An investor in the growing railroad industry, he played host to US presidents. And when he fell in love, he fell hard. Rosa Pelham was almost two decades younger than Suit, who courted her unsuccessfully for five long years. Then, in 1883, he found the chink in Rosa’s romantic armor. She dreamed of living in a castle. Suit vowed to build her one if she accepted his proposal. He was as good as his word, and Berkeley Castle became part of West Virginian history. Some say the story of Rosa and her castle ended badly, with heartache, financial ruin, and insanity. Some darkly hint that vengeful ghosts now walk the halls of Berkeley Castle, tormented by secret misdeeds. Others tell a different tale—one of love and courage in the face of changing fortunes. Rosa’s Castle tells this tale—a dazzling “what if” based on one of America’s most striking love stories. As for ghosts…well, not all are vengeful shades. Some haunt out of love for those they left behind.

    After an incredible 132 years of life, his time is short.Jimmie has one mission, unfullfilled - the return of his father's hard earned 40 acres, awarded to the slave soldier at the end of the Civil War.Over the decades Jimmie approaches the rich and famous, including all the American Presidents from Grant to Reagan in a quest to have the land returned. He makes one president cry (Nixon), helps kill another (McKinley) and accepts the brotherhood of an unlikely ally ("brother" Ronnie Reagan).Will Jimmie finally get back the 40 acres?A reader's review: Jimmie Barnes is similar to the style of Forest Gump, minus the guile and innocence. Rage, injustice and racism in all it's true colors are depicted from the main character to the behind the scenes players. The game of politics in a scary and grim light, makes you wonder is this fiction or closer to the truth than you want it to be?

    It was the same piece and the same pianist, when broadcasting was resumed six years later. The Pianist is Szpilman's account of the years inbetween, of the death and cruelty inflicted on the Jews of Warsaw and on Warsaw itself, related with a dispassionate restraint borne of shock. Szpilman, now 88, has not looked at his description since he wrote it in 1946 (the same time as Primo Levi's If This Is A Man?; it is too personally painful. The rest of us have no such excuse. Szpilman's family were deported to Treblinka, where they were exterminated; he survived only because a music-loving policeman recognised him. This was only the first in a series of fatefully lucky escapes that littered his life as he hid among the rubble and corpses of the Warsaw Ghetto, growing thinner and hungrier, yet condemned to live. Ironically it was a German officer, Wilm Hosenfeld, who saved Szpilman's life by bringing food and an eiderdown to the derelict ruin where he discovered him. Hosenfeld died seven years later in a Stalingrad labour camp, but portions of his diary, reprinted here, tell of his outraged incomprehension of the madness and evil he witnessed, thereby establishing an effective counterpoint to ground the nightmarish vision of the pianist in a desperate reality. Szpilman originally published his account in Poland in 1946, but it was almost immediately withdrawn by Stalin's Polish minions as it unashamedly described collaborations by Lithuanians, Ukrainians, Poles and Jews with the Nazis. In 1997 it was published in Germany after Szpilman's son found it on his father's bookcase. This admirably robust translation by Anthea Bell is the first in the English language. There were 3,500,000 Jews in Poland before the Nazi occupation; after it there were 240,000. Wladyslaw Szpilman's extraordinary account of his own miraculous survival offers a voice across the years for the faceless millions who lost their lives. --David Vincent

    Douglas. The play features Academy Awards nominees Paul Giamatti in the role of Stephen A. Douglas and David Straithairn as Abraham Lincoln. Two Presidential candidates - one a rising Illinois legislator, the other a bombastic US Senator. Obama and McCain? Think again. In this transcendent Broadway play, the famous Lincoln-Douglas debates tackle the day's most passionate issue - slavery. Their battle comes to life through the eyes of Adele Douglas, wife of candidate Stephen Douglas. Challenged by the charming man from Illinois, she reexamines her basic beliefs about the American concept of freedom. Evocative, inspiring and stirring theatre]] raves The New York Times.

    This book fundamentally addresses three key questions: ● Why has the Rashtriya Swayamsevak Sangh (RSS) and its affiliates expanded so rapidly over the past twenty-five years? ● How have they evolved in response to India's new socio-economic milieu? ● How does their rapid growth impact the country's politics and policy?With unprecedented access, Walter K. Andersen and Shridhar D. Damle lift the curtains to help us understand the inner workings of the Sangh. Backed by deep research and case studies, this book explores the evolution of the Sangh into its present form, its relationship with the ruling party, the BJP, their overseas affiliates and so much more.

