Increasingly this term is used to illustrate a bewildering array of ideas from key lines and the occult, to urban walking and political radicalism. But where does it come from and what exactly does it mean? This book examines the origins of psychogeography in the Situationist Movement of the 1950s, exploring the theoretical background and its political applications as well as the work of early practitioners such as Guy Debord and Raoul Vaneigem. Elsewhere, psychogeographic ideas continue to find retrospective validation in much earlier traditions from the visionary writing of William Blake and Thomas De Quincey to the rise of the flaneur on the streets of 19th century Paris and on through the avant-garde experimentation of the Surrealists. These precursors to psychogeography are discussed here alongside their modern counterparts, for today these ideas hold greater currency than ever through the popularity of writers and filmmakers such as Iain Sinclair and Peter Ackroyd, Stewart Home and Patrick Keiller. From Urban Wandering to Cognitive Mapping, from the Derive to Detournement, psychogeography provides us with new ways of apprehending our surroundings, transforming the familiar streets of our everyday experience into something new and unexpected. This guide conducts the reader through this process, offering both an explanation and definition of the terms involved, and an analysis of the key figures and their work as well as practical information on psychogeographical groups and organizations.

    As we got closer, I continued to tell myself: I don’t love you. I held your hand, I cried when you cried, I smiled when you smiled; but still, I told myself: No, I don’t love you. I must not love you, for I may leave this world anytime. But, just now, someone told me something meaningful. I was taking a rest at the park when I saw an old man in his seventies. We chatted, and he said this to me, “In love, either you love, or you don’t.” It was then I remembered the day when I walked you home. A frail old woman, also in her seventies, chatted with me. Somehow, our conversation also ended with this sentence, “In love, either you love, or you don’t.” In love, either I love you, or I don’t. Joanna, I have been thinking. I have been trying not to love you, but the fact remains: I love you. I can try to forget you, I can try not to love you; but still, it eventually boils down to this single sentence: I love you. Who am I to fight love?

    His words of wisdom, interwoven between deeply personal stories and poignantly-told memories, ultimately become the practical, moral, and spiritual guidebook for his children he’d never live to see, and for his wife, his redemptive act of love.“Live Life to the Fullest” becomes the father’s passionate plea to his family—and to all of us desiring to live the same way. Woman’s World Magazine writes, “This inspirational classic is the perfect comfort book for people hungry to find meaning in their lives.” Combining the best elements of such inspirational bestsellers as Tuesdays with Morrie, The Last Lecture, and Chicken Soup for the Soul, author Carew Papritz creates a timeless work that The Huffington Post calls, "A Must-Read Book of Wisdom for Life...exquisite, intimate, passionate, humorous, and genuine..."Back Cover Description of The Legacy LettersA tragedy begins.A husband and wife separate.He’s dying. She doesn’t know.She’s pregnant. He can’t return.Now he races against time—In the solitude of a mountain cabin.In a faraway mountain range.Trying to finish . . .For his children— his captivating stories and memories, turned into practical, moral, and spiritual instructions,now their “guidebook to life.”For his wife—his intimate words of great love and deep regret,now his journey of redemption, now her passage to forgiveness.Ultimately, he gives his final giftto her, to them, and now, to us all.The Legacy Letters

    For fans of the classics—Holmes, Dickens, and Abfab.In 1842, two drunken sisters debate their future. Business at the family chocolate shop has ground to a halt, and change is needed. For once, domineering elder sister Maggie doesn't get her way, and a month later Judy, Maggie, and Netta Walters—a medium with big hair and a bigger secret—open their séance parlor. The locals are shocked, but soon the shop is crammed with people wanting to contact the dead. Despite their change in fortune, a rift grows between the sisters, as Judy gets her gothic novel published, finds a man, and proves to be more capable of contacting spirits than Maggie, who can only read tea leaves. Spurred on by jealousy, Maggie tries harder, and soon her talents surpass those of her smug sister. She fills halls with folk wishing to witness her powers, and is even consulted by the Queen. As word spreads, the Church decides that Maggie must be stopped, and Maggie is tricked into a carriage—destination Bedlam Hospital. She then has to choose between publicly declaring herself a fake and returning to obscurity, or being incarcerated forever with the insane.

