With subtle twists and turns in a fascinating portrait of society, Maurice Baring conveys the moral that love is too strong to be overcome by mere mortals.

    the plot skips around like gunfire on the ricochet." - LOS ANGELES TIMES "Superior stuff - taut, well observed, original and civilized." - THE TIMES "The women are not mere decoration; they are at the heart of the action." - THE CHRISTIAN SCIENCE MONITOR "Suspense builds from start to finish... the author will rank alongside le Carre, Deighton, and Follett." - WEST COAST REVIEW OF BOOKS VIENNA late 1980s - violence is breaking out in strife-torn Poland. A spark that could set the Soviet prison of Eastern Europe ablaze. There are dangerous Western plans to ensure that the inevitable rising will not be a repeat of Hungary in 1956. In Moscow, faceless men and women know that Bill Cable, after years banished to diplomatic backwaters, is into something big - so big they will destroy him to get it. If they fail, this could mean the end for the Soviet Union. They've had a stranglehold on Cable ever since the tragedy, deep in the past, that led to him being kicked out of the Intelligence Service. Now he is back, as British Ambassador in Vienna. Still compromised but, just to make sure, they kidnap his daughter, Sarah, and threaten her life. Will he betray her - or his country and the freedom of millions?

    She thinks she is named after the Princess Rosetta of the fairytales, who married the King of the Peacocks and lived happily ever after. But when she finds that it is a mysterious small port town in Egypt that gave her her name, her interest in hieroglyphics is born. Years later, when Rose is an older, wiser and sadder woman, it is her love of language that saves her life. The French Revolution; the rise of the power of the English church; the battles for Egypt between the British and the French; the discovery of the hieroglyphs on the Rosetta Stone in that same small port town - and above all the machinations of a rich, amoral, social-climbing member of the new' aristocracy and the extraordinary characters that surround him - all whirlpool together to carry Rose into France and a shared moment with Napoleon Bonaparte, and into the dark, unknown world of North Africa in her search to understand the meaning of words, and to find a child of her own.

    

    At twenty-three, her steady job and safe engagement seem very dull. If she is to inject a little excitement into her life, she realises, now is the time to do it.But the excitement lying in wait for Harriet is beyond even her wildest ambitions. Answering a job advertisement to assist a world-famous actress, Harriet finds herself plunged into an intense and secret world of sexual obsession - playing an unwitting part in a very private drama, but discovering in the process more about her own desires than she had ever dreamed possible...

    Stepsisters Cory and Diana Foster run Beautiful Living magazine. Diana handles the business side of things and Cory organizes the gorgeous photo layouts that the magazine is known for. When Diana arranges a photo shoot for the "perfect wedding", Cory is reunited with an old flame and a chance for romance to spark again.

    Time to Say Good-Bye is Judith Gould at her absolute best. This contemporary story of life and love in the face of death has quickly become a favorite among readers-and Gould's highest-grossing hardcover to date...

    The character development is very strong and realistic, and the dialogue of the novel is very powerful.

    In this book Ramtha questions, what is love really about? Is it real? What makes us fall in love? What can we expect from our relationships? What is there to learn about who we really are? After almost two decades since the publication of Love Yourself into Life, Ramtha reintroduces us with unmatching simplicity and genius to that mysterious subject at the heart of all human longing, that elixir called love.

    All converge on Palestine after the war to continue the struggle for happiness.

    The novels were initially published separately, between 1964-1969.Main character is charismatic detective, Alexandru Tudor.

    She's praying finding the right man won't be nearly that hard. With the "help" of her meddling family and friends, it's not, even if she partly found a Mr. Right just to get them off her back.But now what? Rosie and Jonathan couldn't be in more different places in their lives, and they are about to find out just how exhilarating-and disastrous--a mismatched love affair can be. Will they get to the part where they're broken in and life is nothing but great sex and comforting hugs, or will one of them get sent off in scorn like a pair of too-small stilettos that felt okay in the store? What do you do when Mr. Right gets the timing wrong?

    This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

    Then arrogant, wealthy Reeve McKenna captures Maggie’s untried heart, thrilling her senses with the sweet, dark rush of desire. But Reeve cannot be hers alone, for he is obsessed by his search for his beloved brother James, lost two decades before. Reeve’s fierce hunger for the Yankee beauty is not yet love, and Maggie wants both the breathless pleasure of his passion and the full surrender of his heart—or nothing at all. One of America’s most romantic writers, Linda Lael Miller brings the white-hot passion of Moonfire to the Australian frontier country in this sensuous story of two lovers bound by desire.

    And she doesn't know how she might get out.But then she discovers that her injury wasn't an accident. And that the assailant hasn't been caught.Unable to speak, see or move, Sarah must use every clue that she overhears to piece together her own past.And work out who it is that keeps coming into her room.