    This book tells gripping stories of death-defying operations and daring surgical strikes, the intense training soldiers have to undergo to become battle-fit, what life is really like on the LoC and the lives of the young men who made the ultimate sacrifice for their country. Page-turning, thrilling and heart-breaking, you will see the Indian Army and our soldiers close up, like you have never seen them before.

    and pathos... and blood... and rare moments of almost exalted happiness. So, can it be that a man is both sinner and saint, victor and victim, black and white?Ashwin Sanghi, master storyteller, and spinner of yarns weave together threads of the past and present, fact and fiction, history and mythology, business and politics, love and hatred while dangling you ceaselessly over the cliff with this chilling multi-layered narrative, keeping you guessing till a totally unguessable end.And you’re left wondering whether it's a matter of faith... or fate?

    Humour flows effortlessly for her, which is the biggest strength of the novel.' The Hindu‘I am very grateful to have my faith in new Indian fiction restored. This is a classic, timeless book that illuminates and entertains by turn.’ Suchi Govindarajan‘A delightful read from start to finish. There were places where I was grinning so much as I read it that my kids were looking at me strangely. But under the humour, the frivolity, the nostalgia of an Eighties life, there are several growing-up lessons taking place. Yet, the book never gets maudlin… although it does leave you with an ache for things that could have been. Brilliant writing.’ Andaleeb WajidSet in small-town Kerala of the 1980s, Mango Cheeks, Metal Teeth is part coming-of-age story, part social satire and part comedy of errors. Geetha, elevenish, is off for the annual family vacation in Kerala and is looking forward to all the fun with her cousins – visits to the beach and trips to the market to buy glass bangles and kites and shuttlecocks, evenings in the veranda listening to her grandfather’s ridiculous ghost stories which he swears are all true, marathon card games and ferocious boys-versus-girls battles with the bristles of brooms made from coconut fibre… But as the summer unfolds, Geetha finds herself spending more time instead at the back of the house with the free-spirited cook, the hypochondriac cleaner, the virile gardener, a cheeky helper girl… ...And Babu, son of Koovait Kannan, the bumbling plumber who made good. Babu’s family is immersed, meanwhile, in the wedding preparations for Babu’s sister, who is marrying the most eligible bachelor in the neighbourhood: Constable Venu, an expert thrasher of suspects and son of that wealthy black-marketer of supplies, Ration Raaman. But Babu’s mind is otherwise occupied… with thoughts of a face as rounded as a Malgova mango, of an oiled plait as thick as the ropes used to tie the fishing boats, of eyes that sparkle like the sea on a sunlit morn… As Geetha and Babu’s closely linked but widely divergent lives intersect, both are about to lose some of the blissful ignorance and innocence of childhood. Charmingly quirky and often laugh-out-loud hilarious, Mango Cheeks, Metal Teeth gently explores the themes of growing up, loss of innocence and the intimate yet aloof nature of upstairs-downstairs relationships.

    Until he was 7, he lived with his father, a high school physics teacher, and mother, a bank manager, in the spacious, garden-filled compound his grandfather had built. Noisy with the laughter of his cousins (with whom they lived in the typical Afghan style), fragrant with the scent of roses and apple blossoms, and rich in shady, tucked-away spots where Qais and his grandfather sat and read, home was the idyllic centre of their quiet, comfortable life. But in the wake of the Russian withdrawal and the bloody civil conflict that erupted, his family was forced to flee and take refuge in the legendary Fort of Nine Towers, a centuries-old palace in the hills on the far side of Kabul. On a perilous trip home, Omar and his father were kidnapped, narrowly escaping, and the family fled again, his parents leading their 6 children on a remarkable, sometimes wondrous journey. Hiding inside the famous giant Bamiyan Buddhas sculpture, and among Kurchi herders, Omar cobbles together an education, learning the beautiful art of carpet-weaving from a deaf mute girl, which will become the family's means of support. Against a backdrop of uncertainty, violence and absurdity, young Qais Omar weaves together a story--and a self--that is complex, colourful, and profound.

    scholar, practically living in her research lab, leading an uneventful life. Amudha’s life takes an adventurous turn, when she finds a puzzle in an old Mathematics book. Surprisingly, the puzzle has nothing to do with Mathematics. Amudha embarks on a journey to solve the enigma. Every twist and turn in her journey is filled with suspense and surprises. The journey challenges and threatens Amudha. Whenever Amudha solves a part of the puzzle, a new one presents itself. Will Amudha solve the puzzle? How far does the rabbit hole go? What awaits her at the end of it? Will Amudha be the same person if she comes out of it? Read on Magic Square for answers.