    From floral truck bolts and taxi altars to buffalo cart furniture and drinks in a bags, the same exquisite care, craft and improvisation resounds through home and street, bar and wardrobe. Never colonised, Thai culture retains nuanced ancient meaning in the most mundane things. The days are colour coded, lucky numbers dictate prices, window grilles become guardian angels, tattoos entrance the wearer. Philip scoured each region to show how indigenous wisdom both adapts to the present and customises imports, applying Roman architecture to shophouses, morphing rock into festive farm music, turning the Japanese motor-rickshaw into the tuk-tuk. Colour-saturated illustrations help you navigate various social traits, whether white-faced hi-so matrons or Red Bullswilling workers wearing coins in their ear. This is Thai culture as it has never been shown before.

    The lucky ones live to regret it.Don't misunderstand: it's not that Claudia Milford wants people to get hurt. Claudia wants what's best for everyone; her motives are pure and her goals are noble. It's just that sometimes people don't really know what (or who) is best for them. Claudia sees things more clearly than most of her peers. It takes plenty of nerve to act on that intelligence. Of course, Claudia shouldn't be expected to put her own needs last. That wouldn't make sense. And Claudia is a sensible person, no matter what the doctors may conclude.Some people are born crazy, some become crazy, and some have crazy thrust upon them. Claudia Milford thrusts crazy all over the place.

    That is until he discovered the lucrative world of payment processing for online poker companies. Soon the Australian whiz-kid was living the American dream, raking in as much as $3m a week. Revelling in his jet set lifestyle of fast cars, luxury yachts and VIP nightclubs, he embarked on an epic rollercoaster of champagne fuelled excess which mirrored that of the extraordinary world of online poker, where hot shot college students won millions from the confines of their dorms, and fortunes were won or lost in seconds.However, Tzvetkoff’s move to the neon splattered underworld of Las Vegas would soon see him facing the abyss. Owing millions to the poker companies, and with the FBI hot on his trail, the tarnished boy wonder needed to pull an ace from his sleeve to keep from busting out. And when he did, it resulted in a day that sent a seismic shockwave through the world of online poker and saw him take the blame.

    Its architectural treasures crumble—foundations shift, marble ornaments fall—even as efforts to preserve them are underway. The City of Falling Angels opens on the evening of January 29, 1996, when a dramatic fire destroys the historic Fenice opera house. The loss of the Fenice, where five of Verdi's operas premiered, is a catastrophe for Venetians. Arriving in Venice three days after the fire, Berendt becomes a kind of detective—inquiring into the nature of life in this remarkable museum-city—while gradually revealing the truth about the fire.In the course of his investigations, Berendt introduces us to a rich cast of characters: a prominent Venetian poet whose shocking "suicide" prompts his skeptical friends to pursue a murder suspect on their own; the first family of American expatriates that loses possession of the family palace after four generations of ownership; an organization of high-society, partygoing Americans who raise money to preserve the art and architecture of Venice, while quarreling in public among themselves, questioning one another's motives and drawing startled Venetians into the fray; a contemporary Venetian surrealist painter and outrageous provocateur; the master glassblower of Venice; and numerous others-stool pigeons, scapegoats, hustlers, sleepwalkers, believers in Martians, the Plant Man, the Rat Man, and Henry James.Berendt tells a tale full of atmosphere and surprise as the stories build, one after the other, ultimately coming together to reveal a world as finely drawn as a still-life painting. The fire and its aftermath serve as a leitmotif that runs throughout, adding the elements of chaos, corruption, and crime and contributing to the ever-mounting suspense of this brilliant book.

    Charles Goodwin, the garden committee president, would like the garden to stay just the way it is. Lord Vernon of Barnstable, the appalling life peer, has plans for the garden. Bryony Mullins, the gusset-mouthed harridan, doesn't give a flying knicker elastic what happens to the garden as long as it's not what Vernon wants. Angel Tenby, the sexually organic gardener, wants the garden to run free. Mrs Kotzen, the neighbour, wants the garden to be chic. The vicar wants the garden to be accessible and relevant. Lily Ng, the teenage daily, would probably think the garden silly if she thought about it at all; she wants to offer sex in lieu of ironing. Mona Corinth, the Hollywood legend, is dead and may be about to become part of the garden. Iona Wallace is the obligatory love interest. She would like to be a garden: laid, forked, plucked, seeded, mulched, vigorously pollarded, bedded and admired for her natural beauty. The garden wants absolutely nothing at all.Sap Rising may well be a story about dark dank nature both human and vegetable and our uneasy relationship with the mystic natural forces that move the earth. It may be a parable on the fragile consensus that maintains and tends green England. On the other hand, it might just be a farcical love story set in a garden about nothing of any consequence performed by comic grotesques with a lot of swearing and unnatural sex.

