‘Hiraeth - A home that never was’ by Mansi Narula Kashyap is a collection of poetry and prose about a home that the author believes does not exist in the real world but still cast a shadow or instil a sense of belongingness towards the same. Each poem will enhance the reader’s imagination, coaxing them to understand the depth of a home that never was.“For just a moment, my heart believes.The home that never was,Still makes me homesick.I do not even remember when we started building it brick by brick?The thieves have come and robbed us of all that we had,Trust, loyalty and love are now just in twisted weaves.”

    The book features raw, blunt, and in your face poems depicting the darker side of relationships. Readers will find themes such as lies, cheating, and heartache abundant in much of this collection. Midnight Milkshakes, being the second volume of Ray's Ice Cream And Suicide, is great for returning readers to the series. The book focuses on much of the same style and mood that is common in his writings.

    Doughty’s poems are at once absurdist and matter-of-fact; the images he conjures are thrown into high relief through cutting wordplay. In a series of prose poems about showbiz, he reimagines Cookie Monster as a burned-out suicide, and cheesy talk-show host Joe Franklin as a cross-dressing witness to the apocalypse. And in “For Charlotte, Unlisted,” he wrenchingly tracks the elusive memory of a faded romance.

    

    This is a raw and honest personal account of mental illness offered to those looking to consider, to understand or to feel, in some small way, known. Ache is a unique journey that holds strange beauty in its truth.

    Dunn's landscape at the end of the century embraces the spectrum of urgencies and obsessions that we live with and for. It's a landscape that we share with citizens and spies, revelers and mourners, women who weep, men who keep secrets, and especially with the poet himself.

    Poems to Read is a welcoming avenue into poetry for readers new to poetry, including high school and college students. It is also meant to be a fresh, valuable collection for readers already devoted to the art. This anthology concentrates on the actual pleasures of reading poems: hearing the poem in your voice, bringing it to other people, musing about it, taking excitement or comfort from it, wandering with it or—as in the Keats letter quoted in the Introduction—having it as a starting post. Many of these 200 poems are accompanied by comments from readers of various ages, regions, and backgrounds who participated in the Favorite Poem Project. Included are poems by John Donne, Walt Whitman, William Butler Yeats, Langston Hughes, Elizabeth Bishop, Gwendolyn Brooks, Seamus Heaney, Allen Ginsberg, and Louise Glück, to name a few. The editors offer their own comments on some of the poems, which are arranged in thematic chapters.

    Charles Bernstein here proves them alive and well in poems elegiac, defiant, and resilient to the point of approaching song. Heir to the democratic and poetic sensibilities of Walt Whitman and Allen Ginsberg, Bernstein has always crafted verse that responds to its historical moment, but no previous collection of his poems so specifically addresses the events of its time as Girly Man, whichfeatures works written on the evening of September 11, 2001, and in response to the war in Iraq. Here, Bernstein speaks out, combining self-deprecating humor with incisive philosophical and political thinking. Composed of works of very different forms and moods—etchings from moments of acute crisis, comic excursions, formal excavations, confrontations with the cultural illogics of contemporary political consciousness—the poems work as an ensemble, each part contributing something necessary to an unrealizable and unrepresentable whole. Indeed, representation—and related claims to truth and moral certainty—is an active concern throughout the book. The poems of Girly Man may be oblique, satiric, or elusive, but their sense is emphatic. Indeed, Bernstein’s poetry performsits ideas so that they can be experienced as well as understood. A passionate defense of contingency, resistance, and multiplicity, Girly Man is a provocative and aesthetically challenging collection of radical verse from one of America’s most controversial poets.

    Return to the ruined pier at the farthest, darkest edge of the Internet and accompany Mike Bennett back into the Hall of Mirrors.This time around we have hell and damnation in 'Salvation'; a petty criminal in a tight spot in 'Give Me a Hundred'; something in the woods in 'The Green Man'; a revolting comedy featuring two men and a dog in 'Dessert'; a cockroach problem in 'The Exterminators; humiliation and horror in 'Wet Velvet'; and a ship bound for bloodshed in 'Night Crossing'.So, dust off your ticket stub and roll up once again for Hall of Mirrors Volume 2 – More Tales of Horror and the Grotesque.

