Nnu Ego is a woman who gives all her energy, money and everything she has to raising her children - leaving her little time to make friends.

    In Zimbabwe, Darling and her friends steal guavas, try to get the baby out of young Chipo's belly, and grasp at memories of Before. Before their homes were destroyed by paramilitary policemen, before the school closed, before the fathers left for dangerous jobs abroad.But Darling has a chance to escape: she has an aunt in America. She travels to this new land in search of America's famous abundance only to find that her options as an immigrant are perilously few. NoViolet Bulawayo's debut calls to mind the great storytellers of displacement and arrival who have come before her--from Junot Diaz to Zadie Smith to J.M. Coetzee--while she tells a vivid, raw story all her own.

    Though her friends and family remain baffled by her decision (after all, he doesn't beat her!), Esi holds fast. When she falls in love with a married man—wealthy, and able to arrange a polygamous marriage—the modern woman finds herself trapped in a new set of problems. Witty and compelling, Aidoo's novel, "inaugurates a new realist style in African literature."

    Here they are each assigned a name and an age, and held in a camp in the desert while they learn Spanish, the language of their new country. As Simón and David they make their way to the relocation centre in the city of Novilla, where officialdom treats them politely but not necessarily helpfully.Simón finds a job in a grain wharf. The work is unfamiliar and backbreaking, but he soon warms to his stevedore comrades, who during breaks conduct philosophical dialogues on the dignity of labour, and generally take him to their hearts.Now he must set about his task of locating the boy’s mother. Though like everyone else who arrives in this new country he seems to be washed clean of all traces of memory, he is convinced he will know her when he sees her. And indeed, while walking with the boy in the countryside Simón catches sight of a woman he is certain is the mother, and persuades her to assume the role.David's new mother comes to realise that he is an exceptional child, a bright, dreamy boy with highly unusual ideas about the world. But the school authorities detect a rebellious streak in him and insist he be sent to a special school far away. His mother refuses to yield him up, and it is Simón who must drive the car as the trio flees across the mountains.

    Being the opara of the family, Kingsley Ibe is entitled to certain privileges--a piece of meat in his egusi soup, a party to celebrate his graduation from university. As first son, he has responsibilities, too. But times are bad in Nigeria, and life is hard. Unable to find work, Kingsley cannot take on the duty of training his younger siblings, nor can he provide his parents with financial peace in their retirement. And then there is Ola. Dear, sweet Ola, the sugar in Kingsley's tea. It does not seem to matter that he loves her deeply; he cannot afford her bride price. It hasn't always been like this. For much of his young life, Kingsley believed that education was everything, that through wisdom, all things were possible. Now he worries that without a "long-leg"--someone who knows someone who can help him--his degrees will do nothing but adorn the walls of his parents' low-rent house. And when a tragedy befalls his family, Kingsley learns the hardest lesson of all: education may be the language of success in Nigeria, but it's money that does the talking. Unconditional family support may be the way in Nigeria, but when Kingsley turns to his Uncle Boniface for help, he learns that charity may come with strings attached. Boniface--aka Cash Daddy--is an exuberant character who suffers from elephantiasis of the pocket. He's also rumored to run a successful empire of email scams. But he can help. With Cash Daddy's intervention, Kingsley and his family can be as safe as a tortoise in its shell. It's up to Kingsley now to reconcile his passion for knowledge with his hunger for money, and to fully assume his role of first son. But can he do it without being drawn into this outlandish mileu?

    Gradually it becomes apparent that the local church men have been using the local girls for their own purposes. This novel is a biting critique of colonial life and missionary activity.

    Ike's plan is fueled by desperation. Despite a degree in economics from a major American college, his strong accent has barred him from the corporate world. Forced to eke out a living as a cab driver, he is unable to manage the emotional and material needs of a temperamental African American bride and a widowed mother demanding financial support. When he turns to gambling, his mounting losses compound his woes.And so he travels back to Nigeria to steal the statue, where he has to deal with old friends, family, and a mounting conflict between those in the village who worship the deity, and those who practice Christianity. A meditation on the dreams, promises and frustrations of the immigrant life in America; the nature and impact of religious conflicts; an examination of the ways in which modern culture creates or heightens infatuation with the "exotic," including the desire to own strange objects and hanker after ineffable illusions; and an exploration of the shifting nature of memory, Foreign Gods is a brilliant work of fiction that illuminates our globally interconnected world like no other.

    Paton's second novel portrays a police lieutenant's struggle with his conscience when he violates strict South African law concerning relationships between Blacks and whites.