    David Malone identifies relevant aspects of Indian history, examines the role of domestic politics and internal and external security challenges, and of domestic and international economic factors.He analyzes the specifics of India's policy within its South Asian neighborhood, and with respect to China, the USA, West Asia, East Asia, Europe, and Russia as well as multilateral diplomacy. The book also touches on Indian ties to Africa and Latin America, and the Caribbean.India's 'soft power', the role of migration in its policy, and other cross-cutting issues are analyzed, as is the role and approach of several categories of foreign policy actors in India. Substantive conclusions touch on policies India may want or need to adjust in its quest for internationalstature.This book will appeal to both scholars and students of international relations as well as policymakers, diplomats, journalists, strategic affairs experts, and informed readers.

    A few years later, he returns to Banaras to write that book.Plunging into its timeless aura, he roams its ghats and galis, sails through the cool breeze of the Ganga, walks through the heat of funeral pyres. One moment he is observing a sadhu show off his penile strength, in the next he is on a boat with a young woman who has been prophesied to marry seven times; one moment he is in conversation with the celebrated writer Kashinath Singh, who is an atheist, and in the next he is having tea with a globe- trotting priest and a god-fearing doctor ... Ghosh finds a story in every bend as he engages with quintessential Banarasis—their paan-stuffed mouths spouting expletives and wisdom with equal flair—and discovers why they are among the happiest people on earth. Then one evening at Manikarnika, as he emerges from a temple, wearing ash from the cremation ground on his forehead, he finds a bit of Banaras in himself. Aimless in Banaras is not only a sensuous portrait of India’s holiest city but also a meditation on life—and death.

    India tested a nuke just months earlier, and Pakistan is desperate to acquire a few for themselves. Unfortunately for Bhutto, Pakistan’s Prime Minister, his scientists are nowhere close to building a nuclear weapon.Capt. Sablok, an intelligence analyst, is convinced that the Pakistani agent in Europe is passing sensitive weapons technology to back to Pakistan.But his evidence is weak. His inexperience and reputation for alcoholism conspire against him, and his Section Chief declines to authorise an operation.Sablok, however, has finally found a sense of purpose after two miserable years, and he will not give up without a fight. The only other person he trusts in R&AW is a washed-up Case Officer who was an outstanding field agent once.But can the two of them rein the ISI in before Pakistan steals all the technology it needs?

    Ranging from the fall of Singapore in 1942 to the assassination of Mahatma Gandhi in 1948, Shameful Flight provides a vivid behind-the-scenes look at Britain's decision to divest itself from the crown jewel of its empire. Stanley Wolpert, a leading authority on Indian history, paints memorable portraits of all the key participants, including Gandhi, Churchill, Attlee, Nehru, and Jinnah, with special focus on British viceroy, Lord Louis Mountbatten. Wolpert places the blame for the catastrophe largely on Mountbatten, the flamboyant cousin of the king, who rushed the process of nationhood along at an absurd pace. The viceroy's worst blunder was the impetuous drawing of new border lines through the middle of Punjab and Bengal. Virtually everyone involved advised Mountbatten that to partition those provinces was a calamitous mistake that would unleash uncontrollable violence. Indeed, as Wolpert shows, civil unrest among Muslims, Hindus, and Sikhs escalated as Independence Day approached, and when the new boundary lines were announced, arson, murder, and mayhem erupted. Partition uprooted over ten million people, 500,000 to a million of whom died in the ensuing inferno. Here then is the dramatic story of a truly pivotal moment in the history of India, Pakistan, and Britain, an event that ignited fires of continuing political unrest that still burn in South Asia.

    The Prisons We Broke provides a graphic insight into the oppressive caste and patriarchal tenets of the Indian society, but nowhere does the writing descend to self-pity. With verve and colour the narrative brings to life, among other things, the festivals, rituals, marriages, snot-nosed children, hard lives and hardy women of the Mahar community. The original Marathi work, Jina Amucha, re-defined autobiographical writing in Marathi in terms of form and narrative strategies adopted, and the selfhood and subjectivities that were articulated. It is the first autobiography by a Dalit woman in Marathi, probably even the first of its kind in any Indian language.