When Agatha left for her Probi assignment Cat had one of her own. A serial killer stalked the South. Sometimes it takes a Monster to catch a Monster. Read this and other Tales from the Federal Witch Universe today!

    The novella tells the story of Captain Nicolas du Mere, an exile fleeing the death of his rebel lord; and Lodi, son of Dunmorin, a brave dwarf dedicated to rescuing his fellow dwarves from slavery. Their dangerous paths meet, but in a manner that is anything but predictable.

    Or so she thought. As a commoner, Lora never looked beyond her small life in her village… until she nearly burned down the neighbor’s house. Sent to the capitol city all alone, Lora not only needs training as a Wielder, but also as a rare Swordwielder. Unused to the attention this brings, as well as her semi-hidden lowly status, she struggles in her new environment. But friends come along and life suddenly doesn’t seem quite so scary. Can she succeed while hiding her common heritage? Will she lose herself in the process? Or is she silly for even worrying? This is a mature young adult novel recommended for ages 15+ for sexuality and violence. The content in this book is similar to a PG-13 movie.

    Hopefully you’ll enjoy a few laughs along the way.(1)Scribe’s Notes:1. Mulogo’s Treatise on Wizardry is a largely farcical text making light of wizardly conventions within the larger fantasy, gaming, and roleplaying traditions, assorted related communities and offshoots, memes, and various cultural derivatives. (2)2. If you do not like satire, or laughing, this book is not for you. (3)3. Perhaps a more exciting tome like Navel Lint, Its Permutations and Harvesting would be more to your liking. (4)4. Mulogo does not condone laughing.

    The story unfolds in the weeks following Andaris’ seventeenth name day: Desperate to escape a life of meaningless drudgery behind the plow, he leaves the safety of his secluded valley town and ventures alone into the uncharted depths of an ancient forest, the heart of which is said to be twisted and black. Choosing to ignore the counsel of his more sensible nature, he is drawn ever onward, lured by the tantalizing splendor of distant mountains, the sheer peaks of which purportedly stand sentinel over a land long steeped in mystery. What ensues is more remarkable than anything even he could have envisioned. Andaris goes looking for adventure.... What he finds is a world in the midst of tidal change, an extraordinary place where he encounters all manner of extraordinary things—vast landscapes teeming with flora and fauna capable of firing the most malnourished of imaginations. To be sure, danger lurks around every bend, a heady amalgam of sword and sorcery which threaten to bring his young life to an abrupt end. Indeed, if not for a very fortuitous encounter, namely the crossing of paths with a band of travelers who turn out to be much more than meets the eye, it surely would have. Gaven, Ashel, and Trilla seem fated to become fast friends, the sort of companions he’d always wanted, but never thought he’d have. The Lost One and his army of shapelings are preparing to march against Rogar’s western border—the only thing standing between them and the green, fertile lands to the East. The balance of power is shifting. Despite the debt of blood owed them by their Sokerran neighbors, the Alderi Shune fear they will be made to stand alone. No one speaks of defeat, but it is on the tip of every tongue. For the first time since they were erected, more than a thousand years ago, the impossible is about to happen: The Eight Walls of Rogar are about to fall. The scales could tip in either direction, depending, oddly enough, on the choices of a rather bookish young man named Andaris Rocaren. You will forgive me, intrepid reader, if I now take the opportunity to formally invite you to join in the fun, to accompany young Andaris and his fellows into and out of the kingdoms of Nelvin, Mindere, Sokerra, and Rogar. Over hill, dell, and stream you shall go, hiking through rugged mountain ranges heavy with snow, into subterranean catacombs whose unplumbed fathoms are illumined by naught but the guttering flames of your makeshift torch, until you reach, at long last, and in just the nick of time, the battered gates of a once great civilization on the brink of war.

    Abigail Argent is a skilled craftsman working in the world of sculpture. Her particular talent lies in seeing the beauty in a plain piece of metal and being able to draw it out. When she comes across a book that links her craft with the ancient myth of alchemy, she's intrigued. Digging deeper, she discovers that some types of research can be dangerous. Delving into one of Italy's oldest secret societies, curiosity comes at a price that no-one should have to pay. If you like a conspiracy theory that walks the line between myth and science, you'll love A Rarer Gift Than Gold. A Rarer Gift Than Gold takes everything you think you know about alchemy and turns it on its head Treat yourself to A Rarer Gift Than Gold as featured on Radio 4, BBC World Service & Timeout Magazine Interview with the Author Will you share a little about your book?  It’s a conspiracy theory about alchemy.  Set in the art and craft world, it’s low fantasy with high stakes. Readers who enjoy the Da Vinci Code should like it.   Will you share how you came up with the idea for this book?    I am a sculptural restorer specialising in metals. I wanted to convey my love of metals and the idea came to me when a historian friend was doing some research and calling up some pretty rare volumes. He got a warning to stay away from the material he was looking at. I wondered why anyone would be so protective of something so dry and academic. I wondered what motivation they could possibly have and what might happen if he ignored the warning. I built this book around this event.   Who or what was your inspiration for this book?   Every day, I work with historic objects and one of the questions I always ask myself when restoring them is ‘what is missing from this object. What can I not see?’ and ‘why might evidence have been lost?’ It has made me very interested in what’s absent from history and why.  This story is about how history can be manipulated by the removal of physical evidence for personal gain.   It is said that authors write themselves into their characters. Is there any part of you in your characters and what they would be?   The only part of the lead character that is like me is her love of metals. That we share.   Have you been influenced by the writing style of other authors?   I adore and devour books, but trying to imitate someone else would just be too hard. Your own voice has to be authentic otherwise I think you come off as a hack.    Do you have plans to write another book?   Girl in A Golden Cage will be out at the end of 2016 – it’s another book in The Gold Gift Series