For Rodney Poole, a friendly and unassuming lover of clever wordplay and television sports of all stripes, Boyle's Irish Pub is a haven of good cheer, pleasantly pointless conversation, elaborate jokes, heated trivia contests, well-poured pints, and familiar faces. The pressures and demands of the outside world hold no sway there- the crowd at Boyle's is his family, and with family all sins are forgiven. But reality cannot be kept at bay forever, and now Rodney's best friend and partner in inertia, Keith, is getting married and moving to Chicago. Since Rodney has for the most part enjoyed his bachelorhood vicariously through Keith, the prospect of being single, middle-aged, unemployed, and without his pal to while away the nights with is causing Rodney to rethink--or rather, create--his priorities. When Keith introduces him to the lovely Mairead (rhymes with "parade"), a cheerful career woman who seems to enjoy his bad puns, ambitionless nature, and love of literature, Rodney can spy an honorable path to grown-up-hood at last. But a series of comic mishaps jeopardize his budding relationship with Mairead, his friendship with Keith, and most serious of all, his place on a barstool in the idyllic world of Boyle's.

    But she was also a Jew, and in 1942 she was arrested and deported to Auschwitz: a month later she was dead at the age of thirty-nine. Two years earlier, living in a small village in central France—where she, her husband, and their two small daughters had fled in a vain attempt to elude the Nazis—she'd begun her novel, a luminous portrayal of a human drama in which she herself would become a victim. When she was arrested, she had completed two parts of the epic, the handwritten manuscripts of which were hidden in a suitcase that her daughters would take with them into hiding and eventually into freedom. Sixty-four years later, at long last, we can read Némirovsky's literary masterpiece The first part, "A Storm in June," opens in the chaos of the massive 1940 exodus from Paris on the eve of the Nazi invasion during which several families and individuals are thrown together under circumstances beyond their control. They share nothing but the harsh demands of survival—some trying to maintain lives of privilege, others struggling simply to preserve their lives—but soon, all together, they will be forced to face the awful exigencies of physical and emotional displacement, and the annihilation of the world they know. In the second part, "Dolce," we enter the increasingly complex life of a German-occupied provincial village. Coexisting uneasily with the soldiers billeted among them, the villagers—from aristocrats to shopkeepers to peasants—cope as best they can. Some choose resistance, others collaboration, and as their community is transformed by these acts, the lives of these these men and women reveal nothing less than the very essence of humanity.Suite Française is a singularly piercing evocation—at once subtle and severe, deeply compassionate, and fiercely ironic—of life and death in occupied France, and a brilliant, profoundly moving work of art.

    Northlander Jarl Mandred witnesses the ruthless attack on his men, and he seeks vengeance with the help of the elf queen, Emerelle. Despite Mandred’s barbaric human nature, the queen orchestrates an elfhunt joined by the two strongest warriors in Albenmark to pursue the beast. Farodin, the fiercest fighter in the land, and Nuramon, the healer, seize the opportunity to make history alongside Mandred in a life-defining series of battles waged in parallel universes.The Elven is an epic tale, bringing heroes together across the boundaries of their worlds to avenge past losses and influence fates yet to be decided.

    Faced with the absence of her brother, who's serving life in San Quentin, and hardened by her own experiences in lock-up, Mel sturggles to adjust to the harsh realities of life on the outside. She quickly discovers that freeedom is relative...she has no money, no prospects, no guidance. Forced to return to her mother's apartment in Marin County and take a job houling portable toilets, Mel finds herself drinking too much and hanging out with her old gang again. Haunted by glimpses of her own harrowing girlhood and of the mysterious circumstances that put her in prison in the first place, she slowly, bravely begins to forge a potential path toward redemption and escape.

    Yui struggles to continue on, alone with her pain. Then, one day she hears about a man who has an old disused telephone booth in his garden. There, those who have lost loved ones find the strength to speak to them and begin to come to terms with their grief. As news of the phone booth spreads, people travel to it from miles around. Soon Yui makes her own pilgrimage to the phone booth, too. But once there she cannot bring herself to speak into the receiver. Instead she finds Takeshi, a bereaved husband whose own daughter has stopped talking in the wake of her mother’s death. Simultaneously heartbreaking and heartwarming, The Phone Booth at the Edge of the World is the signpost pointing to the healing that can come after.

    It is the moment when the universe suffers a crisis of conscience. Should it expand or make a great big bang? It decides to wind the clock back a decade to 1991, making everyone in the world endure ten years of deja-vu and a total loss of free will - not to mention the torture of reliving every nanosecond of one of the tawdiest and most hollow decades. With his trademark wicked wit, Vonnegut addresses memory, suicide, the Great Depression, the loss of American eloquence, and the obsolescent thrill of reading books.

    It is an authentic record from the inferno of modern city life, and a testament of American experience. Seldom has there been so ruthless, and yet so tender a dissection of the mother-son relationship. And from it Lizzie Dahlberg emerges as one of the unforgettable characters of modern literature.