D. James, long among the most admired mystery writers of our time, draws the characters of Jane Austen’s beloved novel Pride and Prejudice into a tale of murder and emotional mayhem. It is 1803, six years since Elizabeth and Darcy embarked on their life together at Pemberley, Darcy’s magnificent estate. Their peaceful, orderly world seems almost unassailable. Elizabeth has found her footing as the chatelaine of the great house. They have two fine sons, Fitzwilliam and Charles. Elizabeth’s sister Jane and her husband, Bingley, live nearby; her father visits often; there is optimistic talk about the prospects of marriage for Darcy’s sister Georgiana. And preparations are under way for their much-anticipated annual autumn ball. Then, on the eve of the ball, the patrician idyll is shattered. A coach careens up the drive carrying Lydia, Elizabeth’s disgraced sister, who with her husband, the very dubious Wickham, has been banned from Pemberley. She stumbles out of the carriage, hysterical, shrieking that Wickham has been murdered. With shocking suddenness, Pemberley is plunged into a frightening mystery. Inspired by a lifelong passion for Austen, P. D. James masterfully re-creates the world of Pride and Prejudice, electrifying it with the excitement and suspense of a brilliantly crafted crime story, as only she can write it.

    When Elly Swift, an agitated passenger beside her on a train, leaves a locket in Anna’s bag before jumping onto the tracks, Anna starts asking awkward questions. But everything points to suicide and the police close the case. Anna, however, believes Elly’s fears for Toby, her young nephew, missing since being snatched from St Stephen’s church six months ago, fail to explain the true reason behind Elly’s distress. Through a series of cryptic clues Elly left behind, Anna starts asking awkward questions, embarking on a dangerous crusade to track down Toby and find Elly’s killer. But nothing is as it seems and Anna opens a can of worms that throws into question the death of her husband, five years earlier - before the threads of the mystery converge in an astonishing conclusion.

    Florence Armstrong, her maid and confidante, is an expert in martial arts. The year is 1908 and they’ve just moved from London to the country, hoping for a quiet life.But it is not long before Lady Hardcastle is forced out of her self-imposed retirement. There’s a dead body in the woods, and the police are on the wrong scent. Lady Hardcastle makes some enquiries of her own, and it seems she knows a surprising amount about crime investigation…As Lady Hardcastle and Flo delve deeper into rural rivalries and resentment, they uncover a web of intrigue that extends far beyond the village. With almost no one free from suspicion, they can be certain of only one fact: there is no such thing as a quiet life in the country.

    It's a department known within the force as "The Dark Side," and it's where Malcolm Fox works. He's a serious man with a father in a nursing home and a sister who persists in an abusive relationship, frustrating problems about which he cannot seem to do anything. Then the reluctant Fox is given a new case. There's a cop named Jamie Breck, and he's dirty. The problem is, no one can prove it. As Fox takes on the job, he learns that there's more to Breck than anyone thinks--dangerous knowledge, especially when a vicious murder takes place far too close to home.In THE COMPLAINTS, Rankin proves again why he is one of the world's most beloved and bestselling crime writers, mixing unstoppable pacing with the deeper question of who decides right from wrong.

    They are tired and cold and desperate. Emerging from the fog, invisible until it is too late, a lone driver plows through the crowd in a stolen Mercedes, running over the innocent, backing up, and charging again. Eight people are killed; fifteen are wounded. The killer escapes.Months later, an ex-cop named bill Hodges, still haunted by the unsolved crime, contemplates suicide. When he gets a crazed letter from "the perk," claiming credit for the murders, Hodges wakes up from his depressed and vacant retirement, fearing another even more diabolical attack and hell-bent on preventing it.Brady Hartfield lives with his alcoholic mother in the house where he was born. He loved the feel of death under the wheels of the Mercedes, and he wants that rush again. Only Bill Hodges, with a couple of eccentric and mismatched allies, can apprehend the killer before he strikes again. And they have no time to lose, because Brady's next mission, if it succeeds, will kill or maim thousands.Mr. Mercedes is a war between good and evil from the master of suspense whose insight into the mind of this obsessed, insane killer is chilling and unforgettable.--front flap

