Four physicians have failed to bring the young lad back to health, and his nurses seem unable to bring him comfort. Sir Robert decides that he and Elizabeth Lady Carey should have the keeping of the child – despite the disgrace that will come to them if he dies in their care. It’s not long before Sir Robert begins to suspect that foul play lies behind the young Duke’s condition. Is there a poisoner at Court? If so, will Sir Robert find the miscreant in time to save the Duke? Patricia Finney is the author of six novels featuring Sir Robert Carey, all of them written under the pseudonym P F Chisholm and all available on Kindle. Patricia Finney’s latest Elizabethan crime novel, Do We Not Bleed?, features the ambiguous James Enys, his elusive sister, and a young playwright, Will Shakespeare. Do We Not Bleed? is also available on Kindle.

    It tells of Violet Farr and her loveless marriage, her wild, unfathomable son and his illegitimate son, all of them bound together in a repeating pattern of exile and homecoming, rejection and, finally, acknowledgement and love. As Elizabeth Buchan wrote in the London Times, "Jennifer Lash is a Lawrentian in so far as she mines her material for the blood and thunder roaring between spouses, and between parents and children."

    The theme of improvisation, which I introduce here, reflected my own sense, still, that in writing a novel I was on a high wire and ready to fall off, since I didn't consider myself a traditional novelist, and still don't.The TLS asked me to review an Anthology of Armenian Poetry, edited by Diana der Hovanessian. I fell in love with the poetry, and was moved by the tragic history of Armenia. This was one starting point for this novel; the other was Pushkin's 'It sails. Where shall we sail?...' The last line of his poem 'Autumn'.

    She thought she could even pinpoint the exact moment at which Iris had made up her mind to go, leaving her only child behind. Neither of them could have guessed then that they would never live together again.Spanning the second half of the last century, ‘My Former Heart’, Cressida Connolly’s mesmerising first novel, charts the lives of three generations of Iris’s family. Ruth will be deserted again, many years later, by a husband she loves, but not before she has had two children by him. She leaves London to live with her uncle, where she creates a new life for herself with another woman. And we follow the lives of her two children, trying to make a place for themselves in the world in the shadow of the family that precedes them.With its large cast of fascinating characters, this is an outstanding novel about families and their ability to adapt. It surely marks the beginning of a long career as a novelist for Cressida Connolly.

    A clever canine. A seaside sleuth.After the death of her husband, Liz McLuckie has taken early retirement and moved to Whitby, a picturesque fishing town on the North Yorkshire coast. She thinks the renovation of two ramshackle fishing cottages will take her mind off things, but soon discovers Whitby isn’t quite the peaceful retreat she imagined.When she discovers the body of a local Professor near the medieval Abbey, Liz reluctantly finds herself at the centre of a murder investigation. The post mortem reveals death by drowning. So how did he get onto the clifftop? And why did he have a fish in his pocket?Liz follows the trail of the murderer, and many red herrings - both literal and metaphorical - in the company of her friends, including an almost-reformed burglar, a disgraced archaeology student and Nelson the bull terrier - the ugliest (and bravest!) dog in Yorkshire.Death At The Abbey — Book 1 in the Kipper Cottage Mystery series. Perfect for fans of Stella Cameron and Frances Evesham.

    Narrator Mira Enketei erases those boundaries in her punning monologue, blurring the texts of Herodotus with the callers to a talk-radio program, and blending contemporary history with ancient: fairy-tale and literal/invented people (the kidnappers of capitalism, a girl-warrior from Somalia, a pop singer, a political writer), connected by an elaborate mock-genealogy stretching back to the Greek gods, move in and out of each other's stories. The narrator sometimes sees herself as Cassandra, condemned by Apollo to prophesize but never to be believed, enslaved by Agamemnon after the fall of Troy. Brooke-Rose amalgamates ancient literature with modern crises to produce a powerful novel about the future of culture.