    But in recent years this narrative has been upended.In June 2012, violence between Buddhists and Muslims erupted in western Myanmar, pointing to a growing divide between religious communities that before had received little attention from the outside world. Attacks on Muslims soon spread across the country, leaving hundreds dead, entire neighbourhoods turned to rubble, and tens of thousands of Muslims confined to internment camps. This violence, breaking out amid the passage to democracy, was spurred on by monks, pro-democracy activists, and even politicians.In this gripping and deeply reported account, Francis Wade explores how the manipulation of identities by an anxious ruling elite has laid the foundations for mass violence, and how, in Myanmar’s case, some of the most respected and articulate voices for democracy have turned on the Muslim population at a time when the majority of citizens are beginning to experience freedoms unseen for half a century.

    In this wide-ranging and elegiac essay, Nick Pinkerton reflects upon Tsai Ming-liang’s 2003 film Goodbye, Dragon Inn, a modern classic haunted by the ghosts and portents of a culture in flux.

    Since the early 1990s - in the face of outright opposition from government, landowning elites and even some conservation professionals - Gow has imported, quarantined and assisted the reestablishment of beavers in waterways across England and Scotland.In addition to detailing the ups and downs of rewilding beavers, Bringing Back the Beaver makes a passionate case as to why the return of one of nature's great problem solvers will be critical as part of a sustainable fix for flooding and future drought, whilst ensuring the creation of essential lifescapes that enable the broadest possible spectrum of Britain's wildlife to thrive.

    Iduma blends memoir, travelogue and storytelling in these fragments of a traveller’s journey across several African cities. Inspired by the author’s travels with photographers between 2011 and 2015, the author's own accounts are expanded to include other narratives about movement, estrangement, and intimacy. These include: an arrest in a market in N’djamena, being punished by a Gendarmes officer on a Cameroonian highway and meeting the famed photographer Malick Sidibe in Bamako.

    Times critic, 27 year-old, Aubrey Johnson's work is finally gaining traction. But as she weaves through what should be a celebration of her art, a single nagging echo of her doctor’s words refuses to stay silent—there is no cure. In less than eight weeks Aubrey is going blind. Traveling on a one-way ticket around the world with childhood friend Jeff Anderson, Aubrey is in complete denial. But a blindfolded game of tasting foreign foods in China jolts her into confronting the reality of her situation. So begins her quest. In this adult coming of age story, Aubrey starts out at odds with her crippling disability and has a hard time accepting help. But on her journey she finds a deeper understanding of herself and her life—sometimes fragmented and complex, but always with relentless truth. "A touching exploration of identity and reinvention painted with gentle yet precise brush strokes." --Kirkus Reviews "Blue Sun, Yellow Sky delivers a glimpse into the artistic process, a stunning globe-trotting journey, and the intimate portrait of mending a heart broken by life itself.” -- Indigo Wilmann, Visual Yarn

    When Karen Connelly goes to Burma in 1996 to gather information for a series of articles, she discovers a place of unexpected beauty and generosity. She also encounters a country ruled by a brutal military dictatorship that imposes a code of censorship and terror. Carefully seeking out the regime’s critics, she witnesses mass demonstrations, attends protests, interviews detained opposition leader Aung San Suu Kyi and flees from police. When it gets too risky for her to stay, Connelly flies back to Thailand, but she cannot leave Burma behind.  Connelly’s interest in the political turns more personal on the Thai-Burmese border, where she falls in love with Maung, the handsome and charismatic leader of one of Burma’s many resistance groups. After visiting Maung’s military camp in the jungle, she faces an agonizing decision: Maung wants to marry Connelly and have a family with her, but if she marries this man she also weds his world and his lifelong cause. Struggling to weigh the idealism of her convictions against the harsh realities of life on the border, Connelly transports the reader into a world as dangerous as it is enchanting. In radiant prose layered with passion, regret, sensuality and wry humor, Burmese Lessons tells the captivating story of how one woman came to love a wounded, beautiful country and a gifted man who has given his life to the struggle for political change.