The stories in this book have their roots in the Indian culture but express universal emotions that are experienced across the boundaries of regions, caste, and creed. Varied emotions of love, heartbreak, aloofness, anxiety, fear, and longing are expressed in this book.There is one story in which movie star Dilip Kumar breaks the heart of a young girl. There is another where a man pushes off another from a moving train. Raavi Paar also tells the story of a Muslim man whose wish is to be cremated after death and not be buried. There is also a story about a married woman who realises that the only reason for her husband to marry her was to use her as cheap labour.The title of this book is an incident from the author’s own life. During the India-Pakistan partition, the author was mistakenly claimed as their own child by another family. Raavi Paar consists of stories which will touch the reader’s hearts due to the simplicity and intricacy of emotions portrayed by the author.

    Book by McLure, James

    This is a tender story of the ill fortune of Goli, a woman who is prey to the constantly roving eyes of a king, while her husband cannot muster the courage to even lay a finger on her. This edition is the full-text version of this tale and will thus always be considered a document of utmost credibility.

    . . .The yellow glowed beautifully in the morning light. There was something different about this particular yellow. This one entered through his eyes, dissolved in his blood, and went straight to his heart.” Uday Prakash’s novel of contemporary India is a tender love story—university student Rahul is swept away by a “sweet fever” of love for Anjali, the enchanting girl with the golden parasol. But Prakash’s tale is set in a world where the 3,000-year-old Hindu caste system still holds sway and social realities doom the chances of a non-Brahmin boy who loves a Brahmin girl. The Girl with the Golden Parasol is the first English translation of Prakash’s work to be published in the United States. His audacious novel captures the profound contradictions of India today, where the forces aligned against change outweigh even the power of love.

    Whether contemplating the sound of a tropical downpour, or the fragrance of lime trees in the Himalayas or on a year spent with his cat Suzie, Ruskin Bond transports us to a quieter, more elegant world where time moves at a gentle pace.

    Saadat Hasan Manto's stories are vivid, dangerous and troubling and they slice into the everyday world to reveal its sombre, dark heart. These stories were written from the mid 30s on, many under the shadow of Partition. No Indian writer since has quite managed to capture the underbelly of Indian life with as much sympathy and colour. In a new translation that for the first time captures the richness of Manto's prose and its combination of high emotion and taut narrative, this is a classic collection from the master of the Indian short story.

    An accomplished Kshatriya princess who falls in love with and dares to choose the sutaputra over Arjun, Uruvi must come to terms with the social implications of her marriage and learn to use her love and intelligence to be accepted by Karna and his family. Though she becomes his mainstay, counselling and guiding him, his blind allegiance to Duryodhana is beyond her power to change. The story of Uruvi and Karna unfolds against the backdrop of the struggle between the Pandavas and the Kauravas. As events build up leading to the great war of the Mahabharata, Uruvi is a witness to the twists and turns of Karna's fate; and how it is inextricably linked to divine design. A splendid saga from the pages of the Mahabharata, Karna's Wife: The Outcast s Queen brings its characters alive in all their majesty.

    Death is a mystery. What really happens at the time of death? No one could ever answer this question so far. Science has so far succeeded in putting forth a theory for the destruction of the human body. But human is not only the body, it is the mind within, the soul within, it has feelings, lust… Do they extinct with death? Or do they linger in the universe? No one has been successful in answering these questions. The common people are always attracted towards the dark secret of life. Yet, how far true it is from the scientific point of view? It is again beyond arguments. In general, the stories based on facts are considered to be artistic while those based on mystery are supposed to be without any artistic value.

    We meet the Mishra family in Delhi in 1978, where eight-year-old Ajay and his older brother Birju play cricket in the streets, waiting for the day when their plane tickets will arrive and they and their mother can fly across the world and join their father in America. America to the Mishras is, indeed, everything they could have imagined and more: when automatic glass doors open before them, they feel that surely they must have been mistaken for somebody important. Pressing an elevator button and the elevator closing its doors and rising, they have a feeling of power at the fact that the elevator is obeying them. Life is extraordinary until tragedy strikes, leaving one brother severely brain-damaged and the other lost and virtually orphaned in a strange land. Ajay, the family's younger son, prays to a God he envisions as Superman, longing to find his place amid the ruins of his family's new life.Heart-wrenching and darkly funny, Family Life is a universal story of a boy torn between duty and his own survival."

    This play by one of India's foremost playwrights and actors is based on a story from the Mahabharata which tellingly illuminates universal themes - alienation, loneliness, love, family, hatred - through the daily lives and concerns of a whole community of individuals.

    Ashfaq Ahmed is a consummate master of words.

    Tiloka, Rano's husband, is murdered leaving her with four children to look after and a hostile mother-in-law to contend with. Helpful friends and the village elders decide that Mangal, Tiloka's younger brother, should offer her protection in the form of marriage. And so a wedding of reluctant partners takes place.

    The play revolves around Amal, a child confined to his adopted uncle's house by an incurable disease who, inspired by the construction of a local post office, fantasizes about receiving a letter from the king or being a postman. The play was translated into English by W. B. Yeats, and was performed in English for the first time in 1912, by the 'Irish Theatre Company' in London with Tagore in attendance. The Bengali original was staged in Calcutta in 1917. Rabindranath Tagore (1861 1941) was a Bengali polymath who reformed Bengali literature and music in the late 19th and early 20th centuries. We are republishing this antiquarian volume now complete with a specially commissioned new biography of the author."

    It establishes Hansda Sowvendra Shekhar as one of our most important contemporary writers.

    And it does, once again, in the lawless Bihar of the 1990s...When journalist Shruti Ranjan, newly-wed wife of the Deputy Commissioner of Kishanganj in the lawless Bihar of the 1990s, is brutally raped by a ‘politically sheltered local goon’ all of her attempts at getting justice are crushed by a corrupt and complicit state government. That’s when the charismatic Sharad Malviya, a leading member of the Opposition party, offers her an unlikely solution: his party’s ticket to contest the Lok Sabha elections. Left with little to choose from, Shruti agrees, only to realize that being catapulted to an enviable position of power in an all-man’s world comes at a price. Caught between her mentor and her spouse – both upright but ultimately flawed men – and a host of envious others who continue to cast aspersions on her character, she struggles to address the larger problems of the country.Taunted for being a 'Draupadi' she makes the curse her identity and resolutely fights her fate...