Resettling in America, the couple swore eternal fidelity to each other, but also swore to never, ever, under any circumstances get legally married. (Both were survivors of previous bad divorces. Enough said.) But providence intervened one day in the form of the United States government, which-after unexpectedly detaining Felipe at an American border crossing-gave the couple a choice: they could either get married, or Felipe would never be allowed to enter the country again. Having been effectively sentenced to wed, Gilbert tackled her fears of marriage by delving into this topic completely, trying with all her might to discover through historical research, interviews, and much personal reflection what this stubbornly enduring old institution actually is. Told with Gilbert's trademark wit, intelligence and compassion, Committed attempts to "turn on all the lights" when it comes to matrimony, frankly examining questions of compatibility, infatuation, fidelity, family tradition, social expectations, divorce risks and humbling responsibilities. Gilbert's memoir is ultimately a clear-eyed celebration of love with all the complexity and consequence that real love, in the real world, actually entails.

    Rachel Jensen is perfectly happy: in love with her husband, devoted to their daughter Kate, gratified by her work restoring art. And finally, she’s pregnant again. But as Rachel discovers, perfection can unravel in an instant. The summer she is thirteen, Kate returns from camp sullen, angry, and withdrawn. Everyone assures Rachel it’s typical adolescent angst. But then Kate has a terrifying accident with her infant brother, and the ensuing guilt brings forth a dreadful lie—one that ruptures their family, perhaps irrevocably.

    Just eight whirlwind weeks after their first meeting, level-headed career girl Lucy is seriously considering his pleas to marry him and asking herself if she could really be stepmother material.But before Lucy can make a final decision about becoming part of Greg’s world, events plunge her right into it. On holiday in the South of France, things start to unravel. Her future stepchildren won’t accept her, the interfering nanny resents her, and they’re stuck in a heat wave that won’t let up. And then there’s Greg. His behaviour becomes increasingly bizarre and Lucy begins to wonder whether his larger-than-life personality hides something darker—and whether she knows him at all.

    There she meets 97-year-old Cecily Finn. Cecily's tongue is as sharp as her mind, but she's fed up with pretty much everything.Having no patience for Kate's choices in life or love, Cecily prescribes her a self-help book...of sorts. She asks her to read Thought for Food: an unintentionally funny 1950s cookbook high on enthusiasm, featuring menus for anything life can throw at the "easily dismayed," such as:Breakfast with a HangoverTea for a Crotchety AuntDinner for a Charming StrangerAs she and Cecily break out of their ruts, Kate will learn far more than recipes.A feel-good summer read with a wicked sense of humor, Vicky Zimmerman's book will teach you that food is for feasting, friends are for savoring, and the way to a man's heart is...irrelevant.Fans of Jennifer Weiner, Elin Hildenbrand, and Sophie Kinsella will delight in this recipe for confidence, romance, and fun.

    After her husband’s sudden death, Carley Winsted is determined to keep her two daughters in their beloved home on Nantucket. To ease the family’s financial strain, she decides to transform their grand, historic house into a bed-and-breakfast. Not everyone, however, thinks this plan prudent or quite respectable—especially not Carley’s mother-in-law. Further complicating a myriad of challenges, a friend forces Carley to keep a secret that, if revealed, will undo families and friendships. And her late husband’s former law partner is making Carley confront an array of mixed feelings. Then, during a late-summer heat wave, the lives of Carley and her friends and family will be forever changed in entirely unexpected ways.

    She still loves her husband, Neal, and Neal still loves her, deeply — but that almost seems beside the point now.Maybe that was always beside the point.Two days before they’re supposed to visit Neal’s family in Omaha for Christmas, Georgie tells Neal that she can’t go. She’s a TV writer, and something’s come up on her show; she has to stay in Los Angeles. She knows that Neal will be upset with her — Neal is always a little upset with Georgie — but she doesn't expect him to pack up the kids and go home without her.When her husband and the kids leave for the airport, Georgie wonders if she’s finally done it. If she’s ruined everything.That night, Georgie discovers a way to communicate with Neal in the past. It’s not time travel, not exactly, but she feels like she’s been given an opportunity to fix her marriage before it starts...Is that what she’s supposed to do?Or would Georgie and Neal be better off if their marriage never happened?

