An artist at heart, Anna works a day job as a private assistant for Bambi Von Bizmark, a megarich Upper East Side matriarch who’s about to be honored at the illustrious Opera Ball.Caught between the staid world of great wealth and her unconventional life as an artist, Anna struggles with her true calling. If she’s supposed to be a painter, why is she so much more successful as a personal assistant? When her boyfriend lands a fancy new job, it throws their future as a couple into doubt and intensifies Anna’s identity crisis. All she has to do is ensure everything runs smoothly and hold herself together until the Opera Ball is over. How hard could that be?Featuring a vibrant array of characters from the powerful to the proletarian, Perfectly Impossible offers a glimpse into a world you’ll never want to leave.

    This collection of stories cuts through the hype of modern living, travelling inward to the elusive terrain of dreams and nightmares.

    Eddie Renfros, on the brink of failure after his critically acclaimed first book, wants only to publish another novel and hang on to his beautiful wife, Amanda, who has her own literary ambitions and a bit of a roving eye. Among their circle are writers of every stripe--from the Machiavellian Jackson Miller to the `experimental writer' Henry who lives in squalor while seeking the perfect sentence. Amid an assortment of scheming agents, editors, and hangers-on, each writer must negotiate the often competing demands of success and integrity, all while grappling with inner demons and the stabs of professional and personal jealousy. The question that nags at them is this: What is it to write a novel in the twenty-first century? Pointedly funny and compassionate, Grub reveals what the publishing industry does to writers--and what writers do to themselves for the sake of art and to each other in the pursuit of celebrity.

    Then I said “yes.” Now I am the lunatic bride I always made fun of!What is it about getting married that turns normal people into total freaks?A savvy, riotously funny novel, Diary of a Mad Bride is for anyone who has ever been a bride, is about to become a bride, yearned to be a bride, or suffered the sheer indignity of appearing in public in the world’s ugliest bridesmaid dress....My wedding was starting in less than twenty minutes, and I was stuck in a 7-Eleven parking lot with popcorn kernels wedged in my gums and vanilla ice cream melting on my dress. It was a disaster too large to comprehend. After an agonizing year spent planning my wedding, could it really end like this? The voices chronicling a year of wedding hysteria swirled in my head....— My grandmother upon viewing my engagement ring:“What do you mean he gave you an emerald! Diamonds are eternal, emeralds say, maybe five years.”— My future father-in-law on the night of my engagement party:“To a happy marriage and, if necessary, a painless divorce!”— My best friend, Anita:“Oh, screw congratulations. Of course I’m happy for you. Stephen’s a major piece of ass and he’s got a sense of humor. Just as long as you’re certain this is what you want.” Would I survive this day after all....?

