Full of hope and courage, she leaves home forever. But Koly's story takes a terrible turn when in the wake of the ceremony, she discovers she's been horribly misled about exactly what she is marrying into. Her future, it would seem, is lost. Yet this rare young woman, bewildered and brave, sets out to forge her own exceptional future.

    Growing up in Bangalore and then Madras, in a household that resolutely kept out any hint of her father's superstardom, she was a quiet, introverted child whose greatest pleasure was a visit to Marina Beach and an occasional meal out. It was not cinema but law that became a preoccupation when she started thinking about college and career - but fate, and her mother, had other plans for her.Aishwaryaa writes with disarming honesty about life as Rajinikanth's daughter, of falling in love and raising two boys with Dhanush, of fighting her own demons and finding satisfaction in a career of her choice. She reflects on the many roles a woman has to juggle at home and outside - in her case, under the watchful gaze of cameras and celebrity-watchers.Intensely personal, but also inspirational, Aishwaryaa's memoir is an unusually frank insight into growing up in cinema-land. A playful meditation on the joys and difficulties of being a woman in this age, Standing on an Apple Box is as much a celebration of individual fulfilment as it is of family.

    He would also own the latest gadgets, the likes of which are so expensive that they could only be afforded by the wealthiest. It’s such a good fantasy that Malcolm decided to pen it all down in his latest book, Diary of a Rich Kid, whose plot centres on a group of privileged, wealthy kids who lead the most lavish, extravagant lifestyle filled with excitement, suspense and adventure ― peppered with some humour.

    It is the “Mountain of Light”—the Kohinoor diamond—and its facets reflect a sweeping story of love, adventure, conquest, and betrayal. Its origins are the stuff of myth, but for centuries this spectacular gem changes hands from one ruler to another in India, Persia, and Afghanistan. In 1850, the ancient stone is sent halfway around the world where it will play a pivotal role in the intertwined destinies of a boy-king of India and a young queen of England—a queen who claims the Mountain of Light and India itself for her own burgeoning empire, the most brilliant jewels in her imperial crown.The Mountain of Light is a magnificent story of loss and recovery, sweeping change and enduring truth, wrapped around the glowing heart of one of the world’s most famous diamonds.

    That is, until she find a mysterious pashmina tucked away in a forgotten suitcase. When she wraps herself in it, she is transported to a place more vivid and colorful than any guidebook or Bollywood film. But is this the real India? And what is that shadow lurking in the background? To learn the truth, Pri must travel farther than she's ever dared and find the family she never knew.In this heartwarming graphic novel debut, Nidhi Chanani weaves a tale about the hardship and self-discovery that is born from juggling two cultures and two worlds.

    For Hindus there is nowhere more sacred; for Buddhists, it is revered as a place where the Buddha preached his first sermon; for Jains it is the birthplace of their two patriarchs. Over the last four thousand years, perhaps no city in the world has stood witness to such a flux of history, from the development of Aryan culture along the Ganges, to invasions that would leave the city in Muslim hands for three centuries, to an independent Brahmin kingdom, British colonial rule, and ultimately independence.But what is the city like today? Home to 2.5 million people, it is visited by twice that number every year. Polluted, overpopulated, religiously divided, but utterly sublime, Varanasi is a living expression of Indian life like no other. Each day 60,000 people bathe in the Ganges. Elderly people come to die here. Widows pushed out by their families arrive to find livelihood. In the city center, the silk trade remains the most important industry, along with textiles and the processing of betel leaf. Behind this facade lurk more sinister industries. Varanasi is a major player in the international drug scene. There's a thriving flesh trade, and a corrupt police force that turns a blind eye.As with Suketu Mehta's Maximimum City Piers Moore Ede tells the city's story by allowing inhabitants to relate their own tales. Whether portraying a Dom Raja whose role it is to cremate bodies by the Ganghes or a khoa maker, who carefully converts cow's milk into the ricotta like substance that forms the base of most sweets, Ede explores the city's most important themes through its people, creating a vibrant portrait of modern, multicultural India.

    These are things twelve-year-old Maya and her big sister Zara have when they set off on their own from Delhi to their grandmother’s childhood home of Aminpur, a small town in Northern India. Their goal is to find a chest of family treasures that their grandmother’s family left behind when they fled from India to Pakistan during the Great Partition. But soon the sisters become separated, and Maya is alone. Determined to find her grandmother’s lost chest, she continues her trip, on the way enlisting help from an orphan by named Jai.Maya’s grand adventure through India is as thrilling as it is warm: a journey through her family’s history becomes a real coming-of-age quest.

    She discovers a book written by Julian Winslett, a British war hero and writer, who was a young boy she cared for while working as a 16-year-old nanny in Bengal. His book is about those old days, and features the two of them as named characters. The 1920s British Raj was an era of expansive homes and gardens, elegant rail travel, and very strict divisions between Indians, Anglo-Indians and the British. For the rulers of India, it was a glorious period; but for Menakshi, it's a time she'd rather forget. She'd pushed away all her old feelings for Julian…but now they're back. As Menakshi reads Julian's book, she returns to a vanished world where luxury and deprivation co-exist in the same grand bungalow--and romance breaks all rules in the hills of Darjeeling and on the Bengal-Nagpur Railway. Menakshi's own recollections add suspense as his family heads toward rupture, and she is torn between loyalty toward the children and her own secret dreams. THE AYAH'S TALE is a 202-page novella by Sujata Massey, author of THE SLEEPING DICTIONARY, a longer novel set in British India that was published by Simon & Schuster in 2013. She is also the author of the contemporary Rei Shimura mystery novel series set in modern Japan, which starts with THE SALARYMAN'S WIFE.

