A summer of culture and language, with no sports in sight.That turns out to be impossible, though, because her French partner is the exact kind of boy she was hoping to avoid. Eight weeks. 120 hours of class. 80 hours of conversation practice with someone who seems to exclusively wear baseball caps and jerseys.But Zeke in French is a different person than Zeke in English. And Abby can’t help but fall for him, hard. As Abby begins to suspect that Zeke is hiding something, she has to decide if bridging the gap between the distance between who she is and who he is, is worth the risk.

    Take Esther’s father, for instance: He’s an agoraphobe who hasn’t left the basement in six years. Then there’s her twin brother, Eugene, whose fear of the dark goes far beyond the things that go bump in the night. And her mother, Rosemary, is absolutely terrified of bad luck.As for Esther, she’s managed to escape the curse…so far. She doesn’t yet have a great fear because she avoids pretty much everything. Elevators, small spaces, crowds—anything that might trigger a phobia is off-limits and is meticulously recorded in her semi-definitive list of worst nightmares. Esther thinks she has it all figured out, until she’s reunited with an old elementary school classmate—and first crush—Jonah Smallwood. The encounter leaves her stranded at a bus stop and swindled out of her phone, all her cash, a Fruit Roll-Up she’d been saving, and her list—not to mention her dignity. But the theft is also the beginning of an unexpected friendship between the two, one that sends the pair on a journey of self-discovery as they try to break the curse that’s consumed Esther’s family. Together they face their greatest fears, one debilitating phobia at a time, only to discover the one fear they hadn’t counted on: love.

    . . as an assassin moves in.Maddie and Logan were torn apart by a kidnapping attempt when they were young. They were only kids -- Logan's dad was POTUS and Maddie's father was the Secret Service agent meant to guard him. The kidnappers were stopped -- but Maddie was whisked off to Alaska with her father, for satety. Maddie and Logan had been inseparable . . . but then she never heard from him again.Now it's a few years later. Maggie's a teenager, used to living a solitary life with her father. It's quiet -- until Logan is sent to join them. After all this time without word, Maddie has nothing to say to him -- until their outpost is attacked, and Logan is taken. They won't be out of the woods until they're . . . out of the woods, and Maddie's managed to thwart the foes and reconcile with Logan.

    The secret admirer.The fake relationship.The matchmaker.From stories of first love, unrequited love, love that surprises, love that’s been there all along, ten of the brightest and award-winning authors writing YA have taken on some of your favorite romantic tropes, embracing them and turning them on their heads. Readers will swoon for this collection of stories that celebrate love at its most humorous, inclusive, heart-expanding, and serendipitous.Contributors include Elise Bryant, Elizabeth Eulberg, Leah Johnson, Anna-Marie McLemore, Marissa Meyer, Sandhya Menon, Julie Murphy, Caleb Roehrig, Sarah Winifred Searle, and Abigail Hing Wen.

    Sasha, her best friend in the whole world -- the best friend in the whole world -- has died of cancer. Raquel can’t imagine life without her. She’s overwhelmed and brokenhearted. And then a letter from Sasha arrives. Has she somehow found a way to communicate from the afterlife? In fact, Sasha has planned an elaborate scavenger hunt for Raquel, and when she follows the instructions to return to Sasha’s grave, a mysterious stranger with striking eyes is waiting for her. There’s a secret attached to this boy that only Sasha—and now Raquel—knows.This boy, Elijah, might be just what Raquel needs to move on from her terrible loss. But can Raquel remain true to herself while also honoring her friend’s final wish?

    So she heads to New Orleans with her youth group to rebuild houses and pretend her life isn’t a total mess. But between her super-clingy team leader and her way-too-chipper companions, Julie feels more trapped than ever.In a moment of daring, she ditches her work clothes for DIY fairy wings and heads straight into the heart of Mid-Summer Mardi Gras, where she locks eyes with Miles, an utterly irresistible guy with a complicated story of his own. And for once, Julie isn’t looking back. She jumps at the chance to see the real New Orleans, and in one surreal night, they dance under the stars, share their most shameful secrets, and fall in love.But their adventure takes an unexpected turn when an oncoming hurricane changes course. As the storm gains power and Julie is pulled back into chaos she finds pretending everything is fine is no longer an option.

    Thanks to a stupid seizure she had a few months earlier, Haley’s stuck going on vacation with her dad and his new family to Disney’s Fort Wilderness instead of enjoying the last session of summer camp back home with her friends. Fort Wilderness holds lots of childhood memories for her father, but surely nothing for Haley. But then a new seizure triggers something she’s never before experienced—time travel—and she ends up in River Country, the campground’s long-abandoned water park, during its heyday. The year? 1982. And there—with its amusing fashion, “oldies” music, and primitive technology—she runs into familiar faces: teenage Dad and Mom before they’d even met. Somehow, Haley must find her way back to the twenty-first century before her present-day parents anguish over her disappearance, a difficult feat now that she’s met Jason, one of the park’s summer residents and employees, who takes the strangely dressed stowaway under his wing. Seizures aside, Haley’s used to controlling her life, and she has no idea how to deal with this dilemma. How can she be falling for a boy whose future she can’t share?

