This small collection of the best English poems offers the reader the chance to re-engage with poetry. Filled with favourites, and thoughtfully selected by Laura Barber (editor of Penguin's Poems for Life and the forthcoming Penguin's Poems for Love) this anthologoy is an essential addition to everyone's repertoire.

    What resulted is this book: an honest, intelligent, no-holds-barred discussion of virtually every “hot button” issue on which Reform and Orthodox Jews differ, among them the existence of a Supreme Being, the origins and authenticity of the Bible and the Oral Law, the role of women, assimilation, the value of secular culture, and Israel.Sometimes they agree; more often than not they disagree—and quite sharply, too. But the important thing is that, as they keep talking to each other, they discover that they actually like each other, and, above all, they respect each other. Their journey from mutual suspicion to mutual regard is an extraordinary one; from it, both Jews and non-Jews of all backgrounds can learn a great deal about the practice of Judaism today and about the continuity of the Jewish people into the future.From the Hardcover edition.

    All of your favorite artists are represented in these pages—from Bon Jovi and Green Day to Miley Cyrus, Beyoncé, and beyond. Already a smash sensation on the Internet—the Tumblr page has 20,000+ followers—Pop Sonnets has been featured by the A.V. Club, BuzzFeed, and Vanity Fair, among many others. More than half of these pop sonnets are exclusive to this collection and have never been published in any form.

    Arendt discovered her writings some time in the mid-1920s, and soon began to reimagine Rahel's inner life and write her biography. Long unavailable and never before published as Arendt intended, Rahel Varnhagen: The Life of a Jewess returns to print in an extraordinary new edition.Arendt draws a lively and complex portrait of a woman during the period of the Napoleonic wars and the early emancipation of the Jews, a figure who met and corresponded with some of the most celebrated authors, artists, and politicians of her time. She documents Rahel's attempts to earn legitimacy as a writer and gain access to the highest aristocratic circles, to assert for herself a position in German culture in spite of her gender and religion.Arendt had almost completed a first draft of her book on Rahel by 1933 when she was forced into exile by the National Socialists. She continued her work on the manuscript in Paris and New York, but would not publish the book until 1958. Rahel Varnhagen became not just a study of a historical Jewish figure, but a poignant reflection on Arendt's own life and times, her first exploration of German-Jewish identity and the possibility of Jewish life in the face of unimaginable adversity.For this first complete critical edition of the book in any language, Liliane Weissberg reconstructs the notes Arendt planned for Rahel Varnhagen but never fully executed. She reveals the extent to which Arendt wove the biography largely from the words of Rahel and her contemporaries. In her extended introduction, Weissberg reflects on Rahel's writings and on the importance of this text in the development of Arendt's political theory. Weissberg also reveals the hidden story of how Arendt manipulated documents relating to Rahel Varnhagen to claim for herself a university position and reparation payments from the postwar German state.

    Soon after his parents, German-speaking Jews, had perished at the hands of the Nazis, Celan wrote "Todesfuge" ("Deathfugue"), the most compelling poem to emerge from the Holocaust. Self-exiled in Paris, for twenty-five years Celan continued writing in his German mother tongue, although it had "passed through the thousand darknesses of deathbringing speech." His writing purges and remakes that language, often achieving a hope-struck radiance never before seen in modern poetry. But in 1970, his psychic wounds unhealed, Celan drowned himself in the Seine. This landmark volume includes youthful lyrics, unpublished poems, and prose. All poems appear in the original and in translation on facing pages. John Felstiner's translations stem from a twenty-year immersion in Celan's life and work. John Bayley wrote in the New York Review of Books, "Felstiner translates ... brilliantly."

    Divided into three parts -- Approachings, Encounters, and Distances -- Conamara Blues at once reawakens a sense of intimacy with the natural world and a feeling of wonder at the mystery of our relationship to this world. Whether exploring the silent, eternal memory of Conamara or focusing on the power of language and the vagaries of human need and passion, O'Donohue tenderly reveals the fragile vulnerability of love and friendship. The result is a musical, transcendent, and deeply moving series of poems that exemplifies O'Donohue at his finest.Written with penetrating insight and distilled transparence, Conamara Blues offers a singular and lasting imaginative vision of a landscape of hope and possibility -- powerfully exhibiting the mastery of a poet at the height of his lyric powers.