A prostitute is found dead in a cheap hotel room, brutally murdered. But her death is soon forgotten as the city's police hunt a maniac attacking innocent women and children. A killer the press has dubbed the Düsseldorf Ripper.Detective Thomas Klein's career is going nowhere until he gets a tip-off leading to the Ripper's arrest. But the killer's confession to the hooker's murder is full of holes, and Klein soon comes to believe this is one murder the killer didn't commit. Motivated by spite, ambition, or maybe even a long-buried sense of justice, finding out who really killed Emma Gross becomes Klein's obsession.Particularly when the evidence begins to point closer to home…

    It is the author's attempt to reckon with the paradox of her father--a product of her grandparents' fiercely protective love and their status as Mitläufer, Germans who "went along" with Nazism, first reaping its benefits and later its consequences.This page-turning novel focuses on the Kappus family: Frank is a reconstructive surgeon who lost his beloved wife in childbirth and two months later married a young woman who must look after the baby and his two grieving sons when he is drafted into medical military service. Alone in the house, Liesl must attempt to keep the children fed with dwindling food supplies, safe from the constant Allied air attacks, and protected against the swell of desperate refugees flooding their town. When one child begins to mentally unravel, Liesl must discover the source of the boy's infirmity or lose him forever to Hadamar, the infamous hospital for "unfit" children. The novel bears witness to the shame and courage of Third Reich families during the devastating last days of the war, as each family member's fateful choices lead them deeper into questions of complicity and innocence, to the novel's heartbreaking and unforgettable conclusion.

    Imaginative and introverted, the boy is successful in school, but bitterly confused by the guilt-inducing questions he endures from the priests who should be his venerated guides. His relationship with his bullying, bigoted, widowed father is similarly conflicted — touched with both deep love and carefully suppressed hatred. When he must leave home to further his education, their relationship is drawn to an emotional climax that teaches both father and son some of the most intricate truths about manhood.

    She has a loving dad, an absent mother and a brother who plays more X-Box than is good for him. She also has the neighbours from hell: the five Oswald girls and their thuggish father Bob, vicious bullies all of them, whose reign of terror extends unchallenged over their otherwise quiet suburban street. And yet terrifying though they undoubtedly are, the stiletto-wearing, cider-swilling Oswald girls are also sexy - so when Saskia asks shy, virginal Rick Buckley for a ride in his new car, he can't believe his luck. Too bad that Saskia can't keep her big mouth shut. When, after a quick fumble, she broadcasts Rick's deficiencies to anyone who will listen, it puts ideas into her younger sisters silly head - ideas that will see Rick dragged off to prison, humiliated, and ultimately, in his fathers words, broken by the experience. From her hospital bed, Skunk guides us through the events that follow, as Saskia's small act of thoughtlessness slowly spreads through the neighbourhood in a web of increasing violence. Skunk watches as her shabby, hardworking father finds love, only for her courageous, idealistic teacher to lose it; as poor broken Buckley descends into madness, while across the street her brother Jed makes his first adolescent forays into sex; and as her own gentle romance with soft-hearted, tough-talking Dillon struggles to survive against a backdrop that seamlessly combines the sublime and the ridiculous. As we inch ever closer to the mystery behind her coma, Skunk's innocence becomes a beacon by which we navigate a world as comic as it is tragic, and as effortlessly engaging as it is ultimately uplifting, in this brilliant and utterly original debut novel.

    With him go the last vestiges of their childhood, and soon after both move away to start their separate adult lives. Corwin sets off on a fifteen-year itinerant tour of rainless, war-torn countries while Morwenna leads a quiet (some might say anti-social) life as a bookbinder in east London.When their beloved grandfather, Matthew, grows ill, the pull of home is too strong to resist and they find themselves back in the family house in Devon, drawn to the map, their grandfather’s life’s work.Over the past fifty years, Matthew has meticulously painted every important event in the family’s life on top of an ordnance survey chart. Part record and part legend, the map has been a subject of fascination to Morwenna and Corwin for as long as they can remember. But is there a deeper meaning hidden among the tiny pictures of shipwrecks, asps and farting devils, and could it lead them closer to what really happened to their father all those years ago?

    After acquiring Brenin as a cub, it quickly became apparent that Brenin was never to be left alone, as the consequences to Mark’s house and its contents were dire. As a result, Brenin and Mark went everywhere together—from classroom lecture to Ireland, England, and France. More than just an exotic pet, Brenin exerted an immense influence on Rowlands as both a person, and, strangely enough, as a philosopher, leading him to re-evaluate his attitude to love, happiness, nature and death. By turns funny (what do you do when your wolf eats your air-conditioning unit?) and poignant, this life-affirming book will make you reappraise what it means to be human.

    "Charles Bukowski will dig the grit in this seedy novel, a poetic rendering of postmodern San Francisco." -O, The Oprah MagazineA Best Book of the Year -The Nervous Breakdown"Where Michel Gondry would go if he went down a few too many miles of bad desert road." -The Collagist"Mohr's prose roams with chimerical liquidity. The magic of this book is a disturbing, hallucinogenic magic." -Boston's Weekly DigFollowing a 30-year-old man named Rhonda suffering from depersonalization, Some Things That Meant the World to Me is a gritty and beautiful work that is creative and hypnotic, and should stand as an introduction of an original new voice to American literature.When Rhonda was a child — abandoned and ignored by his mother; abused and misguided by his mother's boyfriend — he imagined the rooms of his home drifting apart from one another like separating continents. Years later, after an embarassing episode as an adult, Rhonda's inner-child appears, leading him to a trapdoor in the bottom of a dumpster behind a taqueria that will force him to finally confront his troubled past.In the spirit of Cruddy and Hairstyles of the Damned, Joshua Mohr has created a remarkable and unforgettable character in this charmingly poetic and maturely crafted first novel.Joshua Mohr has been published in Other Voices, The Cimarron Review, Pleiades, and Gulf Coast, among others. He lives in San Francisco and teaches at a halfway house.

