So begins a journey that will take them down a circuitous path fraught with the unknown—and danger. Why do the Rockwells, expecting their first child, seem at once welcomed and repelled? What does it mean when Margaret starts to dream of the family that built the house in 1910? For her the house comes alive with its own sounds, sights, thoughts, and intentions. How could the death of a child ninety years before impact their lives? And why?

    Wimbourne Books presents the first in a series of rare or out-of-print ghost stories from Victorian authors. With an introduction by author Alastair Gunn, Volume 1 in the series spans the years 1852 to 1899 and includes stories from a wide range of female authors; English, Irish, Scottish, Welsh and American. Includes tales by Mary Elizabeth Braddon, Charlotte Riddell, Isabella Banks and Gertrude Atherton. Readers new to this genre will discover its pleasures; the Victorian quaintness, the sometimes shocking difference in social norms, the almost comical politeness and structured etiquette, the archaic and precise language, but mostly the Victorians’ skill at stoking our fears and trepidations, our insecurities and doubts. Even if you are already an aficionado of the ghostly tale there is much within these pages to interest you. Wait until the dark of the stormy night arrives, lock the doors, shutter the windows, light the fire, sit with your back to the wall and bury yourself in the Victorian macabre. Try not to let the creaking floorboards, the distant howl of a dog, the chill breeze that caresses the candle, the shadows in the far recesses of your room, disturb your concentration.

    This installment is written in first person, sort of a diary format, as one man recounts his frantic, often hilarious and occasionally dangerous odyssey of preparing for the oncoming Zombie Apocalypse.

    Liz had lingered behind, savouring the last of the night air. She pushed at the stray blond lock with her fingers, willing it to stay in place. On letting go the hair slid back. She secured it with her ivory comb. She began to run, overcome by a desperate need to see her children. A sense of dread swept over her. An unaccountable ache lay in her belly. The twins were so vulnerable, what if she failed in her duty to protect them? Then she stopped. She stood very still. The ache and the cold were replaced by the warmth of a hug and a kiss on her cheek. She turned to say thank you, but she was alone. The others were already at the house.'Beckman's appeared to be Liz's dream house, the perfect home in which to raise her young family. She had an immediate inexplicable affinity with the property, and it welcomed her with open arms. Why then should just one of its many rooms, the fourth room, make her feel as if she was an intruder? What secret was it hiding? She knew it was connected to the burnt out boat house and that sunken old rowing boat. Something about it was linked to her: its presence haunted her. She knew she needed to unravel the mystery before some dreadful disaster overcame her family. Her daughter's elusive friend Harriet had the answers but would she reveal them? And then there was that horrid Tarot reading. The potent image of the Five of Cups would not leave her. What were the cards trying to tell her and more to the point, would she listen? After all they were just bits of paper.Cover: The Five of Cups from a set of Tarot cards designed by the author.

    They realize too late that this is no ordinary plague...and that the enemy they have to fight may not be the only thing they need to worry about.Book One of The Salvation Plague series.The Turning includes foul language, graphic violence, and some mature themes.

    The Arthurian tales of chivalry, romance, and tragedy have left a lasting impact on English literature. This collection contains Sir Gawain and the Green Knight (trans. 1898), The Lady of Shallot (1833), The Founding of the Round Table (trans. 1914), The Passing of Arthur (trans. 1914), The Morte D'arthur (1914), The Lady of the Fountain (trans. 1877), Arthurian Songs: 1. Avalon (1894), and Sir Galahad, a Christmas Mystery (1858).

    Times are hard. Anne Chatham is a clever, modest young woman with little money, no prospects for marriage, and a never-shared secret—she can see spirits. Anne finds employment as a typist at Northfield House, the grand country manor of the Wellington family. Her employer, the wheelchair-bound Mr. Wellington, is kindly. His haughty wife is not. He has two handsome sons, the wry and dashing Thomas and the dark and somber Owen. Anne feels sure her prayers have been heard. Until the terrifying night she stumbles upon a tortured spirit roaming the dark halls of Northfield, a spirit that only she can see. In a search for answers, she finds herself drawn to Owen as they unearth a tragic story from the Wellington family’s past—a beautiful young bride gone missing on her wedding day. Then tragedy strikes again on the night of a glittering masquerade ball...