    In scenes of a mixture of pride, madness, and comedy, Carlos plays out his role as deity among the naked islanders, living a fantasy that most readers will find believable, if horrific. Along with the horror, the book does offer some beautiful moments of discovery, as when, as Winkler narrates, the ship takes the Mona Passage to Jamaica...we hear of an Edenic island, green and aromatic, opened like a wildflower. For all of its scenes of braggadocio and brutality, the book often works on you like that vision."--Alan Cheuse, NPR, All Things Considered"Readers are transported to Jamaica, into Winkler's richly invented 16th century, where his flawless prose paints their slice of time, in turn both brutally graphic and lyrically gorgeous. Comic, tragic, bawdy, sad, and provocative, this is a thoroughly engaging adventure story from a renowned Jamaican author, sure to enchant readers who treasure a fabulous tale exquisitely rendered."-- Library Journal "A tale of the frequently tragic--and also comic--clash of races and religions brought on by colonization...Anthony Winkler spins an enlightened parable, rich in historical detail and irony."-- Shelf Awareness "Darkly irreverent...With a sharp tongue, Winkler, a native of Jamaica, deftly imbues this blackly funny satire with an exposé of colonialism's avarice and futility."-- Publishers Weekly "With perceptive storytelling and bracing honesty, Mr. Winkler, author of a half-dozen well-reviewed books, has a lovely way of telling a good story and educating concurrently...God Carlos teaches history in a subtle but meaningful way. Too literary to be lumped in with typical historical fiction, and too historical to be lumped in with typical literary fiction, God Carlos defies categorization."-- New York Journal of Books "God Carlos provides a welcome opportunity to glimpse...the lives of ordinary people, both European and Caribbean, as they experience the calamitous effects of the encounter of two worlds."-- Sargasso: A Journal of Caribbean Literature, Language, & Culture "The author's piercing narrative drives home...Here, Winkler's brilliance as a storyteller is unmistakable...God Carlos is a literary tour de force--atmospheric and incisive. It effuses raw emotion--perplexing, bewildering, and dark...On multiple levels, Winkler proves his salt as a genuine raconteur...the architect of an invaluable literary work."-- The Jamaica Gleaner "Well-written...Winkler's descriptions of sea and sky as seen from a sailing ship, and of the physical beauty of Jamaica, are spot-on and breathtaking."-- Historical Novel Review "In God Carlos and The Family Mansion, Anthony Winkler, the master storyteller, has provided us with texts of both narrative quality and historical substance that should find place in the annals of Caribbean literature."--SX SalonGod Carlos transports us to a voyage aboard the Santa Inez, a Spanish sailing vessel bound for the newly discovered West Indies with a fortune-seeking band of ragtag sailors. She is an unusual explorer for her day, carrying no provisions for the settlers, no seed for planting crops, manned by vain, arrogant men looking for gold in Jamaica.Expecting to make landfall in paradise after over a month at sea, the crew of the Santa Inez instead find themselves in the middle of a timid, innocent people--the Arawaks--who walk around stark naked without embarrassment and who venerate their own customs and worship their own Gods and creeds. The European newcomers do not find gold, only the merciless climate that nourishes diseases that slaughter them. That the Arawaks believed that the arrivals were from heaven makes even more complicated this impossible entanglement of culture, custom, and beliefs, ultimately leading to mutual doom.

    the reader is seduced by that willful voice, wavering between shock and grudging admiration at Friedmann's high-wire balancing act. And laughing all the way." -The New Orleans Times-PicayuneA tour de force whose heroine falls somewhere between the southern elegance of Walker Percy and the zany black comedy of THE CONFEDERACY OF DUNCES.Surrounded by the splendor and excess of old money in New Orleans, Eleanor Rushing is a wry and witty young woman who first locks eyes with the love of her life at a City Council meeting—or so we’re led to believe. What starts as an innocuous infatuation with Dr. Maxim Walters, a Methodist minister who just so happens to be married already, quickly turns into an outrageous and obsessive passion: she orchestrates an automobile accident outside his house, volunteers to stuff envelopes at his church, follows him to Nashville on a business venture, sets up camp in the toolshed in his backyard… Eleanor’s voice is both acutely perceptive and macabrely unhinged. She considers herself blessed with the ability to “remember everything,” except that her recollections and impressions seem to be at odds with everyone around her. As her “relationship” with Dr. Walters begins to spin frantically out of control, we can't help being her willing and faithful admirers. Magnificently showcases Friedmann's touted powers of psychological acuity and laugh-out-loud black humor. A fitting Kindle addition for fans of THE SILVER LININGS PLAYBOOK.Excerpt:I think it is impossible to change the world unless you are truly evil and so mad for control you never sleep. And it’s ridiculous to try to change yourself at all. Scientists have studied identical twins who feel pain in the gut at the same time, as if everything were laid out from the moment they were conceived. Sometimes I figure all you can do is watch yourself, as if you’re viewing a simple, dull film; eventually you find out what was going to happen. Unless death catches you by surprise.So I go to City Council meetings. I haven’t missed one in four years, not even for a case of B-type influenza, which I probably picked up from a crowd in the City Council chambers. Sitting in those meetings is the only way I can pretend to feel any breezes of serendipity. Somewhere between the global and the personal, they play out the grandest battles of silliness, and I like to guess at them. When I was twenty-three I lived in Washington, DC and sat in regularly on the proceedings of the U.S. House of Representatives. But they mumbled and shuffled a lot, and you couldn’t see their eyes unless they passed close by. It was good to learn about carcinogens in the Iowa corn after the drought and how the turnips in western Montana swelled like giant melons for years after Mount Saint Helens blew, and I believed money should be set aside to study such matters, but I couldn’t see the congressmen’s eyes.

