He has glimpsed his neighbors—beautiful manicurist Rayleen, lonely old Ms. Hinman, bigoted and angry Mr. Lafferty, kind-hearted Felipe, and 9-year-old Grace and her former addict mother Eileen. But most of them have never seen Billy. Not until Grace begins to sit outside on the building’s front stoop for hours every day, inches from Billy’s patio. Troubled by this change in the natural order, Billy makes it far enough out onto his porch to ask Grace why she doesn’t sit inside where it’s safe. Her answer: “If I sit inside, then nobody will know I’m in trouble. And then nobody will help me.” Her answer changes everything.

     In her twenties, Emily Wilson was on top of the world: she had a bestselling novel, a husband plucked from the pages of GQ, and a one-way ticket to happily ever after. Ten years later, the tide has turned on Emily's good fortune. So when her great-aunt Bee invites her to spend the month of March on Bainbridge Island in Washington State, Emily accepts, longing to be healed by the sea. Researching her next book, Emily discovers a red velvet diary, dated 1943, whose contents reveal startling connections to her own life. A mesmerizing debut with an idyllic setting and intriguing dual story line, The Violets of March announces Sarah Jio as a writer to watch.

    Go to Paris2. Perform live, on a super big stage3. Have a baby, maybe two4. Fall in love Brett Bohlinger has forgotten all about the list of life goals she’d written as a naïve teenager. In fact, at thirty-four, Brett seems to have it all—a plum job at her family’s multimillion-dollar company and a spacious loft with her irresistibly handsome boyfriend. But when her beloved mother, Elizabeth, dies, Brett’s world is turned upside down. Rather than simply naming her daughter the new CEO of Bohlinger Cosmetics, Elizabeth’s will comes with one big stipulation: Brett must fulfill the list of childhood dreams she made so long ago. Grief-stricken, Brett can barely make sense of her mother’s decision. Some of her old hopes seem impossible. How can she possibly have a relationship with a father who died seven years ago? Other dreams (Be an awesome teacher!) would require her to reinvent her entire future. For each goal attempted, her mother has left behind a bittersweet letter, offering words of wisdom, warmth, and—just when Brett needs it—tough love. As Brett struggles to complete her abandoned life list, one thing becomes clear: Sometimes life’s sweetest gifts can be found in the most unexpected places.

    It seems that nothing will get Kate out of pajamas and back into the world. Miraculously, one cringe-worthy job interview leads to a position in the admissions department at the revered Hudson Day School. Kate’s instantly thrown into a highly competitive and occasionally absurd culture, where she interviews all types of children: suitable, wildly unsuitable, charming, loathsome, ingratiating, or spoiled beyond all measure. And then there are the Park Avenue parents who refuse to take no for an answer. As Kate begins to learn there’s no room for self-pity or nonsense during the height of admissions season or life itself, her sister and friends find themselves keeping secrets, dropping bombshells, and arguing with each other about how to keep Kate on her feet. Meanwhile, Kate seems to be doing very nicely, thank you, and is even beginning to find out that her broken heart is very much on the mend. Welcome to the world of Small Admissions.

    It's a peaceful life, really, and surely with her recent purchase of a sweet bungalow on Turpentine Lane her life is finally on track. Never mind that her fiancé is off on a crowdfunded cross-country walk, too busy to return her texts (but not too busy to post photos of himself with a different woman in every state.) And never mind her witless boss, or a mother who lives too close, or a philandering father who thinks he's Chagall. When she finds some mysterious artifacts in the attic of her new home, she wonders whether anything in her life is as it seems. What good fortune, then, that Faith has found a friend in affable, collegial Nick Franconi, officemate par excellence . . .

    But so far, all she has to show for her efforts is a single line in an ad for ugly Christmas sweaters and a degrading waitressing job. She lives in Brooklyn with two roommates - Jane, her best friend from college, and Dan, a sci-fi writer, who is very definitely not boyfriend material - and is struggling with her feelings for a suspiciously charming guy in her acting class, all while trying to find a hair-product cocktail that actually works. Meanwhile, she dreams of doing "important" work, but only ever seems to get auditions for dishwashing liquid and peanut butter commercials. It's hard to tell if she'll run out of time or money first, but either way, failure would mean facing the fact that she has absolutely no skills to make it in the real world. Her father wants her to come home and teach, her agent won't call her back, and her classmate Penelope, who seems supportive, might just turn out to be her toughest competition yet. Someday, Someday, Maybe is a funny and charming debut about finding yourself, finding love, and, most difficult of all, finding an acting job.

    But as a single father battling demons of his own, Noel can’t do it alone. Fortunately, he has a competent, caring network of friends, family and neighbors: Lisa, his unlucky-in-love classmate, who moves in with him to help him care for little Frankie around the clock; his American cousin, Emily, always there with a pep talk; the newly retired Dr. Hat, with more time on his hands than he knows what to do with; Dr. Declan and Fiona and their baby son, Frankie’s first friend; and many eager babysitters, including old friends Signora and Aidan and Frankie’s doting grandparents, Josie and Charles. But not everyone is pleased with the unconventional arrangement, especially a nosy social worker, Moira, who is convinced that Frankie would be better off in a foster home. Now it’s up to Noel to persuade her that everyone in town has something special to offer when it comes to minding Frankie.

    They’re both plagued with faulty genes—he has bipolar disorder, and she has a ravaging family history of breast cancer. But when their paths cross on the night of Lucy’s twenty-first birthday, sparks fly, and there’s no denying their chemistry. Cautious every step of the way, they are determined to make their relationship work—and they put it all in writing.  Mickey promises to take his medication. Lucy promises not to blame him for what is beyond his control. He promises honesty. She promises patience. Like any marriage, they have good days and bad days—and some very bad days. In dealing with their unique challenges, they make the heartbreaking decision not to have children. But when Lucy shows up for a routine physical just shy of their eleventh anniversary, she gets an impossible surprise that changes everything. Everything. Suddenly, all their rules are thrown out the window, and the two of them must redefine what love really is.An unvarnished portrait of a marriage that is both ordinary and extraordinary, Dancing on Broken Glass takes readers on an unforgettable journey of the heart.

