He was 16 when she died and he grieved as heavily as his father, Matthew, at her passing. He longed to prove himself to his father and offered to help with the family antique business, but his father seemed beyond help – obsessed with his loss. Tilly Povey watched the boy’s lonely existence with a heavy heart.Stella, Molly’s sister, had always loved Matthew and hoped that he would turn to her in need, but Matthew was gradually falling apart and not even those closest to him could help. But Tilly was determined to help this troubled family.

    Yet precisely where village and airport overlap, there exists a world bubbling with intrigues and assignations, with wit, pathos and excitement, that all readers of Leslie Thomas will recognize as his alone.

    Nothing would come between them, they pledged. But once they hit their twenties, life got more complicated and the BFFs began to grow distant. When Jane eloped with her slick, wealthy new boyfriend and didn’t invite her oldest friends to the ceremony, the small cracks and fissures in their once rock-solid relationship became a chasm that tore them apart.Ten years later, when her husband is arrested and publically shamed for defrauding his clients, Jane realizes her life among the one percent was a sham. Penniless and desperate, deserted by the high-society crowd who turn their surgically perfected noses up at her, she comes crawling back to her childhood friends seeking forgiveness. But Cara and Meg have troubles of their own. One of them is trapped in a bad marriage with an abusive husband, while the other can't have the one thing she desperately wants: a baby. Yet as much as they’d love to see Jane get her long overdue comeuppance, Cara and Meg won’t abandon their old friend in her time of need.The story of three friends who find themselves on a laugh-out-loud life adventure, Lost Along the Way illuminates the moments that make us, the betrayals that break us, and the power of love that helps us forgive even the most painful hurts.

    headmistress at an elite girl’s school in Glasgow, is determinedly single, adroitly avoiding all attempts at matchmaking by a close friend.Widower Alasdair MacLeod is grieving for the wife he lost two years earlier, struggling as the single father of two teenagers, and frustrated by the well-meaning interference of his in-laws.When a proposed school trip to France brings Isla and Alasdair together, they find a connection in the discovery that each is suffering the loss of a loved one, but neither is interested in forming a relationship,As their friendship grows, Alasdair struggles with his increasing attraction to the elegant schoolmistress, while Isla harbours concerns about the complications a relationship with him would bring.Can Alasdair overcome his natural reserve, and can Isla open her heart to love again? ***Readers of Christensen’s earlier books, The Good Sister and Isobel’s Promise, will love reconnecting with Bel and Matt while enjoying Isla Cameron’s unique story.

    Born to poverty and limited opportunities, they're able nonetheless to enjoy the largely innocent pleasures of childhood, but the adult world around them inevitably impinges. The narrator's elder sister falls pregnant and is sent to Ireland to have and give up the child; newcomer Tony and his mum are in danger of real violence at the hands of Tony's violent Polish stepfather; and no child who plays the part of altar boy at the chapel wants to be left alone with the local priest. Observant, clear-sighted in its portrayal of the darker side of life yet utterly warm-hearted, Spit Against the Wind reminds us of the wonders of childhood without sentimentality but with gentle humor and great charm.

    When his stay gets extended due to unexpected reasons, he doesn’t fight the situation but eases into it. One of the reason’s being Komal, the woman who was part of his ‘Unexpected’. When Vishwa’s past life that he walked away from, finds him, he has no choice but to embrace it. He needs to be a cold, hard and an utterly ruthless ruler to protect the ones who he cares about, even if he has to sell his soul to the devil. Komal never expected her future to be tangled with the darkness of her past, just when she thought her life seemed to be good. Vishwa promises to be her protector but can she get herself to trust him?

    Hannah. Bridget. Lizzy. Flavia. Each of them has a shameful secret, and each is about to find out that she is not alone… Gail, a prominent Boston judge, keeps receiving letters from her husband's latest girlfriend, while her husband, a theology professor, claims he's nine-months sober from sex with grad students. Hannah, a homemaker, catches her husband having sex with a male prostitute in a public restroom. Bridget, a psychiatric nurse at a state hospital, is sure she has a loving, doting spouse, until she learns that he is addicted to chat rooms and match-making websites. Lizzy, a high school teacher, is married to a porn addict, who is withdrawn and uninterested in sex with her. Flavia was working at the Boston Public library when someone brought her an article that stated her husband had been arrested for groping a teenage girl on the subway. He must face court, and Flavia must decide if she wants to stay with him. Finally, Kathryn, the young psychologist running the group, has as much at stake as all of the others.As the women share never-before-uttered secrets and bond over painful truths, they work on coming to terms with their husbands' addictions and developing healthy boundaries for themselves. Meanwhile, their outside lives become more and more intertwined, until, finally, a series of events forces each woman to face her own denial, betrayal and uncertain future head-on.From author Sylvia True comes The Wednesday Group, a captivating, moving novel about friendship, marriage, and the bonds that connect us all.