    She is certain she and Jason have a strong and loving relationship that can weather any storm. Hooked by the beauty of Torringham with its quaint harbour and stunning coastline, they purchase Flotsam Guesthouse which needs more than a lick of paint to keep it afloat. Soon, Katie finds that renovating and running a guesthouse is taking its toll, especially when dealing with challenging guests and madcap neighbours, Shona and Kim. Katie comes to learn that trouble is afoot whenever Shona begs a favour. However, when her adored daughter moves back to their old hometown, she wonders if they’ve made a huge mistake, especially when cracks begin to show in her marriage. Her seaside idyll is crumbling along with her relationship. Should she let Flotsam Guesthouse founder while she salvages her marriage? Katie needs to decide where her priorities lie. The only issue is, she doesn’t know.

    As Rob uses his skills as a historian to uncover the secret he finds his courage and determination tested and discovers that the difference between right and wrong is not as clearcut as he had thought.

    Bess and James played together as equals when they were children, but now James is engaged to the more socially acceptable Annabel Hadleigh.Bess takes up a teaching post in London but when war breaks out and London schoolchildren are evacuated she returns to Foxden to organise a troop of Land Girls. Traditional barriers come crashing down when Flying Officer James Foxden falls in love with Bess. But by this time Bess has come to know and respect Annabel. Can she be with James if it means breaking her best friend’s heart?And besides, Bess has a shameful secret that she has vowed to keep from James at any cost…

    This story of three closely related Oxfordshire communities - a hamlet, the nearby village and a small market town - is based on the author's experiences during childhood and youth. It chronicles May Day celebrations and forgotten children's games, the daily lives of farmworkers and craftsmen, friends and relations - all painted with a gaiety and freshness of observation that make this trilogy an evocative and sensitive memorial to Victorian rural England.With a new introduction by Richard Mabey

    But for a beautiful young woman of limited means, Eliza’s choices appear to lie between the stifling domesticity of marriage or a downwards spiral to the streets – no matter how determined she is to forge her own path.One night at a run-down theatre, she meets the charismatic Devil Wix – showman, master of illusion, fickle friend. Drawn into his circle, Eliza becomes the catalyst of change for his colleagues – a dwarf, an eccentric engineer, and an artist – as well as Devil himself. And as Eliza embarks on a dangerous adventure, she must decide which path to choose, and how far she should go when she holds all their lives in her hands.

    These are mixed fortunes ahead for Evie, and while Lucy grows up in the beautiful Irish countryside, Linnet is all too often forced to throw herself on the mercy of the enormous, impoverished Sullivan family. Life in a slum court during the thirties is far from easy -but when tragedy strikes it becomes the only existence possible for Linnet. Destitute, she disappears into the Liverpool slums like an teardrop in an ocean. Lucy, meanwhile, urgently needs her sister by her side. But she has little idea, when she leaves the farm and sets off to look for Linnet, how their meeting will change their lives for ever. . .

    At eleven years-old, she has survived sickness, near starvation and harsh beatings.Master Simpkins and his cruel daughter rule the workhouse with a rod of iron, but when Romany boy, Joe, arrives at the workhouse, his spirit and courage give Eliza hope that another life is waiting for her outside.When she is sold into service, Eliza is relieved to be out of the workhouse and hopes her fortunes are changing for the better, but cruelty and unkindness are everywhere and her salvation could become her ruin…

    Viciously raped, then thrown out of the family home, the girl goes on the run, fleeing her cruel rapist.

    She's frustrated with Rose and her constant complaints but utterly relieved to be called to abandon her own disappointing fledgling adult life. She and Rose travel to the searing, arid coast of southern Spain to see a famous consultant, Dr. Gomez—their very last chance—in the hope that he might cure Rose's unpredictable limb paralysis, but Dr. Gomez has strange methods that seem to have little to do with physical medicine, and as the treatment progresses, Rose's illness becomes increasingly baffling. Sofia's role as detective—tracking Rose's symptoms in an attempt to find the secret motivation for her pain—deepens as she discovers her own desires in this transient desert community.