The adolescent Elie and his family, among hundreds of thousands of Jews from all parts of Eastern Europe, are cruelly deported from their hometown to the horrors of Auschwitz and Buchenwald. Wiesel writes of their battle for survival, and of his battle with God for a way to understand the wanton cruelty he witnesses each day.In the short novel Dawn (1961), Elisha - the sole survivor of his family, whose immolation he witnessed at Auschwitz - has survived the Second World War and settled in Palestine. Apprenticed to a Jewish terrorist gang, he is commanded to execute a British officer who has been taken hostage. During the lonely hours before dawn, he meditates on the act of murder he is waiting to commit.In The Accident, (1962), Wiesel's second novel, Elisha, now a journalist living in New York, is the victim of a nearly fatal automobile accident. This fiction questions the limits of the spirit and the self: Can Holocaust survivors forge a new life without the memories of the old? As the author writes in his introduction, "In Night it is the 'I' who speaks; in the other two [narratives], it is the 'I' who listens and questions." Wiesel's trilogy offers meditations on mankind's attraction to violence and on the temptation of self-destruction.

    Hardening her heart, the young woman sets out to claim what is owed and soon gains a reputation for being able to turn silver into gold. When an ill-advised boast draws the attention of the king of the Staryk--grim fey creatures who seem more ice than flesh--Miryem's fate, and that of two kingdoms, will be forever altered. Set an impossible challenge by the nameless king, Miryem unwittingly spins a web that draws in a peasant girl, Wanda, and the unhappy daughter of a local lord who plots to wed his child to the dashing young tsar. But Tsar Mirnatius is not what he seems. And the secret he hides threatens to consume the lands of humans and Staryk alike. Torn between deadly choices, Miryem and her two unlikely allies embark on a desperate quest that will take them to the limits of sacrifice, power, and love. Channeling the vibrant heart of myth and fairy tale, Spinning Silver weaves a multilayered, magical tapestry that readers will want to return to again and again.

    Horace Croft after losing her parents to a deadly pandemic, the orphan Nora Beady knows little about conventional life. While other young ladies were raised to busy themselves with needlework and watercolors, Nora was trained to perfect her suturing and anatomical illustrations of dissections.Women face dire consequences if caught practicing medicine, but in Croft's private clinic Nora is his most trusted--and secret--assistant. That is until the new surgical resident Dr. Daniel Gibson arrives. Dr. Gibson has no idea that Horace's bright and quiet young ward is a surgeon more qualified and ingenuitive than even himself. In order to protect Dr. Croft and his practice from scandal and collapse Nora must learn to play a new and uncomfortable role--that of a proper young lady.But pretense has its limits. Nora cannot turn away and ignore the suffering of patients even if it means giving Gibson the power to ruin everything she's worked for. And when she makes a discovery that could change the field forever, Nora faces an impossible choice. Remain invisible and let the men around her take credit for her work, or let the world see her for what she is--even if it means being destroyed by her own legacy.

    Every story, eventually, must be told.For most of their lives, Julian Perel and his sister, Paula, lived in a house cast in silence, witnesses to a father struggling with a devastating secret too painful to share. Though their father took his demons to the grave, his past refuses to rest.As adults, brother and sister struggle to find their voices. A scientist governed by numbers and logic, Julian now lives an ordered life of routine and seclusion. My father gave up his language and his homeland. But he carried his sadness with him, under his skin. It was mine now. In contrast, Paula has entered the world as eagerly as Julian retracts from it. An aspiring opera singer, she is always moving, buoyant with sound. Singing was the only gift I could offer to my father. I filled the house with music. I tried to give him joy. . . .Yet both their lives begin to change on a Wednesday, miercoles, the day that sounds like miracles. Before embarking on a European opera tour, Paula asks her housekeeper, Sola, to stay at her place--and to look after Julian in the apartment above. Yet Sola, too, has a story. I want to clean myself like the window of a house, make myself clear for things to pass through. Flat and quiet.As Paula uncovers pieces of her father's early life in Budapest and the horrifying truth of his past, Julian bears witness to Sola's story--revelations that help all three learn how to both surrender and revere the shadows that have followed them for so long.The Speed of Light is a powerful debut about three unforgettable souls who overcome the tragedies of the past to reconnect with one another and the world around them. In an extraordinary accomplishment, Elizabeth Rosner has created a novel of love and redemption that proves the pain of the untold story is far greater than even the most difficult truth.

