None of her previous pregnancies have borne fruit, and her husband, Richard, is anxious for an heir. Then Fleetwood discovers a hidden doctor’s letter that carries a dire prediction: she will not survive another birth. By chance she meets a midwife named Alice Grey, who promises to help her deliver a healthy baby. But Alice soon stands accused of witchcraft.Is there more to Alice than meets the eye? Fleetwood must risk everything to prove her innocence. As the two women’s lives become intertwined, the Witch Trials of 1612 loom. Time is running out; both their lives are at stake. Only they know the truth. Only they can save each other.Rich and compelling, set against the frenzy of the real Pendle Hill Witch Trials, this novel explores the rights of 17th-century women and raises the question: Was witch-hunting really women-hunting? Fleetwood Shuttleworth, Alice Grey and the other characters are actual historical figures. King James I was obsessed with asserting power over the lawless countryside (even woodland creatures, or “familiars,” were suspected of dark magic) by capturing “witches”—in reality mostly poor and illiterate women.

    When she learns that the boy in the painting was deaf, like her dead son, she starts to try to communicate with his ghost.Meanwhile, Clayton finds himself entangled in an equally undesirable friendship with a retired fire chief who knows more about the painting than he is prepared to let on.Is The Crying Boy painting cursed, and can numerous house fires be linked to it?Struggling with their unstable marriage, the couple find themselves in further danger as an increasingly disturbing bond develops between Avril and The Crying Boy.In a twist of events Avril's irrational behavior is brought to a dramatic halt when she discovers she is pregnant. With her affections once again restored for Clayton, she decides to dispose of the sinister portrait. But the cast off painting wants revenge and its anger towards Avril's unborn child might just prove immeasurable.

    Compelled by curiosity, he approaches the door, and, standing before the entrance feels the unmistakable sensation of a small hand creeping into his own, 'as if a child had taken hold of it'.Intrigued by the encounter, he determines to learn more, and discovers that the owner's grandson had drowned tragically many years before. At first unperturbed by the odd experience, Snow begins to be plagued by haunting dreams, panic attacks, and more frequent visits from the small hand which become increasingly threatening and sinister ...

    Thanks to a technologically advanced machine, detectives have access to the memories of the living, the dying, and the recently dead. But extracting victims’ experiences firsthand and personally reliving everything up to the final, brutal moments of their lives—the sights, the sounds, the scents, the pain—is also the punishment reserved for the criminals themselves.Barnes has had enough. Enough of the memories that aren’t his. Enough of the horror. Enough of the voices inside his head that were never meant to take root…until a masked serial killer known as Calavera strikes a little too close to home.Now, with Calavera on the loose, Barnes is ready to reconnect, risking his life—and his sanity. Because in the mind of this serial killer, there is one secret even Barnes has yet to see…

    A place beyond time and space as we know it where psychopaths compete for perverse honour and status as they carry out their deathly duties. As Grim struggles to hold onto the memories of the life he’s lost, he discovers that the insane being who shaped him (and the course of existence itself) may have sinister plans for the one thing he values most.In Limbo, the end is only the beginning.

    She lives in her own world, a world in which protection comes from an unusual source: horror movies…especially the ones where a masked killer seeks revenge on a world that wronged them. And Jade narrates the quirky history of Proofrock as if it is one of those movies. But when blood actually starts to spill into the waters of Indian Lake, she pulls us into her dizzying, encyclopedic mind of blood and masked murderers, and predicts exactly how the plot will unfold.Yet, even as Jade drags us into her dark fever dream, a surprising and intimate portrait emerges… a portrait of the scared and traumatized little girl beneath the Jason Voorhees mask: angry, yes, but also a girl who easily cries, fiercely loves, and desperately wants a home. A girl whose feelings are too big for her body.My Heart Is a Chainsaw is her story, her homage to horror and revenge and triumph.

