Phil is the bright one, George the plodder. Phil is tall and angular; George is stocky and silent. Phil is a brilliant chess player, a voracious reader, an eloquent storyteller; George learns slowly, and devotes himself to the business.Phil is a vicious sadist, with a seething contempt for weakness to match his thirst for dominance; George has a gentle, loving soul. They sleep in the room they shared as boys, and so it has been for forty years. When George unexpectedly marries a young widow and brings her to live at the ranch, Phil begins a relentless campaign to destroy his brother's new wife. But he reckons without an unlikely protector.From its visceral first paragraph to its devastating twist of an ending, The Power of the Dog will hold you in its grip.WITH AN AFTERWORD BY ANNIE PROULX

    These collectible editions are dressed in the iconic orange and white tri-band cover design, first created in 1935, while french flaps, high-quality paper, and striking cover illustrations provide the cutting-edge design treatment that is the signature of Penguin Classics Deluxe Editions today. White Noise Winner of the 1985 National Book Award, White Noise tells the story of Jack Gladney, his fourth wife, Babette, and their four ultramodern offspring, as they navigate the rocky passages of family life to the background babble of brand-name consumerism.

    This was a war to make the world safe for democracy. And if democracy was made safe, then nothing else mattered - not the millions of dead bodies, nor the thousands of ruined lives... This is no ordinary novel. This is a novel that never takes the easy way out: it is shocking, violent, terrifying, horrible, uncompromising, brutal, remorseless and gruesome... but so is war. Winner of the National Book Award.

    Written in a French style that long defied successful translation - Cocteau was always a poet no matter what he was writing - the book came into its own for English-language readers in 1955 when the present version was completed by Rosamond Lehmann. It is a masterpiece of the art of translation of which the Times Literary Supplement said: "It has the rare merit of reading as though it were an English original." Miss Lehmann was able to capture the essence of Cocteau's strange, necromantic imagination and to bring fully to life in English his story of a brother and sister, orphaned in adolescence, who build themselves a private world out of one shared room and their own unbridled fantasies. What started in games and laughter became for Paul and Elisabeth a drug too magical to resist. The crime which finally destroyed them has the inevitability of Greek tragedy. Illustrated with twenty of Cocteau's own drawings.

    This Faust-like and magical story is evidence of Hesse's searching philosophy and extraordinary sense of humanity as he tells of the humanization of a middle-aged misanthrope. Yet his novel can also be seen as a plea for rigorous self-examination and an indictment of the intellectual hypocrisy of the period. As Hesse himself remarked, "Of all my books Steppenwolf is the one that was more often and more violently misunderstood than any of the others".

    A night of a thousand years. Heard it in the womb, heard it in the cradle, heard it in school , heard it on the floor of life's stock exchange where dreams are traded for gold." —Henry MillerOne of the dozen books written by Jack Kerouac in the early and mid-1950s, Maggie Cassidy was not published until 1959, after the appearance of On the Road had made its author famous overnight, Long out of print, this touching novel of adolescent love in a New England mill town, with its straight-forward narrative structure, is one of Kerouac's most accesible works. It is a remarkable , bittersweet evocation of the awkwardness and the joy of growing up in America.

    She is different from the other girls: at once an outcast and object of fascination. As Marina struggles to find her place, she invents a game whose rules are dictated by a haunting violence. Written in hypnotic, lyrical prose, alternating between Marina’s perspective and the choral we of the other girls, Such Small Hands evokes the pain of loss and the hunger for acceptance.

    In "Hands," Wing Biddlebaum tries to hide the tale of his banishment from a Pennsylvania town, a tale represented by his hands. In "Adventure," lonely Alice Hindman impulsively walks naked into the night rain. Threaded through the stories is the viewpoint of George Willard, the young newspaper reporter who, like his creator, stands witness to the dark and despairing dealings of a community of isolated people.

    A joke at first; but then he was caught up, terrifyingly, in a vision of suffering, and he sought a way out, turning first here, then there—Art, Sex, Religion. Shrike, the cynical editor, the friend and enemy, compulsively destroyed each of his friend’s gestures toward idealism. Together, in the city’s dim underworld, Shrike and Miss Lonelyhearts turn round and round in a loathsome dance, unresolvable, hating until death…The Day of the LocustTo Hollywood comes Tod Hackett, hoping for a career in scene designing, but he finds the way hard and falls in with others—extras, technicians, old vaudeville hands—who are also in difficulty. Around him he sees the great mass of inland Americans who have retired to California in expectation of health and ease. But boredom consumes them, their own emptiness maddens them; they search out any abnormality in their lust for excitement—drugs, perversion, crime. In the end only blood will serve; unreasoned, undirected violence. The day of the locust is at hand…

    It was made into a play, a Broadway as well as a Hollywood musical, and a fabulous movie starring Rosalind Russell. Since then, Mame has taken her rightful place in the pantheon of Great and Important People as the world's most beloved, madcap, devastatingly sophisticated, and glamorous aunt. She is impossible to resist, and this hilarious story of an orphaned ten-year-old boy sent to live with his aunt is as delicious a read in the twenty-first century as it was in the 1950s.

    Among her most famous and controversial works, these three novellas—The Time Is Night, Chocolates with Liqueur (inspired by Edgar Allan Poe’s “The Cask of Amontillado”), and Among Friends—are modern classics that breathe new life into Tolstoy’s famous dictum, “All happy families are alike; every unhappy family is unhappy in its own way.” Together they confirm the genius of an author with a gift for turning adversity into art.

    In 1965, the happy Bedloe family is living an ideal, apple-pie existence in Baltimore.  Then, in the blink of an eye, a single tragic event occurs that will transform their lives forever--particularly that of seventeen-year-old Ian Bedloe, the youngest son, who blames himself for the sudden "accidental" death of his older brother.Depressed and depleted, Ian is almost crushed under the weight of an unbearable, secret guilt.  Then one crisp January evening, he catches sight of a window with glowing yellow neon, the CHURCH OF THE SECOND CHANCE.  He enters and soon discovers that forgiveness must be earned, through a bit of sacrifice and a lot of love...A New York Times Notable Book

    He's got a job — transcribing old books and presenting them as the words of the great new leader, Fyodor Kuzmich, Glorybe — and though he doesn't enjoy the privileged status of a Murza, at least he's not a serf or a half-human four-legged Degenerator harnessed to a troika. He has a house, too, with enough mice to cook up a tasty meal, and he's happily free of mutations: no extra fingers, no gills, no cockscombs sprouting from his eyelids. And he's managed — at least so far — to steer clear of the ever-vigilant Saniturions, who track down anyone who manifests the slightest sign of Freethinking, and the legendary screeching Slynx that waits in the wilderness beyond.

    Depicting both the horrors of the Holocaust and the lifetime of emptiness that pursues a survivor, 'The Shawl' and 'Rosa' recall the psychological and emotional scars of those who suffered at the hands of the Nazis.

    In impressionistic, diary form he ruthlessly catalogues his every feeling and sensation about the world and people around him. His thoughts culminate in a pervasive, overpowering feeling of nausea which "spread at the bottom of the viscous puddle, at the bottom of our time, the time of purple suspenders and broken chair seats; it is made of wide, soft instants, spreading at the edge, like an oil stain." Roquentin's efforts to try and come to terms with his life, his philosophical and psychological struggles, give Sartre the opportunity to dramatize the tenets of his Existentialist creed.The introduction for this edition of Nausea by Hayden Carruth gives background on Sartre's life and major works, a summary of the principal themes of Existentialist philosophy, and a critical analysis of the novel itself.