    Philip Taiwo is called on by a powerful Nigerian politician to investigate the public torture and murder of three university students in remote Port Harcourt, he has no idea that he’s about to be enveloped by a perilous case that is far from cold. Philip is not a detective. He’s an investigative psychologist, an academic more interested in figuring out the why of a crime than actually solving it. But when he steps off the plane and into the dizzying frenzy of the provincial airport, he soon realizes that the murder of the Okriki Three isn’t as straightforward as he thought. With the help of his loyal and streetwise personal driver, Chika, Philip must work against those actively conspiring against him to parse together the truth of what happened to these students. A thrilling and atmospheric mystery, and an unforgettable portrait of the contemporary Nigerian sociopolitical landscape, Lightseekers is a wrenching novel tackling the porousness between the first and third worlds, the enduring strength of tribalism and homeland identity, and the human need for connection in the face of isolation.

    As a depiction of South Africa, this novel is more revealing than a thousand news dispatches as it tells the story of a young woman cast in the role of a young revolutionary, trying to uphold a heritage handed on by martyred parents while carving out a sense of one's self.

    . .Mahmood Mattan is a fixture in Cardiff's Tiger Bay, 1952, which bustles with Somali and West Indian sailors, Maltese businessmen and Jewish families. He is a father, chancer, petty criminal. He is a smooth-talker with rakish charm and an eye for a good game. He is many things, but he is not a murderer. So when a shopkeeper is brutally killed and all eyes fall on him, Mahmood isn't too worried. Since his Welsh wife Laura kicked him out for racking up debts he has wandered the streets more often, and there are witnesses who allegedly saw him enter the shop that night. But Mahmood has escaped worse scrapes, and he is innocent in this country where justice is served. Love lends him immunity too: the fierce love of Laura, who forgives his gambling in a heartbeat, and his children. It is only in the run-up to the trial, as the prospect of returning home dwindles, that it will dawn on Mahmood that he is in a fight for his life - against conspiracy, prejudice and cruelty - and that the truth may not be enough to save him. ***PRAISE FOR NADIFA MOHAMED***'A moving and captivating tale of survival and hope . . . confirms Mohamed's stature as one of Britain's best young novelists' Stylist, on The Orchard of Lost Souls 'Mixing startling lyricism and sheer brutality . . . [Black Mamba Boy] is a significant, affecting book' Guardian 'With the unadorned language of a wise, clear-eyed observer, Nadifa Mohamed has spun an unforgettable tale' Taiye Selasi, on The Orchard of Lost Souls

    Mariamar’s father imprisons her in her home, where she relives painful memories of past abuse and hopes to be rescued by Archangel. Meanwhile, Archangel tracks the lionesses in the wilderness, but when he begins to suspect there is more to them than meets the eye, he starts to lose control of his hands. The hunt grows more dangerous, until it’s no safer inside Kulumani than outside it. As the men of Kulumani feel increasingly threatened by the outsider, the forces of modernity upon their traditional culture, and the danger of their animal predators closing in, it becomes clear the lionesses might not be real lionesses at all but spirits conjured by the ancient witchcraft of the women themselves.Both a riveting mystery and a poignant examination of women’s oppression, Confession of the Lioness explores the confrontation between the modern world and ancient traditions to produce an atmospheric, gripping novel.

    With his father a victim of the bloody Ethiopian civil war and his mother dying the day of his birth, Askar is taken in and raised by a woman named Misra amid the scandal, gossip, and ritual of a small African village. As an adolescent, Askar goes to live in Somalia's capital, where he strives to find himself just as Somalia struggles for national identity.

    The book is a prelude to the Rwandan genocide and unfolds behind the closed doors of the school, in the interminable rainy season. Friendships, desires, hatred, political fights, incitation to racial violence, persecutions... The school soon becomes a fascinating existential microcosm of the true 1970s Rwanda.

    Set in the fictional African village of Kosawa, it tells the story of a people living in fear amidst environmental degradation wrought by an American oil company. Pipeline spills have rendered farmlands infertile. Children are dying from drinking toxic water. Promises of clean-up and financial reparations to the villagers are made—and ignored. The country’s government, led by a brazen dictator, exists to serve its own interest. Left with few choices, the people of Kosawa decide to fight back. Their struggle would last for decades and come at a steep price. Told through the perspective of a generation of children and the family of a girl named Thula who grows up to become a revolutionary, How Beautiful We Were is a masterful exploration of what happens when the reckless drive for profit, coupled with the ghost of colonialism, comes up against one community’s determination to hold onto its ancestral land and a young woman’s willingness to sacrifice everything for the sake of her people’s freedom."The unforgettable story of a community on the wrong end of Western greed, How Beautiful We Were will enthrall you, appall you, and show you what is possible when a few people stand up and say this is not right. A masterful novel by a spellbinding writer engaged with the most urgent questions of our day.”—David Ebershoff, bestselling author of The Danish Girl