    Flo and Clara, two impressionable students, are obsessed with each other and with a daring young writer named Mary MacLane, the author of a scandalous bestselling memoir. To show their devotion to Mary, the girls establish their own private club and call it The Plain Bad Heroine Society. They meet in secret in a nearby apple orchard, the setting of their wildest happiness and, ultimately, of their macabre deaths. This is where their bodies are later discovered with a copy of Mary’s book splayed beside them, the victims of a swarm of stinging, angry yellow jackets. Less than five years later, The Brookhants School for Girls closes its doors forever—but not before three more people mysteriously die on the property, each in a most troubling way. Over a century later, the now abandoned and crumbling Brookhants is back in the news when wunderkind writer, Merritt Emmons, publishes a breakout book celebrating the queer, feminist history surrounding the “haunted and cursed” Gilded-Age institution. Her bestselling book inspires a controversial horror film adaptation starring celebrity actor and lesbian it girl Harper Harper playing the ill-fated heroine Flo, opposite B-list actress and former child star Audrey Wells as Clara. But as Brookhants opens its gates once again, and our three modern heroines arrive on set to begin filming, past and present become grimly entangled—or perhaps just grimly exploited—and soon it’s impossible to tell where the curse leaves off and Hollywood begins. A story within a story within a story and featuring black-and-white period illustrations.

    But which one broke the timeline?In 2136 Madison Grace uncovers a key to the origins of CHRONOS, a time-travel agency with ties to her family’s mysterious past. Just as she is starting to jump through history, she returns to her timeline to find millions of lives erased—and only the people inside her house realize anything has changed.In 2304 CHRONOS historian Tyson Reyes is assigned to observe the crucial events that played out in America’s civil rights movement. But a massive time shift occurs while he’s in 1965, and suddenly the history he sees isn’t the history he knows.As Madi’s and Tyson’s journeys collide, they must prevent the past from being erased forever. But strange forces are at work. Are Madi and Tyson in control or merely pawns in someone else’s game?

    From the faculty to the students, the fascination with other-worldly legends and objects runs rampant. So, when Carter Weston’s professor Dr. Thayerson asks him to search a nearby village for a book that is believed to control the inhuman forces that rule the Earth, Incendium Maleficarum, The Inferno of the Witch, the student doesn’t hesitate to begin the quest.Weston’s journey takes an unexpected turn, however, when he ventures into a tavern in the small town of Anchorhead. Rather than passing the evening as a solitary patron, Weston joins four men who regale him with stories of their personal experiences with forces both preternatural and damned. Two stories hit close to home as they tie the tellers directly to Weston’s current mission.His unanticipated role as passive listener proves fortuitous, and Weston fulfills his goal. Bringing the book back to Miskatonic, though, proves to be a grave mistake. Quickly, Weston realizes he has played a role in potentially opening the gate between the netherworld and the world of Man. Reversing the course of events means forgetting all he thought he knew about Miskatonic and his professor and embracing an unknown beyond his wildest imagination.

    again.It is meant to be a celebration but it ends in tragedy. As fireworks explode overhead, Evelyn Hardcastle, the young and beautiful daughter of the house, is killed.But Evelyn will not die just once. Until Aiden – one of the guests summoned to Blackheath for the party – can solve her murder, the day will repeat itself, over and over again. Every time ending with the fateful pistol shot. The only way to break this cycle is to identify the killer. But each time the day begins again, Aiden wakes in the body of a different guest. And someone is determined to prevent him ever escaping Blackheath...

    Now, mostly estranged from one another, the remaining five reluctantly gather at that same house on the eve of what would have been Bea’s fortieth birthday.But along with the return of the friends come old grudges, unrequited feelings, and buried secrets. Catherine, the CEO of a domestic empire, and Owen, a stay-at-home dad, were picture-perfect college sweethearts—but now teeter on the brink of disaster. Lindy, a well-known musician, is pushing middle age in an industry that’s all about youth and slowly self-destructing as she grapples with her own identity. Behind his smile, handsome plastic surgeon Colin harbors the heartbreaking truth about his own history with Bea. And Annie carefully curates her life on Instagram and Facebook, keeping up appearances so she doesn’t have to face the truth about her own empty reality.Reunited in the place where so many dreams began, and bolstered by the hope of healing, each of them is forced to confront the past.

