None of these adjectives, however, do the slightest justice to the novel. To this day it remains the modernist masterpiece, in which the author takes both Celtic lyricism and vulgarity to splendid extremes. It is funny, sorrowful, and even (in a close-focus sort of way) suspenseful. And despite the exegetical industry that has sprung up in the last 75 years, Ulysses is also a compulsively readable book.William Blake saw the universe in a grain of sand. Joyce saw it in Dublin, Ireland, on June 16, 1904, a day distinguished by its utter normality. Two characters, Stephen Dedalus and Leopold Bloom, go about their separate business, crossing paths with a gallery of indelible Dubliners. We watch them teach, eat, stroll the streets, argue, and (in Bloom's case) masturbate. And thanks to the book's stream-of-consciousness technique--which suggests no mere stream but an impossibly deep, swift-running river--we're privy to their thoughts, emotions, and memories. The result? Almost every variety of human experience is crammed into the accordion folds of a single day, which makes Ulysses not just an experimental work but the very last word in realism.Dubliners was completed in 1905, but British and Irish publishers and printers found it so offensive and immoral, it was suppressed. It finally came out in London in 1914, just as Portrait of the Artist as a Young Man began to appear in the journal Egoist under Ezra Pound's auspices. The first three stories might be incidents from a draft of Portrait of the Artist as a Young Man and many of the characters who figure in Ulysses first appear here, but this isn't a book of interest only because of its relationship to Joyce's life and mature work. It's one of the great story collections in the English language--a brilliant, unflinching, often tragic portrait of early 20th-century Dublin. The book, which begins and ends with a death, moves from "stories of my childhood" through tales of public life. Its larger purpose, Joyce said, was as a moral history of Ireland.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    SUMMER ON BLOSSOM STREET Knitting and life are both about beginnings—and endings. That's why Lydia Goetz, owner of A Good Yarn on Seattle's Blossom Street, offers a class called Knit to Quit. It's for people who want to quit something—or someone!—and start a new phase of their lives. But when your life—and your stitches—get snarled, your friends can always help! HANNAH'S LIST On the anniversary of his beloved wife's death, Dr. Michael Everett receives a letter Hannah wrote him. In it she reminds him of her love and makes one final request. An impossible request. I want you to marry again. She tells him he shouldn't spend the years he has left grieving—and she's chosen three women she asks him to consider. During the months that follow, he spends time with these three women, learning more about each of them…and about himself. Learning what Hannah already knew. He's a man who needs the completeness only love can offer. And Hannah's list leads him to the woman who can help him find it. A TURN IN THE ROAD In the middle of the year, in the middle of her life, Bethanne Hamlin takes a road trip with her daughter, Annie, and her former mother-in-law, Ruth. So, there they are, three women driving across America. They have their maps and their directions—but even the best-planned journey can take you to a turn in the road. Or lead to an unexpected encounter, like the day Bethanne meets a man named Max…

    Every one of George Eliot's classic novels is now available in one edition! Each with a fully functioning table of contents, this collection includes:Adam Bede, 1859The Mill on the Floss, 1860Silas Marner, 1861Romola, 1863Felix Holt, the Radical, 1866Middlemarch, 1871-72Daniel Deronda, 1876

    In a bar brawl, he accidentally kills the vizier's eldest son. For punishment, the king renders an unusual verdict: life in the service of the dead at the weryt, the walled-off embalming compound.At the same time, young ladies at the pharaoh's court drop dead without obvious cause. When the corpses are brought to the weryt, Hori, now trained in embalming and organ removal, discovers the girls were murdered. Only he can't leave the place without turning his life sentence into a death sentence—or can he? An adventurous investigation unfolds.

    Morton's first two unforgettable novels in one volume: The House at Riverton plus The Forgotten Garden.

    Joining together with a wizard, a druid, a necromancer, and a crusader, Morbed has arrived at a remote island to track down an elusive vagabond andreclaim valuable items pilfered from the city of Westmarch.But there is something loose on the island, something that has killed and is very close to killing again. In order to leave the island alive, Morbed will be forced to confront not only the terrifying creature that stalks the forests, but the darkest corners of his own spirit as well.

    This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

    

    With The Testaments, the wait is over. Margaret Atwood's sequel picks up the story more than 15 years after Offred stepped into the unknown, with the explosive testaments of three female narrators from Gilead. The Handmaid's Tale: Offred is a Handmaid in The Republic of Gilead, a religious totalitarian state in what was formerly known as the United States. She is placed in the household of The Commander, Fred Waterford - her assigned name, Offred, means 'of Fred'. She has only one function: to breed. If Offred refuses to enter into sexual servitude to repopulate a devastated world, she will be hanged. Yet even a repressive state cannot eradicate hope and desire. As she recalls her pre-revolution life in flashbacks, Offred must navigate through the terrifying landscape of torture and persecution in the present day, and between two men upon which her future hangs.

    This work is the result of those requests. It is full of controversial claims, so be warned. I truly believe that if people follow the handful of principles in this short read, they will improve their health and change their lives.

    

    It is 1846, famine is gripping Ireland and nowhere is it crueller than in Mayo on the west coast. Owen FitzDeane of Ballyford Castle is a good landlord, but even he is powerless to save all his tenants. When he comes upon a half-dead girl beside the road, he insists on taking her back to the castle, to see if they can save her. But Eilinora is no ordinary girl and soon superstition and fear begin to swirl around her, while Lord FitzDeane of Ballyford falls deeper under her spell.

    The Security Services of the UK, USA and China all want to control the new software. The Financial Director has been murdered and his widow turns to her brother-in-law to help discover the truth. But he soon finds himself framed for his brother’s murder. When the full force of government is brought to bear on one family, they seem to face impossible odds. Is it an abuse of power or does the end justify the means? Only one man can find the answers but he is being hunted by the same people he once called friends and colleagues.

     Carl Ramsey is the head of his own criminal Syndicate. With a hundred men and women and the resources of a tiny jungle moon at his disposal, life should have gotten easier, not harder. Infighting, politics, and a lack of income to pay everyone begin to tear the syndicate apart from the inside. And the last thing Carl needs is his father stepping in to try to help. Mission 9: Adventure Capital Carl sets out with some new recruits to earn some startup funds for his new syndicate. But when he discovers that his criminal enterprise doesn't have enough criminals to run it, he goes to recruit some old friends. Mission 10: Collusion Course While Carl and the Mobius are stranded, dead in space, Chuck Ramsey steps in to handle the day-to-day operations of the syndicate. Can Carl get his ship repaired and get home while he still has a syndicate left? Mission 11: You, Robot Wizards are all convinced that any thinking robot would be a threat to life as we know it. Robots are paranoid that wizards are out to get them. When the Mobius comes across a robot claiming to be a wizard, they don't know quite what to do with him. But there's a wizard who does, and he's not planning to play nice. Mission 12: Stowaway to Heaven With the aid of some inside information, the Mobius crew are ready to take on an old nemesis. Their goal: to infiltrate and hijack the Harmony Bay ship Bradbury. Bonus Short Story: Voice of Reason With Carl off being treated like a VIP, a job comes in for the Mobius. Roddy, Archie, and Yomin take on the assignment, but they have to manufacture a convincing impostor of Carl to do it.