Off the grid, out of sight of the authorities. Hoping to escape a terrifying secret; to outrun what he has seen and what he has done. Kane is an assassin who, with the help of the Machine, possesses the ability to assume the identity of anyone he wishes. He can strike without warning, and kill without mercy. Stronger than a dozen men, faster than sight itself, he can be anywhere, anytime.When Book catches Kane’s eye, he discovers the world is even more dangerous than he knew. Book must ally himself with people who, like him, know that Kane is on the verge of remaking the world in his image.But how do you know who to trust, when the man who wants you dead can be anyone he pleases? How can you fight for the ones you love......when you can’t even believe who you see?

    Drummond Clark was once a spy of legendary proportions.  Now Alzheimer’s disease has taken its toll and he’s just a confused old man who’s wandered away from home, waiting for his son to fetch him.   When Charlie Clark takes a break from his latest losing streak at the track to bring Drummond back to his Brooklyn home, they find it blown sky high—and then bullets start flying in every direction.  At first, Charlie thinks his Russian “creditors” are employing aggressive collection tactics.  But once Drummond effortlessly hot-wires a car as their escape vehicle, Charlie begins to suspect there’s much more to his father than meets the eye.  He soon discovers that Drummond’s unremarkable career as an appliance salesman was actually a clever cover for an elaborate plan to sell would-be terrorists faulty nuclear detonators.  Drummond’s intricate knowledge of the “device” is extremely dangerous information to have rattling around in an Alzheimer’s-addled brain.  The CIA wants to “contain” him--and so do some other shady characters who send Charlie and Drummond on a wild chase that gives  “father and son quality time” a whole new meaning. With Once a Spy, Keith Thomson makes his debut on the thriller stage with energy, wit, and style to spare.From the Hardcover edition.

    But when the killer is let off with time served on remand, Gray knows there is something fundamentally wrong with the justice system. Engaging the help of his ex-SAS buddies, he kidnaps five repeat offenders and asks the public to vote on their fate: Should they be allowed to continue their criminal ways with inadequate punishment, or has Britain had enough?His website attracts a worldwide audience and, although the authorities know where he is, they are powerless to stop him.Can Gray carry out his audacious plan? Will Andrew Harvey and his fellow MI5 operatives find a way to stop him?Gray Justice is more than a simple tale of revenge: it’s a rollercoaster ride with an ending you’ll never forget.

    Then his former bureau chief shows up at his house with a risky new assignment: travel undercover to Moscow and locate a Russian agent believed to be killing members of a clandestine US spy cell known as the seven sisters.Desperate for money, Jenkins agrees to the mission and heads to the Russian capital. But when he finds the mastermind agent behind the assassinations—the so-called eighth sister—she is not who or what he was led to believe. Then again, neither is anyone else in this deadly game of cat and mouse.Pursued by a dogged Russian intelligence officer, Jenkins executes a daring escape across the Black Sea, only to find himself abandoned by the agency he serves. With his family and freedom at risk, Jenkins is in the fight of his life—against his own country.

    . . and trust no one To save America from a catastrophic betrayal, an idealistic young FBI agent must stop a Russian mole in the White House in this exhilarating political thriller reminiscent of the early novels of John Grisham and David Baldacci.No one was more surprised than FBI Agent Peter Sutherland when he’s tapped to work in the White House Situation Room. From his earliest days as a surveillance specialist, Peter has scrupulously done everything by the book, hoping his record will help him escape the taint of his past. When Peter was a boy, his father, a section chief in FBI counterintelligence, was suspected of selling secrets to the Russians—a catastrophic breach that had cost him his career, his reputation, and eventually his life.Peter knows intimately how one broken rule can cost lives. Nowhere is he more vigilant than in this room, the sanctum of America’s secrets. Staffing the night action desk, his job is monitoring an emergency line for a call that has not—and might never—come.Until tonight.At 1:05 a.m. the phone rings. A terrified young woman named Rose tells Peter that her aunt and uncle have just been murdered and that the killer is still in the house with her. Before their deaths, they gave her this phone number with urgent instructions: “Tell them OSPREY was right. It’s happening. . . “The call thrusts Peter into the heart of a conspiracy years in the making, involving a Russian mole at the highest levels of the government. Anyone in the White House could be the traitor. Anyone could be corrupted. To save the nation, Peter must take the rules into his own hands and do the right thing, no matter the cost. He plunges into a desperate hunt for the traitor—a treacherous odyssey that pits him and Rose against some of Russia’s most skilled and ruthless operatives and the full force of the FBI itself.Peter knows that the wider a secret is broadcast, the more dangerous it gets for the people at the center. With the fate of the country on the line, he and Rose must evade seasoned assassins and maneuver past jolting betrayals to find the shocking truth—and stop the threat from inside before it’s too late.

