He’s in his last year as a pediatric resident, almost married to the job, and busy with the joys and sorrows that come with providing medical care to children. Professionally, he’s confident, accomplished, and respected. But personally he’s too insecure to approach a sexy man like Sergio Quartulli, or even to imagine that Sergio might be attracted to him. Zack spots Sergio from across the gym, and then a chance meeting poolside somehow turns into a date. Before Zack knows it, they’ve become a couple, but Zack’s white coat is his closet at the hospital, and committing to a relationship with Sergio makes it difficult for Zack to continue hiding behind it. On the other hand, he grew up in a small town where being gay was shameful, and he works in an environment that can sometimes be homophobic, so it’s hard for him to open up about who he really is. Before Zack can make a choice on his own terms, circumstances force him to make a decision. He can continue to hide, or he can step out from behind his white coat and risk everything for love.

    From late 1931 to the end of 1932, Nin falls in love with Henry Miller's writing and his wife June's striking beauty. When June leaves Paris for New York, Henry and Anaïs begin a fiery affair that liberates her sexually and morally, but also undermines her marriage and eventually leads her into psychoanalysis. As she grapples with her own conscience, a single question dominates her thoughts: What will happen when June returns to Paris? An intimate account of one woman's sexual awakening, Henry and June exposes the pain and pleasure felt by a single person trapped between two loves.

    Blending radical formal fluidity and caustic humor, Mean turns what might be tragic into piercing, revealing comedy. This is a confident, funny, brassy book that takes the cost of sexual assault, racism, misogyny, and homophobia deadly seriously.We act mean to defend ourselves from boredom and from those who would cut off our breasts. We act mean to defend our clubs and institutions. We act mean because we like to laugh. Being mean to boys is fun and a second-wave feminist duty. Being mean to men who deserve it is a holy mission. Sisterhood is powerful, but being mean is more exhilarating.Being mean isn't for everybody.Being mean is best practiced by those who understand it as an art form.These virtuosos live closer to the divine than the rest of humanity. They're queers.Myriam Gurba is a queer spoken-word performer, visual artist, and writer from Santa Maria, California. She's the author of Dahlia Season (2007, Manic D) which was a finalist for the Lambda Literary Award, Wish You Were Me (2011, Future Tense Books), and Painting Their Portraits in Winter (2015, Manic D). She has toured with Sister Spit and her work has been exhibited at the Museum of Latin American Art in Long Beach. She lives in Long Beach, where she teaches social studies to eighth-graders.

    In 1689 England, Lady Eliza Grey's 11 brothers are turned into swans. Rejected by her father, Eliza is flown to America by her brothers where she has a chance to save them--until she is accused of witchcraft. In the second story, set in 1981 New York, Elias Latham has AIDS, is banished from his father's house, and must learn to live on the streets. Like Eliza, Elias struggles to understand the suffering he must endure.

    Twenty years have passed since Joseph left behind his entire life—his wife Rebecca, his five sons, his father, and the religious Israeli farming community where he grew up—when he fell in love with a man, the genius rabbi Yoel Rosenzweig. Their affair is long over, but its echoes continue to reverberate through the lives of Joseph, Rebecca, and their sons in ways that none of them could have predicted. Now, for his fiftieth birthday, Joseph is preparing to have his five sons and the daughter-in-law he has never met spend the Sabbath with him in the Tel Aviv penthouse that he shares with a man—who is conveniently out of town that weekend. This will be the first time Joseph and all his sons will be together in nearly two decades. The boys’ lives have taken widely varying paths. While some have become extremely religious, another is completely cosmopolitan and secular, and their feelings toward their father range from acceptance to bitter resentment. As they prepare for this reunion, Joseph, his sons, and even Rebecca, must confront what was, what is, and what could have been. Evan Fallenberg is a native of Cleveland, Ohio, and has since 1985 lived in Israel, where he is a writer, teacher, and translator. His recent translations include novels by Batya Gur and Meir Shalev. He is a graduate of the School of Foreign Service at Georgetown University and the Vermont College MFA program. He is the father of two sons.

    His friends and colleagues during this time included W. H. Auden, Stephen Spender, and E. M. Forster, as well as colorful figures he met in Germany and later fictionalized in his two Berlin novels-who appeared again, fictionalized to an even greater degree, in I Am a Camera and Cabaret. What most impressed the first readers of this memoir, however, was the candor with which he describes his life in gay Berlin of the 1930s and his struggles to save his companion, a German man named Heinz, from the Nazis. An engrossing and dramatic story and a fascinating glimpse into a little-known world, Christopher and His Kind remains one of Isherwood's greatest achievements. A major figure in twentieth-century fiction and the gay rights movement, Christopher Isherwood (1904-1986) is the author of Down There on a Visit, Lions and Shadows, A Meeting by the River, The Memorial, Prater Violet, A Single Man, and The World in the Evening, all available from the University of Minnesota Press.

    Narrated by Laurence, who is raised and lives as a man, is loved by men and women alike, and can respond to neither, this unconventional story explores the understanding “that fervent hearts must borrow the disguise of art, if they would win the right to express, in any outward form, the internal fire that consumes them.” Laurence describes his repudiation by his family, his involvement with an attractive widow, his subsequent wanderings and eventual attachment to a sixteen-year-old boy, his own tutelage by a Roman nobleman and his sisters, and his ultimate reunion with his early love. His is a story unique in nineteenth-century American letters, at once a remarkable reflection of a largely hidden inner life and a richly imagined tale of coming of age at odds with one’s culture. Howe wrote The Hermaphrodite when her own marriage was challenged by her husband’s affection for another man—and when prevailing notions regarding a woman’s appropriate role in patriarchal structures threatened Howe’s intellectual and emotional survival. The novel allowed Howe, and will now allow her readers, to occupy a speculative realm otherwise inaccessible in her historical moment.

