Andersen's most beloved tales, such as "The Emperor's New Clothes", "The Ugly Duckling" and "The Little Mermaid" are now joined by "The Shadow" and "Story of a Mother," mature stories that reveal his literary range and depth. Tatar captures the tales' unrivaled dramatic and visual power, showing exactly how Andersen became one of the world's ten most translated authors, along with Shakespeare, Dickens, and Marx. Lushly illustrated with more than one hundred fifty rare images, many in full color, by artists such as Arthur Rackham and Edmund Dulac, The Annotated Hans Christian Andersen will captivate readers with annotations that explore the rich social and cultural dimensions of the nineteenth century and construct a compelling portrait of a writer whose stories still fascinate us today.

    Whether it's Ikaros flying too close to the sun, Prometheus stealing fire from the gods or the tragedy of Oedipus, their characters have inspired art, literature, plays and films, and constellations named after them fill the night sky. But how much do you really know about them?From the clash of the Titans to the fall of Troy, here are the greatest legends of all time, brilliantly retold by classical scholar Jenny March. All the heroes, monsters, villains, gods and goddesses of classical civilization are included; the epic journeys of Odysseus and Aeneas; the founding of Athens and Rome; the quests of Jason seeking the Golden Fleece and Theseus slaying the minotaur. Giving the origins, development and interpretation of each myth, this is the essential guide to the stories that have shaped our world.

    When Mother Troll Took in the King’s Washing by Elsa Beskow2. The Magician’s Cape by Anna Wahlenberg 3. The Barrel Bung by Anna Wahlenberg 4. The Seven Wishes by Alfred Smedberg 5. The King’s Choice by Anna Wahlenberg 6. The Four Big Trolls and Little Peter Pastureman by Cyrus Graner7. The Troll Ride by Anna Wahlenberg 8. The Trolls and the Youngest Tomte by Alfred Smedberg9. The Ring by Helena Nyblom10. The Old Troll of Big Mountain by Anna Wahlenberg 11. Leap the Elk and Little Princess Cottongrass by Helge Kjellin12. The Magpie with Salt on Her Tail by Anna Wahlenberg 13. The Boy Who Was Never Afraid by Alfred Smedberg14. The Changelings by Helena Nyblom15. Stalo and Kauras by P. A. Lindholm 16. The Flower of Happiness on Sunnymount Crest by Alfred Smedberg17. Dag and Daga, and the Flying Troll of Sky Mountain by Harald Ostenson18. Linda-Gold and the Old King by Anna Wahlenberg 19. The Boy and the Trolls, or The Adventure by Walter Stenstrom20. The Maiden in the Castle of Rosy Clouds by Harald Ostenson21. The Queen by Anna Wahlenberg

    We meet the Greek gods on Olympus and Norse gods in Valhalla. We follow the drama of the Trojan War and the wanderings of Odysseus. We hear the tales of Jason and the Golden Fleece, Cupid and Psyche, and mighty King Midas. We discover the origins of the names of the constellations. And we recognize reference points for countless works of art, literature, and cultural inquiry--from Freud's Oedipus complex to Wagner's Ring Cycle of operas to Eugene O'Neill's Mourning Becomes Electra. Praised throughout the world for its authority and lucidity, Mythology is Edith Hamilton's masterpiece--the standard by which all other books on mythology are measured.

    Drawing on examples from diverse American groups and experiences, this text gives the student a strong foundation—from the field’s history and major terms to theories, interpretive approaches, and fieldwork.Many teachers of undergraduates find the available folklore textbooks too complex or unwieldy for an introductory level course. It is precisely this criticism that Living Folklore addresses; while comprehensive and rigorous, the book is specifically intended to meet the needs of those students who are just beginning their study of the discipline. Its real strength lies in how it combines carefully articulated foundational concepts with relevant examples and a student-oriented teaching philosophy.