     From the beloved New York Times bestselling Luanne Rice comes a heartwarming yet heart-wrenching portrait of three far-flung sisters who come home to Martha's Vineyard one last time. Their mother's beach house is the only place any of them ever found true happiness and they need to begin the difficult process of letting go. Memories of their grandmother, mother, and their Irish father, who sailed away the year Dar turned twelve, rise up and expose the fine cracks in their family myth-especially when a cache of old letters reveals enough truth to send them back to their ancestral homeland. Transplanted into the unfamiliar, each sister sees life, her heart, and her relationship to home in a new way. But how do they let go of a place that contains the complicated love of their imperfect family? Without the house, where will they be together? The novel is a season on Martha's Vineyard; a mission to Ireland; a cast of friends, including one wildly off-the-grid Zen genius; passionate love in the surf; and three very different sisters with lives filled with beauty, sorrow, and deep love they'd never been quite sure they could trust. The Silver Boat is Luanne Rice at her very best, complete with her singular talent for capturing a family in all its flawed complexity.

    Twenty years later, they gather around a campfire on the lawn of a New England mansion. What happens in between-the web of wild adventures, unspoken jealousies, and sudden tragedies that alter the course of their lives-is charted with sharp wit and aching sadness in this meticulously constructed novel.Anna, the de facto leader, is fearless and restless-moving fast to stay one step ahead of her demons. Quirky, contemplative Kate is a natural sidekick but a terrible wingman ("If you go home with him, might I suggest breathing through your mouth"). And then there's George: the most desired woman in any room, and the one most likely to leave with the worst man.Shot through with the crackling dialogue, irresistible characters, and propulsive narrative drive that make Lutz's books so beloved, How to Start a Fire pulls us deep into Anna, Kate, and George's complicated bond and pays homage to the abiding, irrational love we share with the family we choose.

    Their neighbour Elizabeth, a woman in her seventies, falls from an upstairs window and her granddaughter Jody is summoned to nurse her through her convalescence.The scene is set for a magical story of love and loneliness, of terror and human frailty, of the mystery and grace of ordinary experience. Alice Hoffman's ability to fuse the domestic and the mythic in a narrative of such gentle yet magnetic force confirms her stature as one of the most gifted of American novelists.

       Professional baker Ramona Gallagher is a master of an art that has sustained her through the most turbulent times, including a baby at fifteen and an endless family feud. But now Ramona’s bakery threatens to crumble around her. Literally. She’s one water-heater disaster away from losing her grandmother’s rambling Victorian and everything she’s worked so hard to build.When Ramona’s soldier son-in-law is wounded in Afghanistan, her daughter, Sophia, races overseas to be at his side, leaving Ramona as the only suitable guardian for Sophia’s thirteen-year-old stepdaughter, Katie. Heartbroken, Katie feels that she’s being dumped again—this time on the doorstep of a woman out of practice with mothering.Ramona relies upon a special set of tools—patience, persistence, and the reliability of a good recipe—when rebellious Katie arrives. And as she relives her own history of difficult choices, Ramona shares her love of baking with the troubled girl. Slowly, Katie begins to find self-acceptance and a place to call home. And when a man from her past returns to offer a second chance at love, Ramona discovers that even the best recipe tastes better when you add time, care, and a few secret ingredients of your own.

     Two sisters and the cousin they grew up with after a tragedy are summoned home to their family matriarch’s inn on the coast of Maine for a shocking announcement. Suddenly, Isabel, June, and Kat are sharing the attic bedroom—and barely speaking. But when innkeeper Lolly asks them to join her and the guests in the parlor for weekly Movie Night—it’s Meryl Streep month—they find themselves sharing secrets, talking long into the night... and questioning everything they thought they knew about life, love, and one another. Each woman sees her complicated life reflected through the magic of cinema: Isabel’s husband is having an affair, and an old pact may keep her from what she wants most...June has promised her seven-year-old son that she will somehow find his father, who he’s never known...and Kat is ambivalent about accepting her lifelong best friend’s marriage proposal. Through everything, Lolly has always been there for them, and now Isabel, June, Kat—and Meryl—must be there for her. Finding themselves. Finding each other. Finding a happy ending.

    When Emerson tragically passes away, she leaves one final wish for her best friends: to conquer the fears they still carry as adults.For each of them, that means something different. For Marley, it's coming to terms with the survivor's guilt she's carried around since her twin sister's death, which has left her blind to the real chance for romance in her life. For Georgia, it's about learning to stop trying to live up to her mother's and brother's ridiculous standards, and learning to accept the love her ex-husband has tried to give her.But as Marley and Georgia grow stronger, the real meaning of Emerson's dying wish becomes truly clear: more than anything, she wanted her friends to love themselves.

    After forty-one years, she has reached her limit, and one evening in Paris she decides to take action. Following a dramatic moment on the banks of the Seine, Marianne leaves her life behind and sets out for the coast of Brittany, also known as the end of the world.Here she meets a cast of colorful and unforgettable locals who surprise her with their warm welcome, and the natural ease they all seem to have, taking pleasure in life's small moments. And, as the parts of herself she had long forgotten return to her in this new world, Marianne learns it s never too late to begin the search for what life should have been all along. With all the buoyant charm that made The Little Paris Bookshop a beloved bestseller, The Little French Bistro is a tale of second chances and a delightful embrace of the joys of life in France.