    In a desperate effort to find her, Charlotte joins forces with Max Cutler, a struggling PI who recently moved to Seattle after his previous career as a criminal profiler went down in flames—literally. Burned out, divorced and almost broke, Max needs the job.After surviving a near-fatal attack, Charlotte and Max turn to Jocelyn’s closest friends, women in a Seattle-based online investment club, for answers. But what they find is chilling…When her uneasy alliance with Max turns into a full-blown affair, Charlotte has no choice but to trust him with her life. For the shadows of Jocelyn’s past are threatening to consume her—and anyone else who gets in their way...

    Like the first two, this new thriller combines gripping contemporary suspense with a high-concept mystery rooted in history, philosophy, religion, and science. And like those novels, it is bound for bestseller lists nationwide. In Antarctica, a scientific expedition drops anchor for a live news feed. As the CNN journalist begins her report, a massive, shimmering sphere of light suddenly appears in the sky, enveloping the ship in luminous white light before disappearing as mysteriously as it arrived, the entire event witnessed by an incredulous world audience.Meanwhile in a dusty bar in Egypt, a dozen men are lazily discussing the state of the world when the brilliant, glowing symbol on the television stops them cold. One man breaks out in a sweat, crosses himself repeatedly, and rushes out of the bar muttering the same phrase over and over again: It can't be.Across the Internet and around the globe, a stunning controversy threatens to consume the world: Has God finally decided to reveal himself? Or is something more sinister at hand? Raymond Khoury/Steve Berry interview STEVE BERRY: Your new thriller, THE SIGN. I'm gonna come right out and say it: I think it's your best one yet. What do you think?RAMOND KHOURY: Tough call. It's my new baby, and much as I adore its elder siblings, it does have that newborn magic to it.STEVE: Trust me, it is. It's also a bit of a departure from your first two books, in that it doesn't have the past-and-present storylines. Knowing how stories kind of take on a life of their own, that wasn't a conscious decision from the get-go, was it?RAYMOND KHOURY: No, it wasn't premeditated. It's just the way the story came out. The whole story happens in the present. It takes place over a few manic days, I think you're familiar with that pacing, right? And it deals with the present, it's about a what if situation that's very today and now, there's a mystery, something to figure out, but there's no throwback to the past, no long lost secret to uncover.STEVE BERRY: It's also very topical. Your editors must be pleased.RAYMOND: I guess it happened that way because the story came out of some very strong feelings I had, feelings about what was going on around the world, in the US and abroad.STEVE: Tell me about that process. Where the story came from.RAYMOND: It's where they all come from, isn't it? That kernel, that one thought or one observation you have that just sticks and triggers a book, the one that bugs you late at night and that you can't shake. This one came to me while watching the news one day, and every item, one after another, it was all bad news. Not just bad, but it was like a lot of people were behaving so insanely in so many places around the world, and, sadly, a lot of it was fuelled by the manipulation or distortion of religious faith.STEVE: By intolerance?RAYMOND: Exactly. Intolerance and closed minds. And it got me thinking. About how divided we are, about how so many people all over the world believe in the absolute infallibility of their faith and how it rules every aspect of their lives, you know what I mean, we're right, everyone else is wrong, that medieval mindset and wondering if anything could ever unite the planet under a single faith.STEVE: One global religion. RAYMOND: Well, imagine if something did happen that convinced everyone that what we had until now, all these different religions that have grown over the last few thousand years, what if something new came along that was so overwhelming that it was impossible to ignore? Would we listen? Would we drop our previous faiths and embrace it?STEVE: But your book's about much more than that. Without wanting to give too much away, it's really a political thriller, isn't it?RAYMOND: It's always so hard to