    Mrs. Creasy is missing and the Avenue is alive with whispers. The neighbors blame her sudden disappearance on the heat wave, but ten-year-olds Grace and Tilly aren’t convinced. As the summer shimmers endlessly on, the girls decide to take matters into their own hands. Inspired by the local vicar, they go looking for God—they believe that if they find Him they might also find Mrs. Creasy and bring her home.Spunky, spirited Grace and quiet, thoughtful Tilly go door to door in search of clues. The cul-de-sac starts to give up its secrets, and the amateur detectives uncover much more than ever imagined. As they try to make sense of what they’ve seen and heard, a complicated history of deception begins to emerge. Everyone on the Avenue has something to hide, a reason for not fitting in.In the suffocating heat of the summer, the ability to guard these differences becomes impossible. Along with the parched lawns and the melting pavement, the lives of all the neighbors begin to unravel. What the girls don’t realize is that the lies told to conceal what happened one fateful day about a decade ago are the same ones Mrs. Creasy was beginning to peel back just before she disappeared.

    Twenty years later, her remains are discovered and Timothy Gleason is charged with murder. But there is no sign of the unborn child. CeeCee Wilkes knows how Genevieve Russell died, because she was there. And she also knows what happened to the missing infant, because two decades ago she made the devastating choice to raise the baby as her own. Now Timothy Gleason is facing the death penalty, and she has another choice to make. Tell the truth, and destroy her family. Or let an innocent man die in order to protect a lifetime of lies...

    But she's going to have to accept it. An old man she recently met has died, leaving her his historic Tradd Street home, complete with housekeeper, dog, and a family of ghosts anxious to tell her their secrets.Enter Jack Trenholm, a gorgeous writer obsessed with unsolved mysteries. He has reason to believe that diamonds from the Confederate Treasury are hidden in the house. So he turns the charm on with Melanie, only to discover he's the smitten one...It turns out Jack's search has caught the attention of a malevolent ghost. Now, Jack and Melanie must unravel a mystery of passion, heartbreak, and even murder.

    After a summer-night swim with her best friend, Ainsley, Violet is found confused, wandering in the forest—and Ainsley’s never seen again. But without a body, murder charges won’t stick, so Violet is sent away.After more than a decade in a psychiatric ward, Violet returns to her broken-down hometown of Normal, Alabama, to claim her dead mother’s inheritance and help her overworked sister care for their unstable, alcoholic father. Violet, still haunted by that night eleven years ago, endures horrific flashbacks and twisted hallucinations while townsfolk spit accusations—and for all she knows, they’re right.As the summer heats up, details of Ainsley’s fate appear like a beast’s wild eyes, watching in the darkness, and grim revelations about Violet’s family threaten to devour her. Already on the edge of madness, Violet must fight to keep her sanity long enough for the terrible truth to burst from the cold, dark waters.

    Now, with The Ghost Orchid, a narrative that seamlessly weaves together the past and the present, Goodman creates her most lyrical and haunting work to date. For more than one hundred years, creative souls have traveled to Upstate New York to work under the captivating spell of the Bosco estate. Cradled in silence, inspired by the rough beauty of overgrown gardens and crumbling statuary, these chosen few fashion masterworks–and have cemented Bosco’s reputation as a premier artists’ colony. This season, five talented artists-in-residence find themselves drawn to the history of Bosco, from the extensive network of fountains that were once its centerpiece but have long since run dry to the story of its enigmatic founder, Aurora Latham, and the series of tragic events that occurred more than a century ago.Ellis Brooks, a first-time novelist, has come to Bosco to write a book based on Aurora and the infamous summer of 1893, when wealthy, powerful Milo Latham brought the notorious medium Corinth Blackwell to the estate to help his wife contact three of the couple’s children, lost the winter before in a diphtheria epidemic. But when a séance turned deadly, Corinth and her alleged accomplice, Tom Quinn, disappeared, taking with them the Lathams’ only surviving child. The more time she spends at Bosco, the more Ellis becomes convinced that there is an even darker, more sinister end to the story. And she’s not alone: biographer Bethesda Graham uncovers stunning revelations about Milo and Corinth; landscape architect David Fox discovers a series of hidden tunnels underneath the gardens; poet Zalman Bronsky hears the long-dry fountain’s waters beckoning him; and novelist Nat Loomis feels something lingering just out of reach.After a bizarre series of accidents befalls them, the group cannot deny the connections between the long ago and now, the living and the dead . . . as Ellis realizes that the tangled truth may ensnare them all in its cool embrace.From the Hardcover edition.

