The intimacy of a cabin at Lake Tahoe provides the combustible setting that brings Diana Holland and Lane Christianson together in this passionate novel of first discovery.

    Her alienation grows when her mother is swept up in an evangelical church, replete with abstinent salsa dancers and baptisms for the dead. But there, Francisca meets the magnetic Carmen: head of the youth group and the pastor’s daughter. As her mother’s mental health deteriorates, Francisca falls for Carmen and is saved to grow closer with her, even as their relationship hurtles toward a shattering conclusion.

    As the Battalion des Mortes they cheat death, saving those about to meet a bloody end at the blade of Madame La Guillotine. But their latest rescue is not what she seems. The girl's no aristocrat, but her dark and disturbing powers means both the Royalists and the Revolutionaries want her. But who and what is she?In these dangerous days, no one can be trusted, everyone is to be feared. As Camille learns the truth, she's forced to choose between loyalty to those she loves and the future.

    'This will be really embarrassing,' I kept saying to my family, 'when she shows up at the door in a week or two.'When Deena's wild and mysterious sister Mandy disappears - presumed dead - her family are heartbroken. But Mandy has always been troubled. It's just another bad thing to happen to Deena's family. Only Deena refuses to believe it's true.And then the letters start arriving. Letters from Mandy, claiming that their family's blighted history is not just bad luck or bad decisions - but a curse, handed down through the generations. Mandy has gone in search of the curse's roots, and now Deena must find her. What they find will heal their family's rotten past - or rip it apart forever.

    But her dreams become a nightmare when Louisa is sent to Wildthorn Hall: labeled a lunatic, deprived of her liberty and even her real name. As she unravels the betrayals that led to her incarceration, she realizes there are many kinds of prison. She must be honest with herself - and others - in order to be set free. And love may be the key...

    But her romance had ended in heartbreak, and now, back in NYC again, she's determined to rediscover her joy--so of course she runs into the woman who broke her heart.When Likotsi and Fabiola meet again on a stalled subway train months later, Fab asks for just one cup of tea. Likotsi, hoping to know why she was unceremoniously dumped, agrees. Tea and food soon leads to them exploring the city together, and their past, with Fab slowly revealing why she let Likotsi go, and both of them wondering if they can turn this second chance into a happily ever after.

    But Blythe spends her days pouring latte art at her family’s coffee shop, so why should she care about having apocalyptic abilities?She’s given a reason when magician anarchists crash into said coffee shop and kidnap her family.Heartbroken but determined, Blythe knows she can’t save them alone. A war is brewing between two magician governments and tensions are too high. So, she packs up her family’s bright yellow Volkswagen, puts on a playlist, and embarks on a road trip across the United States to enlist the help of six strangers whose abilities are unparalleled—the other Guardians.

    It's as rad as she imagined; her boss is BOSS, her co-workers spend their time arguing over music, pushing against the patriarchy, and endlessly trying to form a band. When Rosie Riot, the staff's favorite singer, mysteriously vanishes the night before her band’s show, Chris discovers her co-workers are doing more than just sorting vinyl . . . Her local indie record store is also a front for a teen girl vigilante fight club!    Follow writer Carly Usdin (director of Suicide Kale) and artist Nina Vakueva (Lilith’s World) into the Hi-Fi Fight Club, where they deliver a rock and roll tale of intrigue and boundless friendship.

    Jenna McGovern has spent her whole life training for the stage. She’s taken dance classes, voice lessons, and even earned her performance degree from one of the most prestigious musical theater programs in the nation. At graduation, she’s stunned when a chance audition lands her a prime supporting role in the hottest Broadway touring production in the country. In more exciting news, Jenna discovers acclaimed television star Adrienne Kenyon is headlining the production. Jenna settles easily in to life on tour and has a promising career laid out in front of her, if only she plays her cards right. She’s waited for this opportunity her entire life and will let nothing stand in her way. The one thing she didn’t prepare for, however, was Adrienne. Her new costar is talented, beautiful, generous, and the utmost professional. As the two women grow closer onstage and off, they must learn how to fit each other into a demanding lifestyle full of unexpected twists and difficult decisions. But is Jenna ready to sacrifice what she’s worked so hard for in exchange for a shot

    Disgusted by an overabundance of phallocratic narratives and Freytag’s pyramid, she turns to a subcultural canon of resistance and failure. Wryly riffing on feminist literary tropes, it documents the survival of a demonized single mother figuring things out.

