the west coast of South America, the Galágos is the most pristine archipelago to be found anywhere in the tropics. It is so remote, so untouched, that the act of wading ashore can make you feel like you are the first to do so. Yet the Galágos is far more than a wild paradise on earth-it is one of the most important sites in the history of science. Home to over 4,000 species native to its shores, around 40 percent of them endemic, the islands have often been called a "laboratory of evolution." The finches collected on the Galágos inspired Darwin's revolutionary theory of natural selection. In The Galágos, science writer Henry Nicholls offers a lively natural and human history of the archipelago, charting its course from deserted wilderness to biological testing ground and global ecotourism hot spot. Describing the island chain's fiery geological origins as well as our species' long history of interaction with the islands, he draws vivid portraits of the life forms found in the Galágos, capturing its awe-inspiring landscapes, understated flora, and stunning wildlife. Nicholls also reveals the immense challenges facing the islands, which must continually balance conservation and ever encroaching development. Beautifully weaving together natural history, evolutionary theory, and his own experience on the islands, Nicholls shows that the story of the Galágos is not merely an isolated concern, but reflects the future of our species' relationship with nature-and the fate of our planet.

    Last Stand gives us a new, unexpected lens through which to view a previously unsung hero of conservation and offers prescriptions for the future of conservation.

    She threw herself into work, accepting every theater or teaching job that came her way. She met a man ten years her junior and began a wild, liberat­ing fling that she never expected would last a lifetime. And after twelve years of fighting the blacklist, she was finally exonerated. With cour­age and style, Grant rebuilt her life on her own terms: first stop, a starring role on Peyton Place, and then leads in Valley of the Dolls, In the Heat of the Night, and Shampoo, for which she won her first Oscar.Set amid the New York theater scene of the fifties and the star-studded parties of Malibu in the seventies, I Said Yes to Everything evokes a world of political passion and movie-star glamour. Grant tells endlessly delightful tales of costars and friends such as Warren Beatty, Elizabeth Taylor, Grace Kelly, and Sidney Poitier, and writes with the verve and candor befitting such a seductive and beloved star.

    She came to know the history and natural history of this place well enough to call it home, and has recorded her observations in a book that is as wide-ranging as the river and as wild as the wilderness through which it runs.

    

    The 1,000 poems (out of a total of more than 4,500) in this famous selection were chosen by a distinguished scholarly committee based on their poetic excellence, their role in revealing the Japanese national spirit and character, and their cultural and historical significance. The acclaimed translations artfully preserve the simplicity and direct quality of the originals, and encompass an enormous range of human emotions and experiences. Text is in English only

    A New York Times Notable Book of 2011. One of NPR's Best Books of 2011. One of Janet Maslin's Ten Picks for 2011. When the writer Donovan Hohn heard of the mysterious loss of thousands of bath toys at sea, he figured he would interview a few oceanographers, talk to a few beachcombers, and read up on Arctic science and geography. But questions can be like ocean currents: wade in too far, and they carry you away. Hohn's accidental odyssey pulls him into the secretive world of shipping conglomerates, the daring work of Arctic researchers, the lunatic risks of maverick sailors, and the shadowy world of Chinese toy factories. Moby-Duck is a journey into the heart of the sea and an adventure through science, myth, the global economy, and some of the worst weather imaginable. With each new discovery, Hohn learns of another loose thread, and with each successive chase, he comes closer to understanding where his castaway quarry comes from and where it goes. In the grand tradition of Tony Horwitz and David Quammen, Moby-Duck is a compulsively readable narrative of whimsy and curiosity.

    Imagine a grunge nort Jersey version of John McPhee's classic The Pine Barrens and you'll get some idea of the idiosyncratic, fact-filled, and highly original work that is Robert Sullivan's The Meadowlands.  Just five miles west of New York City, this vilified, half-developed, half-untamed, much dumped-on, and sometimes odiferous tract of swampland is home to rare birds and missing bodies, tranquil marshes and a major sports arena, burning garbage dumps and corporate headquarters, the remains of the original Penn Station--and maybe, just ,maybe, of the late Jimmy Hoffa.  Robert Sullivan proves himself to be this fragile yet amazingly resilient region's perfect expolorer, historian, archaeologist, and comic bard.