    Two violent predators walk through the door. Nothing will ever be the same.When the two strangers turn up at Rowena Cooper's isolated Colorado farmhouse, she knows instantly that it's the end of everything. For the two haunted and driven men, on the other hand, it's just another stop on a long and bloody journey. And they still have many miles to go, and victims to sacrifice, before their work is done.For San Francisco homicide detective Valerie Hart, their trail of victims-women abducted, tortured and left with a seemingly random series of objects inside them-has brought her from obsession to the edge of physical and psychological destruction. And she's losing hope of making a breakthrough before that happens.But the murders at the Cooper farmhouse didn't quite go according to plan. There was a survivor, Rowena's ten-year-old daughter Nell, who now holds the key to the killings. Injured, half-frozen, terrified, Nell has only one place to go. And that place could be even more dangerous than what she's running from.In this extraordinary, pulse-pounding debut, Saul Black takes us deep into the mind of a psychopath, and into the troubled heart of the woman determined to stop him.

    But when a letter arrives from the prison cell of Lillian Grimes, one half of a notorious husband-and-wife serial-killer team, it contains a revelation that will tear her life apart.Responsible for a string of heinous killings decades ago, Lillian is pure evil. A psychopathic murderer. And Amy’s biological mother. Now, she is ready to reveal the location of three of her victims—but only if Amy plays along with her twisted game.While her fellow detectives frantically search for a young girl taken from her mother’s doorstep, Amy must confront her own dark past. Haunted by blurred memories of a sister who sacrificed herself to save her, Amy faces a race against time to uncover the missing bodies.But what if, from behind bars, Grimes has been pulling the strings even tighter than Amy thought? And can she overcome her demons to prevent another murder?

    So begins the swirling, serpentine world of Paraic O’Donnell’s Victorian-inspired mystery, the story of a city cloaked in shadow, but burning with questions: why does the seamstress jump from the window? Why is a cryptic message stitched into her skin? And how is she connected to a rash of missing girls, all of whom seem to have disappeared under similar circumstances?On the case is Inspector Cutter, a detective as sharp and committed to his work as he is wryly hilarious. Gideon Bliss, a Cambridge dropout in love with one of the missing girls, stumbles into a role as Cutter’s sidekick. And clever young journalist Octavia Hillingdon sees the case as a chance to tell a story that matters—despite her employer’s preference that she stick to a women’s society column. As Inspector Cutter peels back the mystery layer by layer, he leads them all, at last, to the secrets that lie hidden at the house on Vesper Sands.By turns smart, surprising, and impossible to put down, The House on Vesper Sands offers a glimpse into the strange undertow of late nineteenth-century London and the secrets we all hold inside us.

    While she cleans and organizes, she makes puzzling discoveries: expensive liquor that's not her mother's brand, a new flat-screen TV on the wall. Where is the money coming from?Evie will find an unlikely ally in Mina Yetner, her mother's ninety-year-old neighbor, who has noticed mysterious changes to the neighborhood herself. As the two women dig deeper into the past few months of Evie's mother's life, a larger, more sinister picture begins to emerge.

    Doubting the findings of the local PD’s profiler, The FBI calls on forensic psychologist Zoe Bentley to investigate.Zoe quickly gets off on the wrong foot with her new partner, Special Agent Tatum Gray. Zoe’s a hunter, intense and focused; Tatum’s a smug maverick with little respect for the rules. Together, they must descend into a serial killer’s psyche and untangle his twisted fantasies, or more women will die. But when the contents of three inconspicuous envelopes reveal a chilling connection to gruesome murders from Zoe’s childhood, suddenly the hunter becomes the hunted.