    She's got two mothers, "one deaf-blind and the other four baby steps from flat crazy." She's got two men: a husband who's easing out the back door; and a best friend, who's laying siege to her heart in her front yard. And she has two families: the Fretts, who stole her and raised her right; and the Crabtrees, who won't forget how they were done wrong. Now, in Between, Georgia, a feud that began the night Nonny was born is escalating and threatening to expose family secrets.Ironically, it might be just what the town needs... if only Nonny weren't stuck in between.

    When Rex encounters a band of stick-wielding separatists on the planet Chicolini, he thinks he’s found the buyers he’s been looking for. But Rex’s greed knows no bounds, and he’s determined to scam the separatists out of their cargo so that he can re-sell his black-market booty a few more times before leaving the planet. As the complications in Rex’s plan multiply, he becomes a target of not only the separatists, but also of paramilitary thugs, the local cops, and even the Ursa Minor mafia. Will Rex’s long-suffering robot companion talk some sense into him before he gets them both killed? Or will Rex, the self-described “greatest wheeler-dealer in the galaxy,” finally succeed in outsmarting himself?

    For years, no remedy--not orthodontia, not the escalating threats of his father, Mike, a washed-out linebacker turned sporting goods entrepreneur, not the noxious cayenne pepper-based Suk-No-Mor--can cure Justin's thumbsucking habit.Then a course of hypnosis seemingly does the trick, but true to the conservation of neurotic energy, the problem doesn't so much disappear as relocate. Sex, substance abuse, speech team, fly-fishing, honest work, even Mormonism--Justin throws himself into each pursuit with a hyperactive energy that even his daily Ritalin dose does little to blunt.Each time, however, he discovers that there is no escaping the unruly imperatives of his self and the confines of his deeply eccentric family. The only "cure" for the adolescent condition is time and distance.Always funny, sometimes hilariously so, occasionally poignant, and even disturbing, deeply wise on the vexed subject of fathers and sons, Walter Kirn's Thumbsucker is an utterly fresh and all-American take on the painful process of growing up.

    "The Watershed Years" takes place immediately after World War II following the lives of the Arbuckles, a ranching family on the vast plains of eastern Montana.

    In a turbo-charged romp through the Hollywood of everyone's wildest dreams, Boy Wonder follows the career of Shark Trager—rebel filmmaker and megasuccessful producer—from his birth in 1950 at a drive-in movie theater and his meteoric rise to the pinnacle of Hollywood power, to his equally spectacular descent into obscurity.

    Living alone with his father was far from easy, and the weekend visits with his now-attentive mother and her new husband were almost more than the fifteen-year-old could bear.But then, one night, he and his father are stranded during a snowstorm and are offered refuge by a kind family at the Everton farm. Daniel is mystified by the strange goings-on there and, though reluctant at first, becomes deeply involved in the Evertons’ problems and discovers that their long kept secret was more disturbing than his own.In this suspenseful adventure, a young boy realises that there are few simple rights and wrongs in love and family ties.

    Somewhere in the night, a raven caws, an author's pen scratches, and thunder claps. The author wants to write fiction: stories about frail women in white nightgowns, mysterious bumps in the night, and the undead rising to collect old debts. But he keeps getting interrupted by the everyday annoyances of talking ravens, duels to the death, and his sinister butler.Shane Oakley beautifully illustrates New York Times bestselling author Neil Gaiman's satirical tale.

    

    After eight years in juvenile detention and an escape from the Landers School for Boys, Flint returns home to the one person he loves and trust, his sister Cecile. Together they rob and terrorize a local doctor, steal their mother’s car, and strike out alone on a desperate journey south to the Crow Indian Reservation their ancestors once lived upon. But is Cecile Flint’s accomplice or his hostage? No one knows. Only Marie Zimmer, the children’s deaf aunt, understands the strange logic of their crimes, desires, fears, and devotion to each other. Marie has stories to tell, and though she will not speak, she is the only one bold enough to share the tale of Flint and Cecile. In this devastatingly passionate story, the tales of a silent woman struggling to unravel the web of generational family violence are revealed through the celebration of life in the midst of sorrow. In the fierce light of her imagination, Marie interweaves the past and the present, inventing a language of signs subtle enough to illuminate the mysterious ways we are all connected.