    But when her mother reveals some big news, it does not at all jibe with the script Dini had in mind. Her family is moving to India. And not even to Bombay, which is the “center of the filmi universe” (and home to Dini’s all-time most favorite star, Dolly Singh). No, they’re moving to a teeny, tiny town that she can’t even find on a map: Swapnagiri. It means Dream Mountain, a sleepy little place where nothing interesting can happen.... But wait a movie minute! Swapnagiri is full of surprises like rose petal milk shakes, mischievous monkeys, a girl who chirps like a bird, and...could it be…Dolly herself?

    . .Forced to flee Bombay when her wealthy and charming husband divorces her and squashes her career, Lucky Boyce feels defeated and desperate for respite. Fortunately, old friends welcome her to New York where life begins with promise. Determined and trying to make a difference, she volunteers to teach yoga to prison inmates. But with her confidence in question and love starting to surface, a series of bizarre events leave Lucky searching once again for answers. Is her journey through life destined to be marred by duplicity and betrayal? Or does she simply need to overcome her fears and look within for the strength to break free? A stunning novel about one woman's struggle toward enlightenment, Lucky Everyday blends the principles of yoga with a thoroughly modern take on the quest for a fulfilled life.

    Starting with her birth in 1939—in philosophic silence, till the doctor’s slap on her bottom made her bawl—she recounts her childhood, youth and middle and old age in chapters built around the many elements and processes of the physical self: tonsils and adenoids, breasts and misaligned teeth; childbirth and fluctuating weight, cancer and bunions. And through these memories emerge others, less visible but just as defining: a carefree childhood growing up in a progressive Marathi household in Mumbai’s Shivaji Park; the pleasures, in adolescence, of badminton, Kathak and hairdressing; the warmth of friends and an almost love in cold England; finding and losing a mate—twice—and bringing up her children as a single parent; the great thrill of her first translation from Marathi into English; nursing her mother, dying of cancer, as she would a baby; surviving cancer herself, and writing her second novel through the recovery. Told with effortless humour and candour, One Foot on the Ground is the story of a life full of happiness, heartbreak, wonder and acceptance. It will rank among the finest personal histories written in India.

    When Sabby is sent to a boarding school in northern India, he witnesses a strict regime in which the schoolboys are beaten and brutalized by the teachers.The boys themselves take on their abusers' cruel traits, mindlessly killing animals and hanging their skins on a cactus, before their thoughts turn to even more sinister schemes. Conspiratorial whisperings and plans of revenge spiral into a tragedy engulfing Sabby in a chilling exploration of human nature's darkest facets.

    Old Babagoo has always looked after him, on one condition – follow his rules. Never come looking Outside. Never rise above the wall. But despite the dangers, Landfill longs to see Outside. And some rules are made to be broken.

     In 1942, following their lightning strikes on Pearl Harbor and Hong Kong, the Japanese invaded Burma. British forces were rapidly driven out, following a swift and total defeat. The British and Indian forces retaliated with limited offences and with mixed results. The Japanese advance continued, driving victoriously for the domination of Asia. Then came the Japanese attack of Imphal and Kohima, starting one of the most ferocious campaign of the war. Burma Victory portrays the “forgotten war” and the Allied fight to push the Japanese out of Burma. David Rooney – who saw war service in India and West Africa – tells the story of the campaigns of the new Fourteenth Army, under the command of the remarkable General Slim. Rooney captures the ebb and flow of battle and the roles of Wingate, Stilwell and the Chindits. In doing so, he offers a new analysis of the role of airpower and highlights the influence of British, American, Japanese and Chinese thinking at the highest level. Burma Victory is essential reading for anyone interested in General Slim, the Second World War and how defeat can be turned into victory. Recommended reading for fans of Max Hastings, Antony Beevor and Andrew Roberts.

    The clients are anonymous, so are the targets. Out one night on a job, he awaits his target to climb out of the car that’s just arrived at the scene. As he looks through the scope of his rifle, his finger on the trigger, he sees his target accompanied by one of the most gorgeous women Luv has ever seen: Zoya. Zoya Merchant was Luv Singh’s girlfriend back in college, almost two decades earlier. He fails to take a shot. He’s betrayed Zoya once before; He cannot assassinate her husband. Knowing that the mafia doesn’t condone failure or dissidence, he still pledges to save Zoya’s husband from whoever’s calling the shots. Nothing Else Matters is a riveting tale set alternately in the criminal underworld and Zoya and Luv’s college lives and about making choices that impact lives forever. It is crime fiction, but it is also a heart-breaking romance of a love that never dies. Come, fall in love with its flawed characters that cannot be forgiven, but will always be loved.