Told in an unfurling narrative of interlinking stories, in a style reminiscent of David Mitchell's Cloud Atlas, McKinnon weaves together the stories of Will Martin together with the stories of four others: a desperate ex-convict, Hawker, who commits an act of terrible brutality; Lola, who in 1900 runs a dairy farm on the Illawarra with her brother and sister, when they come under suspicion for a crime they did not commit; Bel, a young girl who goes on a rafting adventure with her friends in 1998 and is unexpectedly caught up in violent events; and in 2033, Nada, who sees her world start to crumble apart. Intriguingly, all these characters are all connected - not only through the same land and water they inhabit over the decades, but also by tendrils of blood, history, memory and property...Compelling, thrilling and ambitious, Storyland is our story, the story of Australia. 'The land is a book waiting to be read' as one of the characters says - and this novel tells us an unforgettable and unputdownable story of our history, our present and our future.

    And it is here, on a cliff edge, that she first meets a young girl, Aurora, who will profoundly change her life. Mysteriously drawn to Aurora, Grania discovers that the histories of their families are strangely and deeply entwined . . .From a bittersweet romance in wartime London to a troubled relationship in contemporary New York, from devotion to a foundling child to forgotten memories of a lost brother, the Ryans and the Lisles, past and present, have been entangled for a century. Ultimately, it will be Aurora whose intuition and remarkable spirit help break the spell and unlock the chains of the past.Haunting, uplifting and deeply moving, Aurora's story tells of the triumph of hope over loss.

    Hedged in by her parents' genteel country life, she plans her escape to London. There, she takes up with Innes Kent, a magazine editor who wears duck-egg blue ties and introduces her to the thrilling, underground world of bohemian, post-war Soho. She learns to be a reporter, to know art and artists, to embrace her life fully and with a deep love at the center of it. She creates many lives--all of them unconventional. And when she finds herself pregnant, she doesn't hesitate to have the baby on her own. Later, in present-day London, a young painter named Elina dizzily navigates the first weeks of motherhood. She doesn't recognize herself: she finds herself walking outside with no shoes; she goes to the restaurant for lunch at nine in the morning; she can't recall the small matter of giving birth. But for her boyfriend, Ted, fatherhood is calling up lost memories, with images he cannot place. As Ted's memories become more disconcerting and more frequent, it seems that something might connect these two stories-- these two women-- something that becomes all the more heartbreaking and beautiful as they all hurtle toward its revelation. Here Maggie O'Farrell brings us a spellbinding novel of two women connected across fifty years by art, love, betrayals, secrets, and motherhood. Like her acclaimed The Vanishing Act of Esme Lennox, it is a "breathtaking, heart-breaking creation." (The Washington Post Book World) and it is a gorgeous inquiry into the ways we make and unmake our lives, who we know ourselves to be, and how even our most accidental legacies connect us.

    Laurel expects the pain might lessen but does not foresee the beguiling man she meets or that they’ll go to Paris, where the city’s magic will take over and alter everything Laurel believes about love.Thirty years later, Laurel’s daughter Annie is newly engaged and an old question resurfaces: who is Annie’s father and what happened to him? Laurel has always been vague about the details and Annie’s told herself it doesn’t matter. But with her impending marriage, Annie has to know everything. Why won’t Laurel tell her the truth?The key to unlocking Laurel’s secrets starts with a mysterious book about an infamous woman known as the Duchess of Marlborough. Annie’s quest to understand the Duchess, and therefore her own history, takes her from a charming hamlet in the English countryside, to a decaying estate kept behind barbed wire, and ultimately to Paris where answers will be found at last.

    When a childhood friend is murdered, a sense of guilt and a determination to prove his own innocence sends Caleb on a hunt for the killer. But he can’t do it alone. Caleb and his troubled friend Frankie, an ex-cop, start with one clue: Scott, the last word the murder victim texted to Caleb. But Scott is always one step ahead.This gripping, original and fast-paced crime thriller is set between a big city and a small coastal town, Resurrection Bay, where Caleb is forced to confront painful memories. Caleb is a memorable protagonist who refuses to let his deafness limit his opportunities, or his participation in the investigation. But does his persistence border on stubbornness? And at what cost? As he delves deeper into the investigation Caleb uncovers unwelcome truths about his murdered friend – and himself.

