When her life begins to resemble the plots of her own novels, however, Edith flees to Switzerland, where the quiet luxury of the Hotel du Lac promises to resore her to her senses.But instead of peace and rest, Edith finds herself sequestered at the hotel with an assortment of love's casualties and exiles. She also attracts the attention of a worldly man determined to release her unused capacity for mischief and pleasure. Beautifully observed, witheringly funny, Hotel du Lac is Brookner at her most stylish and potently subversive.

    The novel that set the stage for his modern classic, The Satanic Verses, Shame is Salman Rushdie’s phantasmagoric epic of an unnamed country that is “not quite Pakistan.” In this dazzling tale of an ongoing duel between the families of two men–one a celebrated wager of war, the other a debauched lover of pleasure–Rushdie brilliantly portrays a world caught between honor and humiliation–“shamelessness, shame: the roots of violence.” Shame is an astonishing story that grows more timely by the day.

    It is "an age in which appearances matter more and more and more. Only the shallowest of people won't judge by them."

    Each of them at a different stage in life, each of them away from home, and each of them striving -- in the suburbs of Prague, in an overdeveloped Alpine village, beside a Belgian motorway, in a dingy Cyprus hotel -- to understand what it means to be alive, here and now. Tracing a dramatic arc from the spring of youth to the winter of old age, the ostensibly separate narratives of All That Man Is aggregate into a picture of a single shared existence, a picture that interrogates the state of modern manhood while bringing to life, unforgettably, the physical and emotional terrain of an increasingly globalized Europe. And so these nine lives form an ingenious and new kind of novel, in which David Szalay expertly plots a dark predicament for the twenty-first-century man.Dark and disturbing, but also often wickedly and uproariously comic, All That Man Is is notable for the acute psychological penetration Szalay brings to bear on his characters, from the working-class ex-grunt to the pompous college student, the middle-aged loser to the Russian oligarch. Steadily and mercilessly, as this brilliantly conceived book progresses, the protagonist at the center of each chapter is older than the last one, it gets colder out, and All That Man Is gathers exquisite power. Szalay is a writer of supreme gifts -- a master of a new kind of realism that vibrates with detail, intelligence, relevance, and devastating pathos.

    Memories of her life still glow in her fading consciousness, but she imagines writing a history of the world. Instead, Moon Tiger is her own history, the life of a strong, independent woman, with its often contentious relations with family and friends. At its center — forever frozen in time, the still point of her turning world — is the cruelly truncated affair with Tom, a British tank commander whom Claudia knew as a reporter in Egypt during World War II.

    In a tour de force that could be described as Altmanesque, we are invited into the private lives of the residents of a quiet urban street in England over the course of a single day. In delicate, intricately observed closeup, we witness the hopes, fears, and unspoken despairs of a diverse community: the man with painfully scarred hands who tried in vain to save his wife from a burning house and who must now care for his young daughter alone; a group of young clubgoers just home from an all-night rave, sweetly high and mulling over vague dreams; the nervous young man at number 18 who collects weird urban junk and is haunted by the specter of unrequited love. The tranquillity of the street is shattered at day's end when a terrible accident occurs. This tragedy and an utterly surprising twist provide the momentum for the book. But it is the author's exquisite rendering of the ordinary, the everyday, that gives this novel its freshness, its sense of beauty, wonder, and hope. Rarely does a writer appear with so much music and poetry -- so much vision -- that he can make the world seem new.

    Rosemary begins her story in the middle. She has her reasons. “Until Fern’s expulsion...,” Rosemary says, “she was my twin, my funhouse mirror, my whirlwind other half and I loved her.” As a child, Rosemary never stopped talking. Then, something happened, and Rosemary wrapped herself in silence.In We Are All Completely Beside Ourselves, Karen Joy Fowler weaves her most accomplished work to date—a tale of loving but fallible people whose well-intentioned actions lead to heartbreaking consequences.