    When it comes to finding someone to share it with, however, she just can't seem to get it right.After yet another relationship ends, Anne comes across a business card for what she thinks is a dating service, and she pockets it just in case. When her best friend, Sarah, announces she's engaged, Anne can't help feeling envious. On an impulse, she decides to give the service a try because maybe she could use a little assistance in finding the right man. But Anne soon discovers the company isn't a dating service; it's an exclusive, and pricey, arranged marriage service. She initially rejects the idea, but the more she thinks about it -- and the company's success rate -- the more it appeals to her. After all, arranged marriages are the norm for millions of women around the world, so why wouldn't it work for her?A few months later, Anne is travelling to a Mexican resort, where in one short weekend she will meet and marry Jack. And against all odds, it seems to be working out -- until Anne learns that Jack, and the company that arranged their marriage, are not what they seem at all.

    The Bitch In the House.Women today have more choices than at any time in history, yet many smart, ambitious, contemporary women are finding themselves angry, dissatisfied, stressed out. Why are they dissatisfied? And what do they really want? These questions form the premise of this passionate, provocative, funny, searingly honest collection of original essays in which twenty-six women writers—ranging in age from twenty-four to sixty-five, single and childless or married with children or four times divorced—invite readers into their lives, minds, and bedrooms to talk about the choices they’ve made, what’s working, and what’s not.With wit and humor, in prose as poetic and powerful as it is blunt and dead-on, these intriguing women offer details of their lives that they’ve never publicly revealed before, candidly sounding off on:• The difficult decisions and compromises of living with lovers, marrying, staying single and having children• The perpetual tug of war between love and work, family and career• The struggle to simultaneously care for ailing parents and a young family• The myth of co-parenting• Dealing with helpless mates and needy toddlers• The constrictions of traditional women’s roles as well as the cliches of feminism• Anger at laid-back live-in lovers content to live off a hardworking woman’s checkbook• Anger at being criticized for one’s weight• Anger directed at their mothers, right and wrong• And–well–more anger...“This book was born out of anger,” begins Cathi Hanauer, but the end result is an intimate sharing of experience that will move, amuse, and enlighten. The Bitch in the House is a perfect companion for your students as they plot a course through the many voices of modern feminism. This is the sound of the collective voice of successful women today-in all their anger, grace, and glory.

    Following a whirlwind courtship and wedding, the pair set sail for Paris, where they become the golden couple in a lively and volatile group—the fabled “Lost Generation”—that includes Gertrude Stein, Ezra Pound, and F. Scott and Zelda Fitzgerald. Though deeply in love, the Hemingways are ill prepared for the hard-drinking and fast-living life of Jazz Age Paris, which hardly values traditional notions of family and monogamy. Surrounded by beautiful women and competing egos, Ernest struggles to find the voice that will earn him a place in history, pouring all the richness and intensity of his life with Hadley and their circle of friends into the novel that will become The Sun Also Rises. Hadley, meanwhile, strives to hold on to her sense of self as the demands of life with Ernest grow costly and her roles as wife, friend, and muse become more challenging. Despite their extraordinary bond, they eventually find themselves facing the ultimate crisis of their marriage—a deception that will lead to the unraveling of everything they’ve fought so hard for. A heartbreaking portrayal of love and torn loyalty, The Paris Wife is all the more poignant because we know that, in the end, Hemingway wrote that he would rather have died than fallen in love with anyone but Hadley.