    Martin, in the middle of a divorce, is seeking solace. But settles in for some rest and rehabilitation with his soon-to-be ex-sister-in-law.

    Richards, a woman of no history, who appears briefly in 1873 in the civic archives of Vancouver. It is also the story of Annie, a contemporary, who becomes obsessed with the possibilities of Mrs. Richards's life. Ana Historic was Daphne Marlatt's first novel, and was originally published by Coach House Press in Canada and The Women's Press in the U.K. The French translation was published by Les Éditions du remue-ménage.

    In the wake of their mother's mysterious death, Linno and Anju Vallara are raised in Kerala by their father and grandmother. As a teenager, Anju wins a scholarship to a Manhattan prep school with an act of betrayal that severs her relationship with Linno, whose own future seems to hold little more than marriage. In New York, Anju is plunged into the elite world of her Hindu American host family, led by a well-known television personality and her fiendishly ambitious son, a Princeton dropout determined to make a documentary about Anju's life. But when Anju finds herself ensnared in her own lies, she runs away, helped by a stranger with hidden ties to her parents. Desperate to find Anju, Linno embarks on a journey of her own, toward her sister, and toward her mother, whose memory she has kept shrouded until now. Funny, sad, moving, expertly told, with impeccably rendered portraits of unforgettable families on two continents, James's first novel is a masterful evocation of two sisters whose bonds are powerfully tested, whose love provides the only reliable compass in a landscape of unknowns, and whose dreams of home finally converge in a stunning reunion. A vibrant, dazzlingly original debut.

    But things are not that easy, especially when people can’t see past the ex-convict, and getting a job is harder than ever. Meanwhile, Kyle has finally come to terms with his own sexuality and does the hardest thing he’s ever done in his life: getting a divorce from his wife, Jessica, with whom he has a toddler named Ryan. He leaves both behind in a bid to rebuild his life and to become the father he dreams of being to his son. It’s in this hurricane of life-changing events that Logan and Kyle end up meeting each other by chance in a small town far away from their previous lives. The spark between them is immediate and strong, but they both try to fight it, coming up with excuses not to pursue it. While their friendship evolves, they find themselves even more attracted to each other. But will Logan trust he can find love with another man while his past is still so present? And is Kyle ready to invest in his first gay relationship at the same time as he’s fighting for his son’s custody? Set in a small town with quirky characters and all the peculiarities that only a small town can offer, Logan and Kyle embark on a journey that could change their lives forever. But will they feel free to follow through? WARNING This book contains explicit sexual scenes as well as some graphic language. It is intended for a mature, adult audience.

    Kip’s devotion to Thaddeus has been life-defining and destiny-altering, but it has been one that Thaddeus has either failed to notice or refused to acknowledge. But over the course of this heated and mesmerizing novel, set against a background of privilege and affluence in Manhattan and the Hudson Valley, Kip will be forced to reckon with the prison of his own making and decide how much he is willing to sacrifice for a love that may never be shared.Picking up where his most recent novel, River Under the Road, left off, but writing squarely in the vein of Endless Love, his classic novel of passion and obsession, Scott Spencer gives us an intimate, immersive, and unsettling portrait of the devastation we will wreak in the name of love, and the bitterness of a friendship ravaged by fathomless yearning.

    It all started when I was 3-years-old at a family reunion and my speech impediment kept me from properly parroting what everyone else in the family was calling me. Fifteen years later and my speech impediment is marginally better but I still have a shocking wave of flame-colored hair, freckles, and I'm so shy I can barely look at my own reflection. I'm still stuck with that awful nickname. Even the other people in school call me "Ginjuh". How can a teenage guy come out to his family when they already tease him about his looks and his speech impediment? Why wouldn't a person's family realize the damage they can do to a child's self-esteem with such taunts? "It's all just in good fun, Ginjuh!" is what they tell me. Sometimes I feel like my whole family is against me, like they want me to feel worthless. At least I have my grandpa. But he's been sick for a while. Above all things--being scared of coming out, being annoyed with the taunts and jabs, being so shy my own shadow scares me--I'm terrified of losing him. But that's life, isn't it? A guy has to learn to face it...or collapse under the weight of it.

    A boy next door. The latter dates a girl, but will that change soon? After Kevin meets Lucas, he can’t get him out of his mind. And as if life at Oak River High isn’t hard enough, Kevin has a girlfriend. In the web of mixed feelings and unjust expectations, one thing leads to another, and ultimately someone’s heart is broken.Time for Goodbyes is a sweet romance and the first novel in Jay Argent’s Oak River Boys series. It’s a story about the kind of love that isn’t always easy but is definitely worth fighting for.

    Forging a trail that leads into the heart of Morocco, Seven Moves tracks Christine's gradual recognition that no one can ever really know another's soul. Bearing Anshaw's trademark style -funny, hip, and laser-sharp -this is "a tightly told tale that resists the bookmark as well as any thriller" (Chicago Sun-Times). A Reader's Guide is now available.