    An engaging, entertaining read set in 1930s Sydney against the backdrop of the building of the Sydney Harbour Bridge...evocatively drawn.' - Books+PublishingBroke and hopeless in 1929, Yo O'Keenan flees the violence of his home in Chippendale, and by some miracle charms his way into a job on the Harbour Bridge, a new start for himself and his little sister, Agnes.Meanwhile, on the north side of Sydney, in her cluttered cottage at Lavender Bay, a young and ambitious costumier, Olivia Greene, works on her latest millinery creations, dreaming of taking her colours to Paris, London, New York.A random encounter in the Botanic Gardens sparks a powerful attraction, even as the gulf between this pair seems wider than the blue mile of harbour that divides the city.By mid-1932, the construction of the Bridge is complete, but Sydney is in chaos, on the brink of civil war, as the Great Depression begins to bite - hard.And then Yo disappears.Against the glittering backdrop of Sydney Harbour, The Blue Mile tells of the cruelties of poverty, the wild gamble a city took to build a wonder of the world, and the risks the truly brave will take for a chance at life.

    But when she learns that she’s inherited the estate of a complete stranger—a woman named Isabelle de Florian—her life is turned upside down.Cat arrives in Paris to find that she is now the owner of a perfectly preserved Belle Époque apartment in the ninth arrondissement, and that the Frenchwoman’s family knew nothing about this secret estate. Amid these strange developments, Cat is left with burning questions: Who was Isabelle de Florian? And why did she leave the inheritance to Cat instead of her own family?As Cat travels France in search of answers, she feels her grasp on her New York life starting to slip. With long-buried secrets coming to light and an attraction to Isabelle de Florian’s grandson growing too intense to ignore, Cat will have to decide what to let go of, and what to claim as her own.

    Spanning several generations, this epic tells the story of the Baker, Smith and Wiltshire families forging their paths in a land both beautiful and unforgiving.Lives are intertwined by love and community then ripped apart by hate and greed but remain always bound to the land they love…1846. Newly arrived from England, Thomas Baker is young, penniless and alone. Eager to make his mark on this strange new place called South Australia, he accepts work as an overseer on a distant sheep property, believing this will be the opportunity he seeks. But when Thomas’s path crosses that of ex-convict, Septimus Wiltshire — a grasping con man hell bent on making a new life for himself and his family at any price — trouble is on the horizon.But Thomas is made of stern stuff and his fortunes take a turn for the better when he meets spirited farmer’s daughter Lizzie Smith, and soon he envisages their future together.But this land is like no other he has encountered: both harsh and lovely, it breaks all but the strongest. When his nemesis intervenes once more and drought comes, Thomas finds himself tested almost beyond endurance with the risk of losing everything he and Lizzie have worked for… even their lives.

    From a stunning new literary talent, you won't be able to put down this novel about a mother's love for her children - it will break your heart.'With visceral prose and a tense narrative arc that unfolds over just three days, speeding towards a dramatic conclusion .... Sheerwater is a propulsive read with an acute emotional core ... likely to hold appeal for readers of both literary and crime fiction, and fans of writers such as Emily Maguire, Emma Viskic and Sofie Laguna.' Bookseller + PublisherAva and her two young sons, Max and Teddy, are driving to their new home in Sheerwater, hopeful of making a fresh start in a new town, although Ava can't help but keep looking over her shoulder. They're almost at their destination when they witness a shocking accident - a light plane crashing in the field next to the road. Ava stops to help, but when she gets back to the car, she realises that somehow, among the smoke, fire and confusion, her sons have gone missing ...From a substantial new Australian writing talent, Sheerwater is tense, emotional, unforgettable. Perfect for readers of Mark Brandi's Wimmera and Stephanie Bishop's The Other Side of the World, this is a beautifully written, propulsive, gut-wrenching and unputdownable novel - an aching, powerful story of the heroic acts we are capable of in the name of love.'Sheerwater is that rare gift of a book that balances gorgeous, glittering language with breathless pace. Leah Swann writes with devastating honesty ... This is an extraordinary novel - I tore through it, captivated by the imagery and the setting, desperately hoping for a happy ending.' Rebecca Starford, author of Bad Behavior'Heart-in-mouth story ... Swann's language is sinewy and pointed; the book is trim and every sentence is necessary...a complex and horribly believable story with tremendous flair.' The Age'Sheerwater is a haunting story built on conflict. Freedom and control, tenderness and violence, hope and fear, love and hate. It shows the strength of a mother's love and the yearning for something more ... This novel is full of beautifully gripping prose and deeply powerful emotions told through sublime pacing. I found it triggered a peculiar mix of wanting to dwell in the darkly emotive prose while needing to urgently push through it to find resolution. It will be one of those books that lingers in your mind, the memory of which may even be mistaken for a story read in the news.' Booktopia'Sheerwater is compelling reading ... There is an urgency in the writing that makes you read on because you must know what the conclusion is - no matter which way it goes ... This is an extraordinary literary debut; the writing is beautifully evocative and the intertwining narratives of the main characters seamless. It's tender, it's suspenseful and you'll be wanting to see so much more from Leah Swann - I ignored everything for a day to rip through the pages and loved every minute of it.' Better Reading