    As his long-time friend, Jillian Eldridge only wants to help him, but she doesn't know how. When Max climbs through her window one night, Jill knows that she shouldn't let him kiss her. But she can't resist, and when they're caught in the act by her dad, Jill swears it'll never happen again. Because kissing Max Holden is a terrible idea.With a new baby sibling on the way, her parents fighting all the time, and her dream of culinary school up in the air, Jill starts spending more and more time with Max. And even though her father disapproves and Max still has a girlfriend, not kissing Max is easier said than done. Will Jill follow her heart and allow their friendship to blossom into something more, or will she listen to her head and stop kissing Max Holden once and for all?

    He's tall, strong, sweet, a football star, and frankly, stupid hot. Oh, and he's talking to her now. On purpose and everything. Maybe...flirting, even? No, wait, he's definitely flirting, which is pretty much the sum of everything Lara's wanted out of life.Except she’s haunted by a memory. A memory of a confusing, romantic, strangely perfect summer spent with a girl named Jasmine. A memory that becomes a confusing, disorienting present when Jasmine herself walks through the front doors of the school to see Lara and Chase chatting it up in front of the lockers.Lara has everything she ever wanted: a tight-knit group of friends, a job that borders on cool, and Chase, the boy of her literal dreams. But if she's finally got the guy, why can't she stop thinking about the girl?Cool for the Summer is a story of self-discovery and new love. It’s about the things we want and the things we need. And it’s about the people who will let us be who we are.

    So when she and her friends went to a book signing to meet the author, Fatima Ro, they concocted a plan to get close to her, even if her friends won’t admit it now. As for Jonah, well—Miri knows none of that was Fatima’s fault.Soleil Johnston wanted to be a writer herself one day. When she and her friends started hanging out with her favorite author, Fatima Ro, she couldn’t believe their luck—especially when Jonah Nicholls started hanging out with them, too. Now, looking back, Soleil can’t believe she let Fatima manipulate her and Jonah like that. She can’t believe that she got used for a book.Penny Panzarella was more than the materialistic party girl everyone at the Graham School thought she was. She desperately wanted Fatima Ro to see that, and she saw her chance when Fatima asked the girls to be transparent with her. If only she’d known what would happen when Fatima learned Jonah’s secret. If only she’d known that the line between fiction and truth was more complicated than any of them imagined. . . .

    So Anna "borrows" her stepmom's credit card and runs away to Los Angeles, where her half-sister takes her in. But LA isn't quite the glamorous escape Anna had imagined.As Anna spends her days on TV and movie sets, she engrosses herself in a project researching the murderous Manson girls—and although the violence in her own life isn't the kind that leaves physical scars, she begins to notice the parallels between herself and the lost girls of LA, and of America, past and present.In Anna's singular voice, we glimpse not only a picture of life on the B-list in LA, but also a clear-eyed reflection on being young, vulnerable, lost, and female in America—in short, on the B-list of life. Alison Umminger writes about girls, sex, violence, and which people society deems worthy of caring about, which ones it doesn't, in a way not often seen in YA fiction.

    But there are some things Annabeth isn't prepared for, like the constant presence of Noe's new boyfriend. Like how her relationship with her mom is wearing and fraying. And like the way the secret she's been keeping hidden deep inside her for years has started clawing at her insides, making it hard to eat or even breathe.But most especially, she isn't prepared to lose Noe.For years, Noe has anchored Annabeth and set their joint path. Now Noe is drifting in another direction, making new plans and dreams that don't involve Annabeth. Without Noe's constant companionship, Annabeth's world begins to crumble. But as a chain of events pulls Annabeth further and further away from Noe, she finds herself closer and closer to discovering who she's really meant to be—with her best friend or without.

    But when her school team is selected to be featured and televised as part of HockeyFest, her status as the only girl on the boys’ team makes her the lead story. Not everyone is thrilled with Holland’s new fame, but there’s one person who fiercely supports her, and it’s the last person she expects (and definitely the last person she should be falling for): her bossy team captain, Wes.

    I can’t feel anything. I've grown talented at pretending.Elizabeth Caldwell doesn't feel emotions... she sees them in human form. Longing hovers around the shy, adoring boy at school. Courage materializes beside her dying friend. Fury and Resentment visit her abusive home. They've all given up on Elizabeth because she doesn't succumb to their touch. All, that is, except beautiful Fear, who sometimes torments her and other times plays her compassionate savior. He’s obsessed with finding the answer to one question: What happened to Elizabeth to make her this way?They both sense that the key to Elizabeth’s condition is somehow connected to the paintings of her dreams, which show visions of death and grief that raise more questions than answers. But as a shadowy menace begins to stalk her, Elizabeth’s very survival depends on discovering the truth about herself. When it matters most, she may not be able to rely on Fear to save her.

    It doesn't matter that Kai is gay, or that he'll never look at her the way she looks at him. Jem is okay with that. But when Kai is outed online by one of their classmates, he does the unthinkable and commits suicide. Jem is left to pick up the pieces of her broken life. Before he died, Kai left her twelve letters—one for each month of the year—and those letters are all Jem has left. That, and revenge. Although Kai's letters beg her not to investigate what happened, Jem can't let it go. She needs to know who did this, and she'll stop at nothing to find the person responsible for Kai's death. One way or another, someone is going down. Someone is going to pay.