    Now, almost three decades after their relationship first blossomed in London, they live more or less happily in the suburbs with their moody seventeen-year-old son, Albie; then Connie tells him she thinks she wants a divorce.The timing couldn’t be worse. Hoping to encourage her son’s artistic interests, Connie has planned a month-long tour of European capitals, a chance to experience the world’s greatest works of art as a family, and she can’t bring herself to cancel. And maybe going ahead with the original plan is for the best anyway. Douglas is privately convinced that this landmark trip will rekindle the romance in the marriage and might even help him bond with Albie.Narrated from Douglas’s endearingly honest, slyly witty, and at times achingly optimistic point of view, Us is the story of a man trying to rescue his relationship with the woman he loves and learning how to get closer to a son who’s always felt like a stranger.

    When a grandfather she never knew bequeaths her a house and 60 acres of land in Sweetwater, Tenn., a restless young artist leaves New York to recover her past and rethink her future. Cassie Simon's mother Ellen died when Cassie was only three; raised in Boston by her grieving father, she never knew her maternal relatives. Unprepared for the thick veil of mystery that surrounds them, Cassie is especially bewildered by her brusque grandmother, whom rumor credits with hiding a terrible secret about Ellen's death. In alternating sections told from their respective points of view, Cassie and her grandmother fight their separate battles to cope with the truth about the tragedy. Kline perfectly renders each woman's voice: Cassie's, probing and often uncertain, propels the narrative and creates an appropriate level of psychological suspense; the grandmother's quavers with the weight of memory as Cassie's search forces her beyond family myth to a painful and perhaps dangerous truth. The result is a powerful, immensely readable tale of loyalty and betrayal, family and memory, made fresh by Kline's often beautiful and always lucid prose.

    The only trouble is, she doesn't want him any more. Now she has to figure out how to get rid of him...

    I’m thirty-six years old. It’s September. I know what I’m doing and why I am here…for now.Ten years ago, Claire Hines lost her unborn child—and her short-term memory—following a heartrending tragedy. With notebooks, calendars, to-do lists, fractured pieces of the past, and her father’s support, Claire makes it through each day, hour by hour, with relative confidence. She also has a close-knit community of friends in the remote Alaskan town where she teaches guitar to the local children. It’s there, in the reminders.As determined as Claire is to regain all that’s disappeared, she’d prefer to live without some memories of her before life—especially those of her mother, Alice, who abandoned her, and Tate, the ex-boyfriend who broke her heart.But when Alice and Tate return from the past, there’ll be so much more for Claire to relive. And to discover for the very first time. Through healing, forgiveness, and second chances, Claire may realize that what’s most important might not be re-creating the person she was, but embracing the possibilities of being the person she is.

    And now she’s throwing a Hissy Fit, in the best possible sense. A delicious tale of revenge and renovation, Hissy Fit tells of a wronged spitfire who’s determined to see that the no-good lowdown, lying, cheating varmint of an ex-fiancé who ruined her life and her business gets the comeuppance he so richly deserves…even as she struggles to revitalize a broken-down antebellum mansion for a hunky, if slightly odd, local businessman. If you like the novels of Fannie Flagg, Jennifer Crusie, Adriana Trigiani, and Emily Giffin, or are a devoted follower of Rebecca Wells or Jill Conner Browne’s Sweet Potato Queens, then Mary Kay’s Hissy Fit is not to be missed.

    For a while, she found a safe haven in her marriage to bestselling crime novelist Stephen Ludlow—until his car skidded into Echo Bay. But Stephen’s wasn’t the only body pulled from the icy waters that night. When details about a mysterious violet-eyed blonde become public, a media circus ensues, and Christy-Lynn runs again.Desperate for answers, she’s shattered to learn that Stephen and his mistress had a child—a little girl named Iris, who now lives in poverty with her ailing great-grandmother. The thought of Iris abandoned to the foster care system—as Christy-Lynn once was—is unbearable. But she’s spent her whole life running—determined never to be hurt again. Will she finally stand still long enough to open herself up to forgiveness and love?