Along the way he meets an old hermit who lives in a treehouse with his loyal dog, a young woman who fights for what she believes and a giant wolf-dragon who threatens their survival.

    Chapters are peppered with ballpoint pen riots, cowboy wars, and really bad Victorian practical jokes. Structured around the different locations in our home and daily life—the kitchen, the bathroom, the office, and the grocery store—award-nominated illustrator Andy Warner traces the often surprising and sometimes complex histories behind the items we often take for granted. Readers learn how Velcro was created after a Swiss engineer took his dog for a walk; how a naval engineer invented the Slinky; a German housewife, the coffee filter; and a radical feminist and anti-capitalist, the game Monopoly. This is both a book of histories and a book about histories. It explores how lies become legends, trade routes spring up, and empires rise and fall—all from the perspective of your toothbrush or toilet.

    But first, she must learn the ways of the world from Ioryogi-san, a gruff blue dog whose bark is just as bad as his bite! Under his "tutelage" (read: constant verbal abuse), Kobato puts her efforts into passing various trials of common sense so that she may obtain the key to getting her wish-a magic bottle which must be filled with the suffering of wounded hearts that Kobato herself has healed. But with Kobato's common sense sorely lacking, she keeps flunking Ioryogi-san's trials left and right! It looks like the road that lies ahead of Kobato will be a long one indeed!

    . . Anya Ulinich is the David Sedaris of Russian-American cartoonists.”—Gary ShteyngartAnya Ulinich turns her sharp eye toward the strange, often unmooring world of “grown-up” dating in this darkly comic graphic novel. After her fifteen-year marriage ends, Lena Finkle gets an eye-opening education in love, sex, and loss when she embarks on a string of online dates, all while raising her two teenage daughters. The Vampire of Bensonhurst, the Orphan, Disaster Man, and the Diamond Psychiatrist are just a few of the unforgettable characters she meets along the way. Evoking Louis C. K.’s humor and Amy Winehouse’s longing and anguish, and paying homage to Malamud and Chekhov, Lena Finkle’s Magic Barrel is a funny and moving story, beautifully told.

    Here are the funniest and most feline cats ever assembled in 101 cartoons, the cream of the cream, from sixty-five years of the New Yorker.

    Sikoryak tackles the monstrously and infamously dense legal document,....

    In addition to superb storytelling and wonderful entertainment, he left behind a character who was not only rich in his stories, but one for whom the stories themselves were rich. Modern master Don Rosa, beginning in 1994, undertook the task of recounting Uncle Scrooge's past in a serialized epic. The wonderful result of his efforts is now collected in trade paperback form by Gemstone Publishing as THE LIFE & TIMES OF SCROOGE McDUCK.A collection of the celebrated 12-part Eisner Award-winning series that details the life of the young Uncle Scrooge. The story was originally serialized in the United States in Uncle Scrooge comics. Now it has been collected in one all-encompassing popularly-priced volume.

    As they get to know modern Warsaw, Regina is forced to recall difficult things about her past, and Mica begins to wonder if maybe their reasons for coming aren’t a little different than what her grandmother led her to believe.

    In Passing for Human, Finck is on a quest for self-understanding and self-acceptance, and along the way she seeks to answer some eternal questions: What makes us whole? What parts of ourselves do we hide or ignore or chase away—because they’re embarrassing, or inconvenient, or just plain weird—and at what cost?Passing for Human is what Finck calls “a neurological coming-of-age story”—one in which, through her childhood, human connection proved elusive and her most enduring relationships were with plants and rocks and imaginary friends; in which her mother was an artist whose creative life had been stifled by an unhappy first marriage and a deeply sexist society that seemed expressly designed to snuff out creativity in women; in which her father was a doctor who struggled in secret with the guilt of having passed his own form of otherness on to his daughter; and in which, as an adult, Finck finally finds her shadow again—and, with it, her true self.Melancholy and funny, personal and surreal, Passing for Human is a profound exploration of identity by one of the most talented young comic artists working today. Part magical odyssey, part feminist creation myth, this memoir is, most of all, an extraordinary, moving meditation on what it means to be an artist and a woman grappling with the desire to pass for human.

    The brutal police response and their violent tactics trigger an exploration of urban planning and its hidden connections to military strategies. Marshal Bugeaud’s urban warfare tactics in Algeria, Haussmann’s plan for Paris, planning and repression in the New World; theory and personal experience collide into an ambitious and poetic cartoon memoir.Sophie Yanow was born north of San Francisco in 1987. In 2011 she moved to Montreal, and with the Colosse collective published In Situ, her acclaimed autobiographical comics series. She was an invited artist- researcher for the Canadian Center for Architecture’s “C for Condo” workshop, and her work has been exhibited throughout the US and Canada. She lives in Montreal.

    Entire relationships are encapsulated in a few, stingingly perfect lines: "Colleen was Walter's ex-girlfriend from med school. She loved to dance with men at weddings." Pricking our insecurities, Shapton introduces us to Kim, whose ex "kept a drawerful of love letters in a kitchen drawer . . . She would stare at it while she cooked." And Ben's ex, "a physiotherapist for the U.S. men's and women's Olympic swim teams. She wore small white shorts year-round."Fascinated by her own jealousy, Shapton interviewed acquaintances about their anxieties and peccadilloes, and the result is a book of surpassing originality: one of those unusual books that comes along to delight us all, like An Exaltation of Larks or Love, Loss, and What I Wore or Griffin and Sabine. Was She Pretty? can also share the shelf with the work of the legendary William Steig, whose early, psychologically revealing work inspired Shapton. An unflinching observer of human behavior, she invites us to peer into the hearts and minds of her characters--while reminding us that we shouldn't be surprised if we see ourselves staring right back.

    Ever since, fans have been hungry for more, and now their wait is finally over!This volume collects the long-out-of-print, fan-favorite comics previously published in Nickelodeon Magazine and with the Airbender DVDs, plus over seventy brand-new comics pages. That's twenty-six stories set in Airbender continuity, by a host of top-notch talent, many of whom worked on the original animated series!* A must-have for any Airbender fan!* Twenty-six in-continuity stories, plus bonus content!* The latest release in an ongoing partnership between Nickelodeon and Dark Horse, to bring you the very best in Airbender books!

    So what happens to the 75 percent of cartoons that don't make the cut? Some go back in a drawer, others go up on the refrigerator or into the filing cabinet...but the very best of all the rejects can be found right here in these pages. "The Rejection Collection Vol. 2: The Cream of the Crap" is the ultimate scrap heap of creative misfires -- from the lowbrow and the dirty to the politically incorrect and the weird, these rejects represent the best of the worst...in the best possible sense of the word. Handpicked by editor Matthew Diffee, these hilarious cartoons are accompanied by handwritten questionnaires and photographed self-portraits, providing a rare glimpse into the minds of the artists behind the rejection. With appendices that explore the top ten reasons why cartoons are rejected and examine the solitary nature of the job of cartooning -- plus a special bonus section of questions asked of and answered by cartoon editor Robert Mankoff -- this sequel to "The Rejection Collection" offers even deeper insight into the exercise in frustration, patience, and amusement that is being a "New Yorker" cartoonist. Warped, wicked, and wildly funny, "The Rejection Collection Vol. 2 "will appeal to every "New Yorker" fan -- and everyone with a taste for the absurd.

    This beautifully illustrated compendium of first-person comics about the trials of the single life, school, stress, junk food, shaving, and maintaining a healthy self-image. Cassandra Calin's comics frequently highlight the humorous gap between expectations and reality, especially when it comes to appearance and how much she can accomplish in one day.