    The complete opposite of Jasmine, her emotionally unstable baby sister, London has worked hard to stay out of the spotlight.Then she discovers that Wade, one of the most popular guys in school, is gay like her and their new-found closeness based around their shared secret has half the student body convinced they're hooking up...and a lot of girls aren't happy about it. Now she's been dubbed "Dirty London." Rumors are flying about her inability to keep her clothes on, and London is pretty sure she's developing a crush on the one girl who sees through it all. If she could admit why stealing boyfriends is the last thing on her mind—not to mention find out what's going on with Jasmine and her rapidly disappearing psych medications—her life would be a much brighter place. But if her and Wade's truth gets out, and if she doesn't find a way to help her sister, London faces losing a lot more than her obscurity.

    Sergio is bisexual, but his only real relationship was with a girl. When the two of them meet, they have an instant connection--but will it be enough to overcome their differences? Allie's been in a relationship with a guy for the last two years--but when she meets Kimiko, she can't get her out of her mind. Does this mean she's gay? Does it mean she's bi? Kimiko, falling hard for Allie, and finding it impossible to believe that a gorgeous girl like Allie would be into her, is willing to stick around and help Allie figure it out. Boyfriends with Girlfriends is Alex Sanchez at his best, writing with a sensitive hand to portray four very real teens striving to find their places in the world--and with each other.

    Blending radical formal fluidity and caustic humor, Mean turns what might be tragic into piercing, revealing comedy. This is a confident, funny, brassy book that takes the cost of sexual assault, racism, misogyny, and homophobia deadly seriously.We act mean to defend ourselves from boredom and from those who would cut off our breasts. We act mean to defend our clubs and institutions. We act mean because we like to laugh. Being mean to boys is fun and a second-wave feminist duty. Being mean to men who deserve it is a holy mission. Sisterhood is powerful, but being mean is more exhilarating.Being mean isn't for everybody.Being mean is best practiced by those who understand it as an art form.These virtuosos live closer to the divine than the rest of humanity. They're queers.Myriam Gurba is a queer spoken-word performer, visual artist, and writer from Santa Maria, California. She's the author of Dahlia Season (2007, Manic D) which was a finalist for the Lambda Literary Award, Wish You Were Me (2011, Future Tense Books), and Painting Their Portraits in Winter (2015, Manic D). She has toured with Sister Spit and her work has been exhibited at the Museum of Latin American Art in Long Beach. She lives in Long Beach, where she teaches social studies to eighth-graders.

    With every touch, she experiences exactly how her loved ones will die. And after her brother’s death—a death she predicted but was unable to prevent—Elise is desperate to get rid of her terrible gift, no matter the cost.Claire Montgomery also has a unique relationship with death, mostly because she’s already dead. Technically, anyway. Claire is a vampire, and she’s been assigned by the Veil to help Elise master her rare Death Oracle powers.At first, Elise is reluctant to work with a vampire, but when she predicts a teacher’s imminent murder, she’s determined to stop the violent death, even if it means sacrificing her own future to secure Claire’s help.The trouble is, Claire and Elise aren’t the only paranormals in town—a killer is stalking the streets, and Claire can’t seem to shake the pull she feels toward Elise, a romance that could upend the Veil’s mission. But as Elise and Claire grow closer, Elise begins to wonder—can she really trust someone tasked with securing her loyalty? Someone who could so easily kill her? Someone who might hold the key to unraveling her brother’s mysterious death?

    She kept extensive diaries of her life and loves, written partly in code. Made up of Greek letters mingled with other symbols of her own devising, Anne referred to the code as her "crypthand," and the use of it allowed her the freedom to describe her intimate life in great detail. Her diaries have been edited by Helena Whitbread, who spent years decoding and transcribing them.