    A bluff high above the Pacific. A grand mansion full of beauty and tantalizing history set against a towering redwood forest.A young reporter on assignment from the San Francisco Observer. . . an older woman, welcoming him into her magnificent, historic family home that he has been sent to write about and that she must sell with some urgency . . . A chance encounter between two unlikely people . . . an idyllic night—shattered by horrific unimaginable violence. . .The young man inexplicably attacked—bitten—by a beast he cannot see in the rural darkness . . . A violent episode that sets in motion a terrifying yet seductive transformation as the young man, caught between ecstasy and horror, between embracing who he is evolving into and fearing who—what—he will become, soon experiences the thrill of the wolf gift.As he resists the paradoxical pleasure and enthrallment of his wolfen savagery and delights in the power and (surprising) capacity for good, he is caught up in a strange and dangerous rescue and is desperately hunted as “the Man Wolf,” by authorities, the media and scientists (evidence of DNA threaten to reveal his dual existence). . . As a new and profound love enfolds him, questions emerge that propel him deeper into his mysterious new world: questions of why and how he has been given this gift; of its true nature and the curious but satisfying pull towards goodness; of the profound realization that there are others like him who may be watching—guardian creatures who have existed throughout time and may possess ancient secrets and alchemical knowledge and throughout it all, the search for salvation for a soul tormented by a new realm of temptations, and the fraught, exhilarating journey, still to come, of being and becoming, fully, both wolf and man.

    Banned from reading, Florence devours books in secret and talks to herself—and narrates her story—in a unique language of her own invention. By night, she sleepwalks the corridors and is troubled by a recurrent dream in which a mysterious woman appears to threaten her younger brother Giles.After the sudden violent death of the children's first governess, a second teacher, Miss Taylor, arrives, and immediately strange phenomena begin to occur. Florence becomes convinced that the new governess is a malevolent spirit who means to do Giles harm. Against this powerful enemy, Florence must use all her intelligence and ingenuity to protect her little brother and preserve her private world. This Gothic page-turner in the tradition of The Woman in Black and The Fall of the House of Usher is told in a startlingly different and wonderfully captivating narrative voice.

    Unbearable pain. A night of passion becomes a nightmare for corporate headhunter Adam Walters. In Prague for a few days to do business, he makes the most of his time away from home and commitments, indulging his lustful desires. But when he wakes up hog tied naked on an operating table in a filthy tiled room, he can’t begin to imagine the pain that is about to come his way… WARNING * This is an extreme horror book. It may contain scenes of gratuitous sex, and violence against humans, animals, and inanimate objects that didn’t deserve their fate.

    Splitfoot tracks two women in two times as they march toward a mysterious reckoning.Ruth and Nat are orphans, packed into a house full of abandoned children run by a religious fanatic. To entertain their siblings, they channel the dead. Decades later, Ruth’s niece, Cora, finds herself accidentally pregnant. After years of absence, Aunt Ruth appears, mute and full of intention. She is on a mysterious mission, leading Cora on an odyssey across the entire state of New York on foot. Where is Ruth taking them? Where has she been? And who — or what — has she hidden in the woods at the end of the road?In an ingeniously structured dual narrative, two separate timelines move toward the same point of crisis. Their merging will upend and reinvent the whole. A subversive ghost story that is carefully plotted and elegantly constructed, Mr. Splitfoot will set your heart racing and your brain churning. Mysteries abound, criminals roam free, utopian communities show their age, the mundane world intrudes on the supernatural and vice versa.