    The Green Road is a tale of family and fracture, compassion and selfishness—a book about the gaps in the human heart and how we strive to fill them.Spanning thirty years, The Green Road tells the story of Rosaleen, matriarch of the Madigans, a family on the cusp of either coming together or falling irreparably apart. As they grow up, Rosaleen's four children leave the west of Ireland for lives they could have never imagined in Dublin, New York, and Mali, West Africa. In her early old age their difficult, wonderful mother announces that she’s decided to sell the house and divide the proceeds. Her adult children come back for a last Christmas, with the feeling that their childhoods are being erased, their personal history bought and sold.A profoundly moving work about a family's desperate attempt to recover the relationships they've lost and forge the ones they never had, The Green Road is Enright's most mature, accomplished, and unforgettable novel to date.

    Seventeen-year-old Roddy, on the other hand, is a faltering student, and occasional shoplifter trying to make sense of his life. Their worlds collide one hot August afternoon when a fake robbery organised by Roddy and his friend Mike goes horribly wrong, leaving Isla with a bullet lodged in her spine. With Roddy 'immobilised' in gaol and Isla lying paralysed in the hospital, they both have lots of time to reflect upon where it all went wrong.

    Belonging to neither land nor sea, they cling to one another in a motley yet kindly society. There is Maurice, by occupation a male prostitute, by happenstance a receiver of stolen goods. And Richard, a buttoned-up ex-navy man whose boat dominates the Reach. Then there is Nenna, a faithful but abandoned wife, the diffident mother of two young girls running wild on the waterfront streets.It is Nenna’s domestic predicament that, as it deepens, draws the relations among this scrubby community together into ever more complex and comic patterns.An alternative cover edition for this ISBN can be found here

    His provocative presence provides the frame for a study of female fate and male privilege, of the geometries of human relationships, and of the struggle to live morally in the intersecting spaces of our internal and external worlds.With its examination of the possibility that art can both save and destroy us, Rachel Cusk's Second Place is deeply affirming of the human soul, while grappling with its darkest demons.

    Two years before, an assignment to follow a strayed husband and his mistress appeared simple enough, but this routine job left George a transformed man.Suspenseful, moving, and hailed by critics as a detective story unlike any other, The Light of Day is a gripping tale of murder and redemption, as well as a bold exploration of love and self-discovery. This powerful novel signals yet another groundbreaking achievement from Graham Swift, the author of the Booker Prize-winning novel Last Orders.

    He is sitting in a small plane, being flown over the landscape that has been the backdrop to his life – his childhood, his marriage, his work, his passions. Now he is in his mid-sixties, and he isn’t quite the man he used to be. He has lost his wife, his son is in prison, and he is about to lose his past. Jake has Alzheimer’s.As the disease takes hold of him, Jake struggles to hold on to his personal story, to his memories and identity, but they become increasingly elusive and unreliable. What happened to his daughter? Is she alive, or long dead? And why exactly is his son in prison? What went so wrong in his life? There was a cherry tree once, and a yellow dress, but what exactly do they mean? As Jake fights the inevitable dying of the light, the key events of his life keep changing as he tries to grasp them, and what until recently seemed solid fact is melting into surreal dreams or nightmarish imaginings. Is there anything he’ll be able to salvage from the wreckage? Beauty, perhaps, the memory of love, or nothing at all?From the first sentence to the last, The Wilderness holds us in its grip. This is writing of extraordinary power and beauty.

    Billed as The Lucky Chances, the sisters are the illegitimate and unacknowledged daughters of Sir Melchior Hazard, the greatest Shakespearean actor of his day. At once ribald and sentimental, glittery and tender, this rambunctious family saga is Angela Carter at her bewitching best.

    Happily loitering about London, c. 1949, with intent to gather material for her writing, Fleur finds a job "on the grubby edge of the literary world," as secretary to the peculiar Autobiographical Association. Mad egomaniacs, hilariously writing their memoirs in advance—or poor fools ensnared by a blackmailer? Rich material, in any case. But when its pompous director, Sir Quentin Oliver, steals the manuscript of Fleur's new novel, fiction begins to appropriate life. The association's members begin to act out scenes exactly as Fleur herself has already written them in her missing manuscript. And as they meet darkly funny, pre-visioned fates, where does art start or reality end? "A delicious conundrum," The New Statesman called Loitering with Intent.