    Madeleine and her mother have run away from their former life, under mysterious circumstances, and settled in a rainy corner of Cambridge (in our world).Elliot, on the other hand, is in search of his father, who disappeared on the night his uncle was found dead. The talk in the town of Bonfire (in the Kingdom of Cello) is that Elliot's dad may have killed his brother and run away with the Physics teacher. But Elliot refuses to believe it. And he is determined to find both his dad and the truth.As Madeleine and Elliot move closer to unraveling their mysteries, they begin to exchange messages across worlds -- through an accidental gap that hasn't appeared in centuries. But even greater mysteries are unfolding on both sides of the gap: dangerous weather phenomena called "color storms;" a strange fascination with Isaac Newton; the myth of the "Butterfly Child," whose appearance could end the droughts of Cello; and some unexpected kisses...

     When Jo Breen uses her divorce settlement to buy a neglected property in the Byron Bay hinterland, she is hoping for a tree change, and a blossoming connection to the land of her Aboriginal ancestors. What she discovers instead is sharp dissent from her teenage daughter, trouble brewing from unimpressed white neighbours and a looming Native Title war between the local Bundjalung families. When Jo unexpectedly finds love on one side of the Native Title divide she quickly learns that living on country is only part of the recipe for the Good Life. Told with humour and a sharp satirical eye, Mullumbimby is a modern novel set against an ancient land.

    It isn’t the pain of him not being there—loneliness is manageable. The worst thing is not knowing why.When Justin walks out on Alice on their honeymoon, with no explanation apart from a cryptic note, Alice is left alone and bewildered, her life in pieces.Then she meets Evelyn, a visitor to the gallery where she works. It’s a seemingly chance encounter, but Alice gradually learns that Evelyn has motives, and a heartbreaking story, of her own. And that story has haunting parallels with Alice’s life.As Alice delves into the mystery of why Justin left her, the questions are obvious. But the answers may lie in the most unlikely of places…

    After a hailstorm destroys the château’s orchards, gardens and fields, an ambitious young Welshman, David Stronach, accepts the commission to plan new gardens in the hope of making his name as a landscape designer. However, the love that blossoms between them is doomed: Viviane is betrothed to a duke, and David is forced to leave the property. In the aftermath, Viviane enters an unhappy marriage and moves to Versailles, while David embarks upon a mission to China to procure the secrets of tea-growing. There, he is inspired by the story of the Blue Rose, a fable of impossible love. Can he and Viviane - a world apart - ever hope to rekindle what they had together?

    He can’t have been much of a husband to Trudy, either, judging by her sudden departure. It’s only when she returns, pregnant to someone else, that he discovers his surprising talent as a father. So when Trudy finds Jesus and takes little Peter away with her to join the holy rollers, Tom’s heart breaks all over again.Enter Hannah Babel, quixotic smalltown bookseller: the second Jew—and the most vivid person—Tom has ever met. He dares to believe they could make each other happy. But it is 1968: twenty-four years since Hannah and her own little boy arrived at Auschwitz. Tom Hope is taking on a batttle with heartbreak he can barely even begin to imagine.

    So when an opportunity to pursue her childhood dream of joining the Flying Doctor Service comes along, she jumps at the chance. Flight nurse Daphne Prince – who is thrilled to have another woman join the otherwise male crew – and handsome new boss, Morgan Blake, instantly make her feel welcome.Just out of town, drought-stricken grazier Soretta Byrnes has been struggling to make ends meet and in desperation has opened her station house to boarders. Tempted by its faded splendour and beautiful outback setting, Billy, Mia and Daphne decide to move in and the four of them are soon joined by eccentric 80-year-old Lorna Lamerton.The unlikely housemates are cautious at first, but soon they are offering each other frank advice and staunch support as they tackle medical emergencies, romantic adventures and the challenges of growing up and getting older. But when one of their lives is threatened, the strong friendship they have forged will face the ultimate test . . .