    To mark this moment in history, his editor at Smith’s Weekly Magazine assigns Phil a series of articles on anti-Semitism in America. In order to experience anti-Semitism firsthand, Phil, a Christian, decides to pose as a Jew. What he discovers about the rampant bigotry in America will change him forever.

    . . Inside the factory, Ephraim anxiously scans the growing crowd, looking for his two sons. As anxious questions swirl around him "Where are they taking us? How long will we be gone?" he can't quell the suspicion that it would be just like his oldest son to hole up somewhere instead of lining up for the Germans, and just like his youngest to follow . . .Yasia, a farmer's daughter who has come into town to sell produce, sees two young boys slinking through the shadows of the deserted streets and decides to offer them shelter . . . As these lives become more and more intertwined Rachel Seiffert's prose rich with a rare compassion, courage, and emotional depth, an unflinching story is told: of survival, of conflicting senses of duty, of the oppressive power of fear and the possibility of courage in the face of terror.

    Asher Lev is an artist who is compulsively driven to render the world he sees and feels even when it leads him to blasphemy. In this stirring and often visionary novel, Chaim Potok traces Asher’s passage between these two identities, the one consecrated to God, the other subject only to the imagination.Asher Lev grows up in a cloistered Hasidic community in postwar Brooklyn, a world suffused by ritual and revolving around a charismatic Rebbe. But in time his gift threatens to estrange him from that world and the parents he adores. As it follows his struggle, My Name Is Asher Lev becomes a luminous portrait of the artist, by turns heartbreaking and exultant, a modern classic.

    He is a Chassidic Orthodox Jew and the son of a revered rabbi in whose footsteps he's expected to follow. When he leaves his insular world to take classes at a secular college, he vows to remain unchanged...Praise for A Seat at the Table: "A poignant depiction of a deeply loving father and a no less loving son desperate to find his own very different path without shattering the connection to his family, to his father."-- Rabbi Joseph Telushkin, Author of Jewish Literacy and a Jewish Code of Ethics "Halberstam takes you deeply into the Chassidic community with a critical eye but a loving, understanding heart. This tender, compassionate coming-of-age story brims over with wisdom from the Jewish tradition. It's worth reading for the Chassidic tales alone."-- David Grubin, Documentary Filmmaker, The Jewish Americans, LBJ"Joshua Halberstam knows the soul of Chassidic Brooklyn better than anyone without payes and a black hat. He explores that world with a unique combination of skepticism and compassion. A Seat at the Table is a lovely and deeply humane book."-- Melvin Jules Bukiet, Author of Strange Fire and Neurotica"In this novel of fathers and sons, faith and doubt, Joshua Halberstam illuminates a world rich with religious tradition and Chassidic stories, and he proves himself to be a master storyteller in his own right. A Seat at the Table is unusually wise, genuine, and always affecting." -- Tova Mirvis, author of The Ladies Auxiliary and The Outside World

    It explores the often difficult but enduring ties between mothers and daughters, men and women: the sacrifices, compromises, and patterns of emotion that repeat themselves through generations. In a journey that spans four decades and crosses the globe, Rain is an epic tale of the choices and consequences that comprise one family's history. By turn dark and amusing, Rain delivers an emotionally charged revelation about love, loss, guilt, self-discovery and redemption. The enduring question of family bonds-escapable or not-divides, conquers, and triumphs.

    The soldiers who liberated the Gross-Rosen concentration camp said the war was over, but nothing feels over to eighteen-year-old Zofia Lederman. Her body has barely begun to heal; her mind feels broken. And her life is completely shattered: Three years ago, she and her younger brother, Abek, were the only members of their family to be sent to the right, away from the gas chambers of Auschwitz-Birkenau. Everyone else--her parents, her grandmother, radiant Aunt Maja--they went left.Zofia's last words to her brother were a promise: Abek to Zofia, A to Z. When I find you again, we will fill our alphabet. Now her journey to fulfill that vow takes her through Poland and Germany, and into a displaced persons camp where everyone she meets is trying to piece together a future from a painful past: Miriam, desperately searching for the twin she was separated from after they survived medical experimentation. Breine, a former heiress, who now longs only for a simple wedding with her new fiancé. And Josef, who guards his past behind a wall of secrets, and is beautiful and strange and magnetic all at once.But the deeper Zofia digs, the more impossible her search seems. How can she find one boy in a sea of the missing? In the rubble of a broken continent, Zofia must delve into a mystery whose answers could break her--or help her rebuild her world.

