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    From the author of My Song For Him Who Never Sang to Me and We Hardly See Each Other Any More, another intimate, illustrated collection of verse to share with those we love.

    The resonance of this image grows through each section of the book as Hahn skillfully employs theme and variation, counterpoint and mirroring techniques. The ibis first appears as part of an illusion, the disappearing object in a magician’s trick, which then evokes the greatest disappearing act of all—death—where there are no tricks to bring about a reappearance. The rich complexity multiplies as the second section focuses on a disappearing lady and a dramatic final section brings together the bird and the lady in their common plight—both caged by their mortality, their assigned time and role.  All of the illusions fall away during this brilliant denouement as the two voices share a dialogue on the power of metaphor as the very essence of poetry. bird trick iv It’s all about disappearance. About a bird in a cagewith a mirror, a simple twiston the handle at the sidethat makes it come and go at the magician’s insistence. It’s all about innocence.It’s all about acceptance.It’s all about compliance.It’s all about deference.It’s all about silence. It’s all about disappearance.

    Blood Lyrics is a mother's song, one seared with the knowledge that her country wages long, aching wars in which not all lives are equal. There is beauty imparted, too, but it arrives at a cost: "Don't say it's the beautiful / I praise," Ford writes. "I praise the human, / gutted and rising."

    Doughty’s poems are at once absurdist and matter-of-fact; the images he conjures are thrown into high relief through cutting wordplay. In a series of prose poems about showbiz, he reimagines Cookie Monster as a burned-out suicide, and cheesy talk-show host Joe Franklin as a cross-dressing witness to the apocalypse. And in “For Charlotte, Unlisted,” he wrenchingly tracks the elusive memory of a faded romance.

    In the title poem, Bly addresses the "donkey"—possibly poetry itself—that has carried him through a writing life of more than six decades.from "Talking into the Ear of a Donkey"      "What has happened to the spring,"      I cry, "and our legs that were so joyful      In the bobblings of April?" "Oh, never mind      About all that," the donkey      Says. "Just take hold of my mane, so you      Can lift your lips closer to my hairy ears."

    It brings back two memorable characters from the blockbuster trilogy by the late Stieg Larsson; “The Girl With the Dragon Tattoo”, “The Girl Who Played with Fire”, and, “The Girl Who Kicked the Hornet’s Nest” . Like the three books, “The Girl in the Spider’s Web” is translated from the original Swedish language, and most of the action happens in and around Stockholm. Lisbeth Salander, the brilliant anti-social hacker once again teams up with Michael Blomkvist, a relentless reporter, to help infiltrate a murderous technology organization with links to powerful corporations, law enforcement agencies, and nothing less than the the United States’ National Security Administration, or NSA. There appears to be a distinct difference in storytelling between the three Larsson books and Lagercrantz’s Spider, which can be attributed to the subject matter on hand or the writer’s style, and maybe even both. Larsson seemed to let events unfold slowly, since he did, after all, have three books to gradually introduce us to, and develop, the characters especially Lisbeth Salander. Some critics decry Lagercrantz’ narrative as fragmentary and confusing, with dozens of characters in a wide array of backgrounds: journalists, spies, hackers, law enforcement officers, scientists and of course killers, who at times seem to briefly emerge, vanish, and then turn up again. Then there is the sometimes arcane language of hacking, cryptography, physics, and artificial intelligence, where there are complicated moments when the characters discuss such prime-number factorization (PNF), self-teaching algorithms, singularity theory, black holes, prime-number factorization and black holes. Many of the characters are indeed geniuses and Lagercrantz mostly succeeds in allowing the science to be decipherable. The original trilogy’s anti-heroine, Lisbeth Salander, isn’t much seen in the first half of the book, but is quickly inserted into the action, and of course, turns into the main focus of events. Most of the characters from the original trilogy show up in the book, including the shadow of Lisbeth’s horrendous dead father, Zalachenko, and the traitorous Hans Faste. Two new compelling characters are introduced: Camilla Salander/Zalachenko, Lisbeth’s evil twin, and 8-year old August Balder, and autistic savant and mathematical genius, who shares most of the spotlight with Salander. The action is fast paced and the characters, many, and like the first three Larsson novels, may be a tough read to put down. Read more.... Download your copy today! for a limited time discount of only $2.99! Available on PC, Mac, smart phone, tablet or Kindle device. © 2015 All Rights Reserved by Unlimited Press Works, LLC

    Heartbreaking and humorous, Atlantis is a journey about picking up the pieces from the ruins of a life they said would be good for you.

    0-935906-00-2$5.00 / Javan Press

    By turns sassy and serious, the poems can seem to sprint in two directions at once, managing to make the reader laugh at the same time they are struck by the emotional strength of the work. "Charming, inviting, beguiling and delightful poems in the language of someone who seems alive speaking refreshing riddles to herself." SHEILA HETI"Uptalk is a book of transcribed whale songs. Some scientists gave a whale a microphone and she took it home and stayed up all night under the covers talking to herself about faces and word-parts. I am delighted that Kimmy took it upon herself to transcribe this unique document of marine biology, and my heart goes out to the brilliant, charming whale author, wherever she may be." SARA WOODS

    When the legitimacy of her twin babies with Edgar is called into question, the tiny infants are taken from Beth and sent far away. James is adopted by Edgar's uncle, the very wealthy Lord Redfern, master of Redfern Abbey. But little Daisy is sent to a cold-hearted childless couple who raise her to be a maid rather than a daughter. When Daisy, at 16, finally escapes her hard life with her adoptive brother Boyd, they arrive at the Abbey to seek work and refuge. Little does Daisy know that her flesh and blood is the next in line to be Lord of the Abbey. There is a strange connection between Daisy and James, something they can neither explain nor ignore. But will the truth be discovered in time?

    The Last American Valentine is a unique anthology of non-sappy love poetry and flash fiction. Poet Laureates, rock musicians, actors, famed prose writers and a few talented American barfly's have been handpicked, hunted down and crammed together with an artist the world has never met.

    The book teaches that a person's softness is their biggest strength and that having a big heart is not always a bad thing and that a glimmer of light can be found in the darkest places.A Handful of Stars is raw and unapologetic, soft and kind, reflective and inspirational all at the same time. Some of Ruby's most loved poems are shared within the pages of this book, in hope that they will have the same effect on readers the second time as they did the first.

    Haunted by her past and unable to let go of what was, she struggles to achieve inner peace while wreaking mayhem on the streets of New York. Renee is queen of the city and runs it with an iron fist, but everything changes when people from her past resurface to seek revenge. They will stop at nothing until she’s dead. Will Renee find happiness and let go of her demons? Or will she allow her past to finish what it started?

    Both honors made specific notes of his experimental style, his long influence, and his ongoing importance. Creeley's 1998 collection, Life Death, now available as a New Direction paperback, is the capstone of a career that has poignantly combined "linguistic abstraction with specificity of time and place." (R.D. Pohl, Buffalo News)