In the victories of Tamburlaine, Faustus's encounters with the demonic, the irreverence of Barabas in THE JEW OF MALTA, and the humiliation of Edward II in his fall from power and influence, Marlowe explores the shifting balance between power and helplessness, the sacred and its desecration.

    The First Folio is a literary icon and is the version of Shakespeare's text preferred by many actors and directors, yet no one has edited it in its entirety for over three hundred years.At the request of the Royal Shakespeare Company, Jonathan Bate and Eric Rasmunssen, two of today's most accomplished Shakespearean scholars, have used the very latest techniques and research to correct the errors and variations in the early printed copies and to present the First Folio for modern readers. The result is a fresh and definitive Complete Works for the twenty-first century.This edition includes all the material that might be needed by a student of Shakespeare. The Sonnets, The Two Noble Kinsmen, Pericles, Shakespeare's scene from Sir Thomas More, Venus and Adonis, The Rape of Lucrece, The Phoenix and Turtle, and a number of other interesting passages not published in the First Folio are also included.'This is a glorious edition of one of the world's most important books. It's the essential reference book for anyone who's ever been in love, felt jealousy, hatred, or desire. All human life is here — and every home should have one.'-Dame Judi Dench'A splendid edition … the general introduction is among the best 50-page guides to Shakespeare you could hope to find, while the short essays prefixed to each play are informative, thought-provoking and humane. Marginal notes help readers imagine what's happening onstage … the RSC's edition allows you to lose yourself in the wonder of the works.'-Dr Colin Burrow, Oxford University'A triumphant addition to our times.'-Fiona Shaw, The Times'The scholarly apparatus is discreet, elegant and pertinent. For each play, we get brief accounts of plots, dates and sources … footnotes are found snugly and legibly at the bottom of each page … there is a universe to be found in these annotations: the Renaissance world of power and fate, sex and death, language and philosophy … an edition full of endless fascination.'-Tom Deveson, Times Educational Supplement'Bate's general introduction to Shakespeare's life, stage and reputation is superb, and the short introductions to individual works are among the best of their kind available … they manage to speak about what really matters about the plays.'-Professor Michael Dobson, London Review of Books'Excellent, succinct notes and introductions to each play.'-John Carey, Sunday Times'Outstanding … Jonathan Bate writes with as much elegance as insight about the making of theatre and the creation of the plays … an impeccably informative introduction gives a comprehensive theatrical, social, political and biographical context to the plays … exemplary notes at the foot of each page translate verbal and topical obscurities … for actors and directors it will be incomparably useful, but for any curious reader of Shakespeare's plays it provides an invaluable guide to reading them not as novels or dramatic poems, but as they were intended to be read: blueprints for live performance.'-Richard Eyre, Sunday Telegraph

    

    Highly popular and influential in the development of Elizabethan drama, it established a new genre in English theatre; the revenge play.

    The first playwright to depict suffering without reference to the gods, Euripides made his characters speak in human terms and face the consequences of their actions. In Medea, a woman rejected by her lover takes hideous revenge by murdering the children they both love, and Hecabe depicts the former queen of Troy, driven mad by the prospect of her daughter’s sacrifice to Achilles. Electra portrays a young woman planning to avenge the brutal death of her father at the hands of her mother, while in Heracles the hero seeks vengeance against the evil king who has caused bloodshed in his family. Philip Vellacott’s lucid translation is accompanied by an introduction, which discusses the literary background of Classical Athens and examines the distinction between instinctive and civilized behaviour.

    English versions of Sophocles’ three great tragedies based on the myth of Oedipus, translated for a modern audience by two gifted poets.

    Over the years these authoritative, critically acclaimed editions have been the preferred choice of more than three million readers for personal libraries and individual study as well as for classroom use.

    He browbeats his flatmate, terrorizes his wife, and is not above sleeping with her best friend-who loathes Jimmy almost as much as he loathes himself. Yet this working-class Hamlet, the original Angry Young Man, is one of the most mesmerizing characters ever to burst onto a stage, a malevolently vital, volcanically articulate internal exile in the dreary, dreaming Siberia of postwar England.First produced in 1956, Look Back in Anger launched a revolution in the English theater. Savagely, sadly, and always impolitely, it compels readers and audiences to acknowledge the hidden currents of rottenness and rage in what used to be called "the good life."

     The League of Youth was Ibsen's first venture into realistic social drama and marks a turning-point in his style. By 1879 Ibsen was convinced that women suffer an inevitable violation of their personalities within the context of marriage. In A Doll's House, Ibsen caused a sensation with the his portrayal of Nora Helmer, a woman who, gradually arriving at an understanding of her own misery, struggles to break free from the stifling confines of her marriage. Continuing the theme of tensions within the family in The Lady from the Sea, Ibsen put forward the view that freedom with responsibility might at least be a step in the right direction. Peter Watts's lively modern translation is accompanied by an introduction examining Ibsen's life and times, with individual discussions of each of the three plays. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

    Writing with a pitch and heat that gets to the heart of the unforgiving classical world, Carson, a poet and classicist, translates four of the eighteen surviving plays by Euripides.Includes Heracles, Hecuba, Hippolytus, Alcestis.

    The combination of dazzling wit, subtle social criticism, sumptuous settings and the theme of a guilty secret proved a winner, both here and in his next three plays, A Woman of No Importance, An Ideal Husband, and his undisputed masterpiece, The Importance of Being Earnest. This volume includes all Wilde's plays from his early tragedy Vera to the controversial Salome and the little known fragments, La Sainte Courtisane and A Florentine Tragedy. The edition affords a rare chance to see Wilde's best known work in the context of his entire dramatic output, and to appreciate plays which have hitherto received scant critical attention.

    Under the direction of Stephen Greenblatt, General Editor, the editors have reconsidered all aspects of the anthology to make it an even better teaching tool.

    With SAINT JOAN (1923) Shaw reached the height of his fame and Joan is one of his finest creations; forceful, vital, and rebelling against the values that surround her. The play distils Shaw's views on the subjects of politics, religion and creative evolution.

    Alternate cover edition can be found here, here, here, hereIn the Oresteia—the only trilogy in Greek drama which survives from antiquity—Aeschylus took as his subject the bloody chain of murder and revenge within the royal family of Argos.Moving from darkness to light, from rage to self-governance, from primitive ritual to civilized institution, their spirit of struggle and regeneration becomes an everlasting song of celebration.

    This new edition of four works show how Agatha Christie's plays are as compulsive as her novels, their colourful characters and ingenious plots providing yet more evidence of her mastery of the detective thriller. The Mousetrap A homicidal maniac terrorizes a group of snowbound guests to the refrain of 'Three Blind Mice'! And Then There Were None Ten guilty people, brought together on an island in mysterious circumstances, await their sentence! Appointment With Death The suffocating heat of an exotic Middle-Eastern setting provides a backdrop for murder! The Hollow A set of friends convene at a country home where their convoluted relationships mean that any one of them could be a murderer!