    Junkyard Ghost Revival is an award winning poetry collection of 7 modern touring authors: Derrick Brown, Anis Mojgani, Buddy Wakefield, Robbie Q, Sonya Renee, Andrea Gibson and Cristin O'keefe Aptowicz

    This groundbreaking anthology documents 10 years of poetry slams, with 100 poems from national slam champions and a dozen essays on how to run a slam, winning strategies, tips for memorizing poems, and more.

    S. Poet Laureate Ted Kooser at the top of his imaginative and storytelling powers. Here are the richly metaphorical, imagistically masterful, clear and accessible poems for which he has become widely known. Kooser writes for an audience of everyday readers and believes poets "need to write poetry that doesn't make people feel stupid." Each poem in Red Stilts strives to reveal the complex beauties of the ordinary, of the world that's right under our noses. Right under Kooser's nose is rural America, most specifically the Great Plains, with its isolated villages, struggling economy, hard-working people and multiple beauties that surpass everything wrecked, wrong, or in error.

    Here is a volume of poetry approaching Carolyn Forche's The Angel of History as a stark meditation on Blanchot's sense of writing as the "desired, undesired torment which endures everything." Levine engages the traditional resources of lyric poetry in an exploration of historical and cultural landscapes ravaged by imponderable events. Enola Gay's "mission" can seem spiritual, imaginative, and militaristic as the speaker in these poems surveys marshes and fields and a land on the edge of disintegration. Levine sifts the psychological residue that accumulates in the wake of unspeakable acts and so negotiates that terrain between the banality of language and the need to stand witness and to speak. Levine's stunning second book, with its grave cultural implications and its surveillance of a distinctly postmodern malaise, offers multiple readings. Here are compact poems with uncanny power, rhythm, and a strange, formal beauty echoing and renewing the legacy of Wallace Stevens for a new era.

    No slow burn, no filler. This couple gets right to the point.Nova Bradford and Mikhail Luther have a long history. They've known each other since they were students at Blythe T. Young Magnet High School. Mikhail was the handsome high school jock with the pretty homecoming queen on his arm and Nova, well Nova was the ugly duckling no one cared about. After years of working on her self-confidence thanks to a friend and therapy, she finally decides albeit reluctantly, to embark on a school reunion cruise to tropical paradise where she will come face to face with her former classmates that taunted her every day.What she doesn't expect to find is Mikhail, alone and not the same young man from school. What follows seems unlikely, but it's also the thing they both need ...

    In her case, there's Nick Matthews, who's the town flirt and thinks she's the next notch on his bedpost. Then there's Ian Matthews, who's supposed to be the easygoing brother. Except there's nothing easygoing about his charm, or the way he looks at her, or the way he kisses her.And there's nothing easygoing about his secret...NickRose Newark thinks she landed the chance of a lifetime when she gets her first interior decorating solo project, and she can't wait to get started. All her excitement goes down the drain, however, when she meets her new client: Nick Matthews, aka the town's playboy.Aka the most potently charming man she's ever met.She's unfazed by that charm, of course--until she starts getting to know the man beneath the glamorous lifestyle. On paper, Nick has it easy and has it all. But the closer she gets to him, the more Rose finds out about his secrets: and they're secrets that make him all the more attractive--and all the more dangerous... Ara Tom Anderson has worked at Coolio's all his life, so selling the place and packing up feels like the best break he can get. Having no responsibilities for the first time ever seems like a solid plan--one that's broken when he finds himself responsible for the safety of Ara Matthews' one night.Things soon start unravelling when he keeps getting her out of trouble and starts realizing that maybe there's more to her than meets the eye. Ara has deep, dark secrets--and they're secrets that he soon finds himself entangled in, much as he finds himself entangled in her hot, brazen kisses...SamuelBeing the healer of four very powerful, very supernatural siblings might seem like the coolest job in the world--but for Natalie Hill, it's just a job, and one that's ending soon. Now she's down to the last person she's supposed to protect: Samuel Matthews, who never really needed help from her, considering he's already a cop and the town's greatest protector.But danger comes in many forms, and Samuel's beast nature is testament to that: a volatile creature that's a contrast to Samuel's usual calm self, one that fascinates her all the more. Natalie knows it's a mistake to get too close to him. But when tension forms and sexual attraction takes shape, it's too late to back out--and all she can do is try to fight for their lives...Adult Content.