    This landmark collection contains twenty-two of Hesse's finest stories in this genre, most translated into English here for the first time. Full of visionaries and seekers, princesses and wandering poets, his fairy tales speak to the place in our psyche that inspires us with deep spiritual longing; that compels us to leave home, and inevitably to return; and that harbors the greatest joys and most devastating wounds of our heart. Containing all the themes common in Hesse's great novels Siddhartha, Steppenwolf, and Demian—and mirroring events in his own life, these exquisite short pieces exhibit the same mystical and romantic impulses that contribute to the haunting brilliance of his major works. Several stories, including "The Poet," "The Fairy Tale About the Wicker Chair," and "The Painter," examine the dilemma of the artist, torn between the drive for perfection and the temptations of pleasure and social success. Other tales reflect changes and struggles within society: in "Faldum," a city is irrevocably transformed when each resident is granted his or her fondest wish; in "Strange News from Another Planet," "If the War Continues," and "The European," nightmarish landscapes convey Hesse's devastating critiques of nationalism, barbarism, and war. Illuminating and inspiring, The Fairy Tales of Hermann Hesse will challenge and enchant readers of all ages. A distinguished and historic publication, this fine translation by Jack Zipes captures their subtlety and elegance for decades nto come.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    Come join in the 20th-anniversary fun as gnomania strikes again!Did you know that gnome couples always have twin children? Or that a gnome is seven times as strong as a human? Do you want to hear some gossip from the gnome who knew Rembrandt? Dutch artist Rien Poortvliet's charming illustrations and physician Wil Huygen's detailed observations of the gnomes' habits, anatomy, and lifestyle are a delight for readers of all ages. Children will adore the gnome family's underground home and the constant interaction with animals; adults will appreciate the tongue-in-cheek scientific data. Gnomebody is immune to the gnomes' tremendous appeal--and a whole new generation is waiting to love them for the first time!

    Aesop was reputedly a tongue-tied slave who miraculously received the power of speech; from his legendary storytelling came the collections of prose and verse fables scattered throughout Greek and Roman literature. First published in English by Caxton in 1484, the fables and their morals continue to charm modern readers: who does not know the story of the tortoise and the hare, or the boy who cried wolf?

    This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

    Crowell Co. Subjects: Fairy tales Fiction / Fantasy / General Fiction / Fantasy / Historical Fiction / Fantasy / Short Stories Fiction / Fairy Tales, Folklore

    Out of alleys of Cairo and Bedouin tents, from the Moroccan laborers and Syrian peasants, this collection of 130 tales comes from Arab worlds from North Africa to the Holy Land.

    Steeped in folklore and fantasy, it is a rich and diverse account of the part that fairies and fairy stories have played in culture and society.The pretty pastel world of gauzy-winged things who grant wishes and make dreams come true--as brought to you by Disney's fairies flitting across a woodland glade, or Tinkerbell's magic wand--is predated by a darker, denser world of gorgons, goblins, and gellos; the ancient antecedents of Shakespeare's mischievous Puck or J.M. Barrie's Peter Pan. For, as Diane Purkiss explains in this engrossing history, ancient fairies were born of fear: fear of the dark, of death, and of other great rites of passage, birth and sex. To understand the importance of these early fairies to pre-industrial peoples, we need to recover that sense of dread.This book begins with the earliest manifestations of fairies in ancient civilizations of the Mediterranean. The child-killing demons and nymphs of these cultures are the joint ancestors of the medieval fairies of northern Europe, when fairy figures provided a bridge between the secular and the sacred. Fairies abducted babies and virgins, spirited away young men who were seduced by fairy queens and remained suspended in liminal states.Tamed by Shakespeare's view of the spirit world, Victorian fairies fluttered across the theater stage and the pages of children's books to reappear a century later as detergent trade marks and alien abductors. In learning about these often strange and mysterious creatures, we learn something about ourselves--our fears and our desires.

    There are relatively recent stories based on modern technology, such as the classic microwaved pet, and yarns that have been making the urban-legend circuit for decades, such as the solid-cement-Cadillac story, which can be traced back to the 1940s, at least, involving a cement-truck driver who spies a new Cadillac convertible in his driveway and his wife talking to some strange man. He dumps his load of concrete on the Cadillac, but later discovers the stranger was a car dealer and the car was to be a gift from his wife, one she'd spent years saving her pennies for. The stories are grouped by subject, including "Dog Tales" and "Just Desserts," "Sexcapades" and "Losing Face." There are baby stories and work stories, criminal tales and college anecdotes, plus stories of mistaken identity, human nature, and technology. Brunvand achieves more, however, than a mere compendium of highly entertaining stories. He discusses the nature of urban legends--those almost believable, addictively retellable tales that always happened to a friend of a friend (FOAF, in folklorist parlance)--and for each individual story, Brunvand includes as much of its history as he has been able to trace, including newspaper accounts, alternative versions, and the story's natural cycle, that is, how many years, typically, between resurfacings. The result is an exceptionally engaging book and a great resource for debunking that next story, as heard from a friend by that unnamed acquaintance of unassailable honesty, that sounds just a little too perfect to swallow whole. --Stephanie Gold

    Each story focuses on the role of women--both real and fantastic--and their particular strengths, joys and sorrows. Full-color illustrations.