    Settle in and enjoy your stay at O'Mara's, where stories abound, romance lurks and laughter sounds.  Aisling O'Mara. She's married to a Ronan Keating look-a-like, and okay, he can't sing to save himself, but he does think the world of her. Her life would be perfect if it weren't for the fact Mother Nature hasn't seen fit to bestow a child upon them yet. The tick-tock of her biological clock is getting louder, and she's determined to make it happen. But at what cost?Ita Finnegan. O'Mara's Director of Housekeeping, wants to be happy. She's decided the key to finding happiness is to find love, and she's hatched a plan to meet her perfect match. But how can she expect someone else to love her when she doesn't like herself very much?Meanwhile, Mammy O'Mara is planning a quiet soiree with neighbours and family to introduce herself and Donal to the neighbourhood, but, somehow, it's morphed into the Howth House party of the year. Oh, and you're invited!

    A retired public school teacher, Miss Budge embarks on a series of slice-of-life adventures that take readers into the intriguing and authentic lives of Southern church women. "What our readers love about Miss Budge is that they all know her personally. In fact, they all are her in one way or another. Daphne's stories are instantly recognizable to those in a church community, and that's where the real humour and real pathos comes from. Daphne is a keen observer of the strange and wonderful subculture of 'the church lady.'" Brett Alan Dewing The Christian Courier (Canada) "Mildred Budge is a forthright, almost larger than life, woman who challenges every reader's faith walk by being transparent about her own. She reminds us that Jesus loves us the way we are but He loves us too much to leave us as we are." Julie Innes Evangel

    She is a perplexed botch, who never thinks before she talks. Megha realises that she fancies the creative course of action involved in making ad films, rather than her current job of creating marketing strategies for products. Her ornery boss is not electrified with the idea of brand managers turning into ad conceptualizing officers, though.Megha then meets the creative head of the company, Yudhistir Joshi. Yudi seems to bring out Megha’s atrocious side. Although he’s an exceptionally good looking man, Megha and Yudi publicly fight and argue. He hates her guts and she vice-versa. Yudi apprises her to quit from the creative team every single time, however, Megha, who’s finally in a blissful atmosphere, refuses to abandon her ecstatic ship. Little does she know that their friction will give way to sparks!Concurrently, ‘Vile’ Varun, Megha’s boss, puts her down in front of his bosses at every opportunity. He claims that she is inadequate for her profile.On the other hand, there is a crowd of eligible NRI bachelors on her list of problems, as Megha’s mother decides to put her up on the marriage market.No Deadline For Love is a first person narrative by the protagonist, Megha. The book reads almost like a journal entry, and is full of icy observations. The occasional hilarious quotes lighten up the reader’s mood, and the elementary pinch in the storyline, apart from her spontaneous description of the events, are the comical nicknames given to characters.

    Written to be read over a long commute or a short journey, they are original and exclusively in digital form. This is a poignant novella from Anita Brookner. 'I rather hope I shall die at the hairdresser's, for they are bound to know what to do. At least that is what I tell myself.' Solitude is a familiar burden for Elizabeth Warner. She lives in a basement flat near Victoria and leaves the house only to go shopping and to have her hair done - until a chance encounter at the hairdresser's brings unexpected change. At the Hairdresser's is a deeply moving, unflinchingly observed story about trust and betrayal by one of the greatest writers of contemporary fiction.

    Like Kazuo Ishiguro's The Remains of the Day, So Many Ways to Begin is rich in the intimate details that shape a life, the subtle strain that defines human relationships, and the personal history that forms identity. David Carter, the novel's protagonist, takes a keen interest in history as a boy. Encouraged by his doting Aunt Julia, he begins collecting the things that tell his story: a birth certificate, school report cards, annotated cinema and train tickets. After finishing school, he finds the perfect job for his lifetime obsession as curator at a local history museum. His professional and romantic lives take shape as his beloved aunt and mentor's unravel. Lost in a fog of senility, Julia lets slip a secret about David's family. Over the course of the next decades, as David and his wife Eleanor live out their lives - struggling through early marriage, professional disappointments, the birth of their daughter, Eleanor's depression, and an affair that ends badly, David attempts to physically piece together his past, finding meaning and connection where he least expects it.

    What starts out as a simple trip around India soon becomes a psychological journey into the darkness of Sam’s past. One he knows there's no running from. When Sam decides to give up his mundane life and travel to India he has no idea what he’ll do when he gets there and it isn’t long before his lack of preparation takes its toll. Vulnerable and alone, Sam is haunted by memories of his childhood and as he struggles to make sense of the pain he has suffered he follows a dangerous path that has devastating consequences.

    Enthralled by Charles’s assurance and fame, Anne is certain the aviator has scarcely noticed her. But she is wrong. Charles sees in Anne a kindred spirit, a fellow adventurer, and her world will be changed forever. The two marry in a headline-making wedding. In the years that follow, Anne becomes the first licensed female glider pilot in the United States. But despite this and other major achievements, she is viewed merely as the aviator’s wife. The fairy-tale life she once longed for will bring heartbreak and hardships, ultimately pushing her to reconcile her need for love and her desire for independence, and to embrace, at last, life’s infinite possibilities for change and happiness.Look for special features inside. Join the Random House Reader’s Circle for author chats and more.

    How is love related to sex, and how is sex related to love--and do love and sex need to be related at all?*This book contains profanity and adult situations