talk about a book without giving too much away.STEVE: It's the fine line we walk.RAYMOND: True. But yes, you're right, it's really about the absolute power something like that would bring, and how it could be abused. Cause above all else, it's a thriller. There's got to be a brilliantly dastardly scheme, right?STEVE: Always. And this one certainly is dastardly. One thing I've noticed, though, in all three of your books so far, they're all, essentially, about the big questions that face us: why we believe, whether or not we have to die. Religion, longevity, life and death, science vs. faith ... Big questions. And in this one, you revisit, though in a completely different way, the power of religion, the good it can bring as well as the bad, something that was also central to The Last Templar. Will this always be your signature genre, books that have a big, central theme at their core?RAYMOND: You asked me earlier about where the story came from. For me, in order to get excited about a book, it has to have a big central theme about how we live at its heart, something I'm interested in exploring. It's got to be about something I care about deeply. That's what drives the story and the characters forward for me. That's what I hope makes the books stand out. That they're not just page-turners, which ain't easy in itself, but that they're also about something. I see it in your books too. A point of view about things, a passion for laying out interesting information about a topic that interests you. Michael Crichton used to do that very successfully. Dan Brown, of course, does it brilliantly. That's what makes the books worth writing, I think.STEVE: And in reading the book, it's clear you still had tons of research to do, even though there isn't a historic mystery to unravel?RAYMOND: Absolutely. Some of it was about history, the monasteries in Egypt, for one. Again, part of the story, organically. Had to be done, and we do love our history, don't we?STEVE: Guilty as charged.RAYMOND: But for this book, I didn't need to do that much of it's nothing like what you did for THE CHARLEMAGNE PURSUIT, for instance. Which I loved, by the way. Particularly since you beat me to using the Voynich Manuscript in a story!STEVE: We do seem to be spookily in sync with our writing as further evidenced by THE SIGN's opening in Antarctica?RAYMOND: I know!STEVE: So tell me, Matt and Gracie. Are we going to see them again?RAYMOND: I don't know. On the one hand, I envy your situation with Cotton Malone, you've got a solid anchor for your books, you're building this great world around him, his son and Stephanie and Henrik and Cassiopeia, who I hope we see again real soon, and it's meaty and it's epic and like the rest of your readers, I'm hooked and I want to know what they do next. You've got that, Lee Child has had it since day one with Reacher, Harlan Coben with Myron Bolitar, the list goes on. Great characters. I'd love to do that one day, but it has to feel right. I wasn't in that frame of mind in my first two books, certainly the world after the end of THE SANCTUARY would be a very different place from the world Mia started out in at the beginning of that book. Tess and Reilly, I could maybe bring back. A lot of fans have asked for that. But with THE SIGN, Iinitely think Matt and Gracie are characters that I could bring back. I'd like to put them through another wringer, and it feels like it would come naturally. But before I do that, I'm writing the next book which introduces a new lead character, so they'll be getting a bit of a breather.STEVE: They sure can use it. Good luck with the book.RAYMOND: Thank you.

    Now, after moving back home to Alabama to care for her ailing grandmother and autistic brother, she comes face-to-face with the deadly mystery behind his disappearance.Jori has a rare form of synesthesia, meaning she can “hear” colors; to her, tones of voice are as unique as fingerprints. With the help of this ability and a sympathetic cop, Jori comes dangerously close to uncovering the truth. But those responsible will go to any length—including murder—to keep their dark secrets buried.Soon, it seems that no one in the sleepy bayou town is safe, and after Jori’s brother is kidnapped, she knows she must drop the investigation or risk losing her family. But when protecting them means letting an evil deed go unpunished, putting family first may be the last thing she’ll ever do.