The playtext is reproduced here with footnotes which will be of no help to anyone and a letter from the authors to the Queen.

    Ann’s clearest memory is performing as Peter Pan in grade school, complete with the distinct elation of feeling she never had to grow up. A lyrical new play about yearning for youth, the pangs of aging, and the enduring bonds of family.

    With keen insight and a ceaseless attention to detail, The Flick pays tribute to the power of movies and paints a heartbreaking portrait of three characters and their working lives. A critical hit when it premiered Off-Broadway, this comedy, by one of the country's most produced and highly regarded young playwrights, was awarded the coveted 2013 Susan Smith Blackburn Prize, an Obie Award for Playwriting and the 2014 Pulitzer Prize for Drama.

    The tragicomedy of race, class, manners and naivete of liberalism.

    Under the watchful gaze of his young assistant and the threatening presence of a new generation of artists, Mark Rothko takes on his greatest challenge yet: to create a definitive work for an extraordinary setting.A moving and compelling account of one of the greatest artists of the twentieth century, Mark Rothko, whose struggle to accept his growing riches and praise became his ultimate undoing.

    This No Fear Shakespeare ebook gives you the complete text of Much Ado About Nothingand an easy-to-understand translation.Each No Fear Shakespeare contains The complete text of the original play A line-by-line translation that puts Shakespeare into everyday language A complete list of characters with descriptions Plenty of helpful commentary

    The classic play about Sir Thomas More, the Lord chancellor who refused to compromise and was executed by Henry VIII.

    Jacobs Theater, New York City, in March 2009.

    An entirely new introduction sets the tragedy in the context of pre-Civil War England and gives a revealing view of its imagery and dramatic action.From its well-documented early performances to the two productions seen in the West End of London in the 1995-96 season, a stage history gives an account of the play in performance. Students, actors, directors and theatre-goers will all find here a reappraisal of Webster's artistry in the greatest age of English theatre, which highlights why it has lived on stage with renewed force in the last decades of the twentieth century.

    In this stage version by Philip Wilson, you’ll meet the familiar characters – Little Red Riding Hood, Rapunzel, Hansel and Gretel – and some unexpected ones too, such as Hans-My-Hedgehog, the Goose Girl at the Spring and the remarkable Thousandfurs.Full of deliciously dark twists and turns, the tales come to life in all their glittering, macabre brilliance – a delight for children and adults alike.These Grimm Tales were first performed as immersive storytelling experiences underneath Shoreditch Town Hall, London, in 2014, and Bargehouse on the South Bank in 2015. They also offer plentiful opportunities for youth theatres, schools and amateur companies looking for a vivid new version of the classic fairytales.

    

    This is to keep you on the edge with each turn in the alleys of the Labyrinth.Labyrinth: Short Stories is an array of fifteen tales that cover genres like adventure, romance, paranormal, fantasy, history, and many more.Summary Of The BookLabyrinth: Short Stories, published in 2012, is a collection of fifteen short stories written by various Indian authors. Each tale belongs to a different genre and era, thereby giving this book a unique and refreshing feel. Labyrinth: Short Stories starts off with The Martyr, which has been written by Mainak Dhar. It revolves around young Kemal who finds himself in the middle of a war in Afghanistan. Puppet Show, by Aditi Chincholi, explains how a doctor cannot find a way to break a spell that has been cast over the natives of a valley.Bagheera Log Huts takes readers into the heart of an Indian jungle, where the search for a wild cat turns into an unexpected adventure. Shawn Pereira’s I'll Be Back describes an out-of-body experience, which shows how things can take a downward spiral when one is caught in the wrong place, at the wrong time. Aditi Chincholi’s second story, Sym World, is set in a fantasy land which the protagonist Kyoto has willingly entered, but cannot find a way out. In Mortified, written by Jeevan Varma, readers will find themselves in a small Indian township where a mortified Sharmaji is going to be attacked. This is followed by Crashing Impacts, a tale of love and sacrifice that spans almost ten years.Rishabh Chaturvedi’s The Night Of The Wokambee describes how Revant is in a quandary when a strange creature visits his house every night. Both Mists of Time by Niharika Puri, and Russkaya Rulyetka by Shawn Pereira, illustrate how a person makes impulsive decisions when he is overcome with rage and jealousy. Candies shows readers that the pursuit of love is filled with ups and downs. Travel Through The Night, authored by Rishabh Chaturvedi, follows the protagonist into dense sugarcane plantations, where he encounters strange spirits who block his path. A Day of Battle is set during the great epic battle of the Mahabharata, and the author Abhishek Dwivedi shares stories of the bravery of some of the best warriors that this world has ever seen. The next story, Farming On Facebook by Sushant Dharwadkar, takes a huge time leap, and shows how the present generation is unaware of the real world, as their focus lies only on the screens in front of them. About The AuthorsLabyrinth: Short Stories has been written by Mainak Dhar, Richard Fernandes, Jeevan Verma, Rishabh Chaturvedi, Niharika Puri, Aditi Chincholi, Abhishek Dwivedi, Sushant Dharwadkar, Rohit Das, and Shawn Pereira. They are a part of the initiative by Litizen.com. Professionally they are accountants, chefs, media professionals, doctors, and students.

    When Agnes finds Tilly's Dungeons & Dragons notebook, however, she stumbles into a journey of discovery and action-packed adventure in the imaginary world that was Tilly's refuge. In this high-octane dramatic comedy laden with homicidal fairies, nasty ogres, and 90s pop culture, acclaimed young playwright Qui Nguyen offers a heart-pounding homage to the geek and warrior within us all.

    What we as her audience take away from this remarkable drama is a keener sense that, while death is real and unavoidable, our lives are ours to cherish or throw away—a lesson that can be both uplifting and redemptive. As the playwright herself puts it, “The play is not about doctors or even about cancer. It’s about kindness, but it shows arrogance. It’s about compassion, but it shows insensitivity.” In Wit, Edson delves into timeless questions with no final answers: How should we live our lives knowing that we will die? Is the way we live our lives and interact with others more important than what we achieve materially, professionally, or intellectually? How does language figure into our lives? Can science and art help us conquer death, or our fear of it? What will seem most important to each of us about life as that life comes to an end?The immediacy of the presentation, and the clarity and elegance of Edson’s writing, make this sophisticated, multilayered play accessible to almost any interested reader. As the play begins, Vivian Bearing, a renowned professor of English who has spent years studying and teaching the intricate, difficult Holy Sonnets of the seventeenth-century poet John Donne, is diagnosed with advanced ovarian cancer. Confident of her ability to stay in control of events, she brings to her illness the same intensely rational and painstakingly methodical approach that has guided her stellar academic career. But as her disease and its excruciatingly painful treatment inexorably progress, she begins to question the single-minded values and standards that have always directed her, finally coming to understand the aspects of life that make it truly worth living.

    She meets and joins up with Lloyd Bophtelophti, a true "original" who has changed his name to avoid alimony payments and who now lives with a paraplegic named Pootie (who also pretends to be deaf in order to get double disability). Thus begins a series of picaresque escapades involving numerous psychiatrists, a TV game show, and, eventually, an ill-fated reunion with her husband. Filled with bizarre characters and events, the play reflects the fractured lifestyles which have become the norm for so many in our tenuous times.