    Satisfied with her comfortable house in a New Jersey suburb and her reliable husband, Leonard, she expects that her life will be predictable and secure. Surprised by an untimely death, an unexpected illness, and the contrary natures of her two daughters, Rhoda finds that fate undermines her sense of entitlement and security. Shrewd, wry, and sometimes bitter, Rhoda reveals herself to be a wonderfully flawed and achingly real woman caught up in the unexpectedness of her own life.

    Over the years their bond intensifies, though their lives diverge. Rachel aspires to be a doctor, a blasphemous choice for a woman in her culture. Joshua kills a man in self defense, and is alienated from his own community. Paul leaves his home to find solace in the Hasidic enclave of Crown Heights.From different worlds and unaware they share a father, Joshua and Paul see their lives collide in a quest for Rachel's love. Through these and other challenges, culminating with the 1991 Crown Heights riots, this story explores the tensions between two communities in close physical proximity, but still worlds apart. Through Joshua, Rachel, and Paul, a vision of hope is offered, but tempered by the realities of human frailty and tragedy.

    Her ten children range in age from thirteen to thirty-nine. Her in-laws, postwar immigrants from Romania, live on the first floor of their house. Her daughter Tzila Ruchel lives on the second. She and Yidel, a scribe in such demand that he makes only a few Torah scrolls a year, live on the third. Wed when Surie was sixteen, they have a happy marriage and a full life, and, at the ages of fifty-seven and sixty-two, they are looking forward to some quiet time together.Into this life of counted blessings comes a surprise. Surie is pregnant. Pregnant at fifty-seven. It is a shock. And at her age, at this stage, it is an aberration, a shift in the proper order of things, and a public display of private life. She feels exposed, ashamed. She is unable to share the news, even with her husband. And so for the first time in her life, she has a secret--a secret that slowly separates her from the community.Goldie Goldbloom's On Division is an excavation of one woman's life, a story of awakening at middle age, and a thoughtful examination of the dynamics of self and collective identity. It is a steady-eyed look inside insular communities that also celebrates their comforts. It is a rare portrait of a long, happy marriage. And it is an unforgettable new novel from a writer whose imagination is matched only by the depth of her humanity.

    Englander’s wondrous and much-heralded collection of stories won the 2000 Pen/Malamud Award and was translated into more than a dozen languages. From its unforgettable opening scene in the darkness of a forgotten cemetery in Buenos Aires, The Ministry of Special Cases casts a powerful spell. In the heart of Argentina’s Dirty War, Kaddish Poznan struggles with a son who won’t accept him; strives for a wife who forever saves him; and spends his nights protecting the good name of a community that denies his existence--and denies a checkered history that only Kaddish holds dear. When the nightmare of the disappeared children brings the Poznan family to its knees, they are thrust into the unyielding corridors of the Ministry of Special Cases, the refuge of last resort. Nathan Englander’s first novel is a timeless story of fathers and sons. In a world turned upside down, where the past and the future, the nature of truth itself, all take shape according to a corrupt government’s whims, one man--one spectacularly hopeless man--fights to overcome his history and his name, and, if for only once in his life, to put things right. Here again are all the marvelous qualities for which Englander’s first book was immediately beloved: his exuberant wit and invention, his cosmic sense of the absurd, his genius for balancing joyfulness and despair. Through the devastation of a single family, Englander captures, indelibly, the grief of a nation. The Ministry of Special Cases, like Englander’s stories before it, is a celebration of our humanity, in all its weakness, and--despite that--hope.

    Writing with tightly controlled intensity, Alison Pick takes us inside the minds of her vastly different characters--two young unmarried women, one plain and one beautiful, escaping peril in Russia and Europe; one older man, a charismatic group leader who is married with two children; and his wife, Hannah, who understands all too well the dark side of "equality"--to show us how idealism quickly tumbles into pragmatism, and how the utopian dream is punctured by messy human entanglements. This is also the story of the land itself (present-day Israel and Palestine), revealing with compassion and terrible irony how the pioneers chose to ignore the subtle but undeniable fact that their valley was already populated, home to a people whose lives they did not entirely understand.Writing with extraordinary power, Pick creates unforgettably human characters who, isolated in the enclosure of their hard-won utopian dream, are haunted by ghosts, compromised by unbearable secrets, and finally, despite flashes of love and hope, worn down by hardship, human frailty, and the pull of violent confrontation. The novel's utterly shocking but satisfying conclusion will have readers flipping back to the first page to trace patterns and wrestle with the question of what is, or is not, inevitable and knowable in the human heart.