    All Souls is a book Marias swears to be fiction, but which its characters--the real-life dons and professors and bookshop owners who have recognized themselves--fiercely maintain to be a roman a clef. With the sleepy world of Oxford set into fretful motion by a world that never existed, Dark Back of Time begins an odyssey into the nature of identity (we do not know anyone entirely, not even ourselves) and of time. Marias deftly weaves together autobiography (the brother who died as a child; the loss of his mother), a legendary kingdom, strange ghostly literary figures, halls of mirrors, a one-eyed pilot, a curse in Havana, and a bullet lost in Mexico. Dark Back of Time has been acclaimed here as superb (Review of Contemporary Fiction), fantastically original (Talk), brilliant (Virginia Quarterly Review), and a rare gift (The New York Times Book Review). In the best manner of Borges, The Hudson Review commented that this hybrid is lush and mysterious.

    . . real or otherwise.Budo is lucky as imaginary friends go. He's been alive for more than five years, which is positively ancient in the world of imaginary friends. But Budo feels his age, and thinks constantly of the day when eight-year-old Max Delaney will stop believing in him. When that happens, Budo will disappear.Max is different from other children. Some people say that he has Asperger's Syndrome, but most just say he's "on the spectrum." None of this matters to Budo, who loves Max and is charged with protecting him from the class bully, from awkward situations in the cafeteria, and even in the bathroom stalls. But he can't protect Max from Mrs. Patterson, the woman who works with Max in the Learning Center and who believes that she alone is qualified to care for this young boy.

    The first draft was written while Genet was incarcerated in a French prison; when the manuscript was discovered and destroyed by officials, Genet, still a prisoner, immediately set about writing it again. It isn't difficult to understand how and why Genet was able to reproduce the novel under such circumstances, because Our Lady Of The Flowers is nothing less than a mythic recreation of Genet's past and then - present history. Combining memories with facts, fantasies, speculations, irrational dreams, tender emotion, empathy, and philosophical insights, Genet probably made his isolation bearable by retreating into a world not only of his own making, but one which he had total control over.

    This is a full-fledged lovers' tragedy between a drifter-turned-writer and the fatally flawed Betty, his muse and obsessive promoter.

    His aim in Wizard of the Crow is, in his own words,nothing less than “to sum up Africa of the twentieth century in the context of two thousand years of world history.”Commencing in “our times” and set in the “Free Republic of Aburĩria,” the novel dramatizes with corrosive humor and keenness of observation a battle for control of the souls of the Aburĩrian people. Among the contenders: His High Mighty Excellency; the eponymous Wizard, an avatar of folklore and wisdom; the corrupt Christian Ministry; and the nefarious Global Bank. Fashioning the stories of the powerful and the ordinary into a dazzling mosaic, Wizard of the Crow reveals humanity in all its endlessly surprising complexity.Informed by richly enigmatic traditional African storytelling, Wizard of the Crow is a masterpiece, the crowning achievement in Ngugl wa Thiong’o’s career thus far.

    In his madness, the world was revealed to him as an enormous architecture of nerves, dominated by a predatory God. It became clear to Schreber that his personal crisis was implicated in what he called a "crisis in God's realm," one that had transformed the rest of humanity into a race of fantasms. There was only one remedy; as his doctor noted: Schreber "considered himself chosen to redeem the world, and to restore to it the lost state of Blessedness. This, however, he could only do by first being transformed from a man into a woman...."

    Surrounded by the magic of beautiful women and literature, a boy must endure the deprivations of war as he suffers the hardships of growing up. His sleepy country has just thrown off centuries of tyranny, but new waves of domination inundate his city. Through the boy's eyes, we see the terrors of World War II as he witnesses fascist invasions, allied bombings, partisan infighting, and the many faces of human cruelty as well as the simple pleasures of life. Evacuating to the countryside, he expects to find an ideal world full of extraordinary things but discovers instead an archaic backwater where a severed arm becomes a talisman and deflowered girls mysteriously vanish. Woven between the chapters of the boy's story are tantalizing fragments of the city's history. As the devastation mounts, the fragments lose coherence, and we perceive firsthand how the violence of war destroys more than just buildings and bridges.

     Alice Herdan-Zuckmayer and her husband, the playwright Carl Zuckmayer, lived at the heart of intellectual life in Weimar, Germany, counting among their circle Stefan Zweig, Alma Mahler, and Bertolt Brecht. After Carl's work fell afoul of the Nazis, however, the couple and their two daughters were forced to flee Europe. Los Angeles didn't suit them and neither did New York, but then a chance stroll in the Vermont woods led them to Backwoods Farm, the eighteenth-century house where they would live for the next five years. In Europe, the Zuckmayers were accustomed to servants; in Vermont, they found themselves joyfully building chicken coops and refereeing fights between unruly ducks. Despite the endless work a new farm required and brutal winters that triggered bouts of melancholy, Alice discovered that in America she had found her native land.