Jewish shops have been ransacked and looted, synagogues destroyed. As storm troopers pound on his door, Otto Silbermann, a respected businessman who fought for Germany in the Great War, is forced to sneak out the back of his own home. Turned away from establishments he had long patronized, and fearful of being exposed as a Jew despite his Aryan looks, he boards a train.And then another. And another . . . until his flight becomes a frantic odyssey across Germany, as he searches first for information, then for help, and finally for escape. His travels bring him face-to-face with waiters and conductors, officials and fellow outcasts, seductive women and vicious thieves, a few of whom disapprove of the regime while the rest embrace it wholeheartedly.Clinging to his existence as it was just days before, Silbermann refuses to believe what is happening even as he is beset by opportunists, betrayed by associates, and bereft of family, friends, and fortune. As his world collapses around him, he is forced to concede that his nightmare is all too real.Twenty-three-year-old Ulrich Boschwitz wrote The Passenger at breakneck speed in 1938, fresh in the wake of the Kristallnacht pogroms, and his prose flies at the same pace. Taut, immediate, infused with acerbic Kafkaesque humor, The Passenger is an indelible portrait of a man and a society careening out of control.

    Published in book form a year later and banned in Nazi Germany, it garnered high praise in the United States and much of Europe. A series of fictional letters between a Jewish art dealer living in San Francisco and his former business partner, who has returned to Germany, Address Unknown is a haunting tale of enormous and enduring impact.

    But she was also a Jew, and in 1942 she was arrested and deported to Auschwitz: a month later she was dead at the age of thirty-nine. Two years earlier, living in a small village in central France—where she, her husband, and their two small daughters had fled in a vain attempt to elude the Nazis—she'd begun her novel, a luminous portrayal of a human drama in which she herself would become a victim. When she was arrested, she had completed two parts of the epic, the handwritten manuscripts of which were hidden in a suitcase that her daughters would take with them into hiding and eventually into freedom. Sixty-four years later, at long last, we can read Némirovsky's literary masterpiece The first part, "A Storm in June," opens in the chaos of the massive 1940 exodus from Paris on the eve of the Nazi invasion during which several families and individuals are thrown together under circumstances beyond their control. They share nothing but the harsh demands of survival—some trying to maintain lives of privilege, others struggling simply to preserve their lives—but soon, all together, they will be forced to face the awful exigencies of physical and emotional displacement, and the annihilation of the world they know. In the second part, "Dolce," we enter the increasingly complex life of a German-occupied provincial village. Coexisting uneasily with the soldiers billeted among them, the villagers—from aristocrats to shopkeepers to peasants—cope as best they can. Some choose resistance, others collaboration, and as their community is transformed by these acts, the lives of these these men and women reveal nothing less than the very essence of humanity.Suite Française is a singularly piercing evocation—at once subtle and severe, deeply compassionate, and fiercely ironic—of life and death in occupied France, and a brilliant, profoundly moving work of art.

    This novella, first published in 1947 and now translated into English for the first time, shows Hans Keilson at his best: deeply ironic, penetrating, sympathetic, and brilliantly modern, an heir to Joseph Roth and Franz Kafka. In 2008, when Keilson received Germany’s prestigious Welt Literature Prize, the citation praised his work for exploring “the destructive impulse at work in the twentieth century, down to its deepest psychological and spiritual ramifications.” Published to celebrate Keilson’s hundredth birthday, Comedy in a Minor Key — and The Death of the Adversary, reissued in paperback — will introduce American readers to a forgotten classic author, a witness to World War II and a sophisticated storyteller whose books remain as fresh as when they first came to light.

    The town is important because it is a port that serves a large coal mine. Colonel Lanser, the head of the invading battalion, along with his staff establishes his HQ in the house of the democratically elected and popular Mayor Orden.As the reality of occupation sinks in and the weather turns bleak, with the snows beginning earlier than usual, the "simple, peaceful people" of the town are angry and confused. Colonel Lanser, a veteran of many wars, tries to operate under a veil of civility and law, but in his heart he knows that "there are no peaceful people" amongst those whose freedom has been taken away by force. The veil is soon torn apart when Alexander Morden, an erstwhile alderman and "a free man," is ordered to work in the mine. He strikes out at Captain Loft with a pick axe, but Captain Bentick steps into its path and dies of it. After a summary trial, Morden is executed by a firing squad. This incident catalyzes the people of the town and they settle into "a slow, silent, waiting revenge." Sections of the railroad linking the port with the mine get damaged regularly, the machinery breaks down often, and the dynamo of the electricity generators gets short circuited. Whenever a soldier relaxes his guard, drinks or goes out with a woman, he is killed. Mayor Orden stands by his people, and tries to explain to Col. Lanser that his goal – "to break man’s spirit permanently" – is impossible.The cold weather and the constant fear weighs heavy on the occupying force, many of whom wish the war to end so that they can return home. They realize the futility of the war and that "the flies have conquered the flypaper." Some members of the resistance escape to England and ask the English for explosives so that the townspeople can intensify their efforts. English planes parachute-drop small packages containing dynamite sticks and chocolates all around the town. In a state of panic, the army takes the Mayor and his friend Dr. Winter, the town doctor and historian, hostage and lets it be known that any action from resistance will lead to their execution. Mayor Orden knows that nothing can stop his people and that his death is imminent. He tells his wife that while he can be killed, the idea of Mayor (and freedom and democracy) is beyond the reach of any army. Before his execution, Mayor Orden reminds Dr. Winter of the dialogues of Socrates in the Apology, a part he played in the high school play, and tells him to make sure that the debt is repaid to the army, i.e., that the resistance is continued.

    He does not understand the reason for his fate. He doesn’t particularly think of himself as Jewish. And his fellow prisoners, who decry his lack of Yiddish, keep telling him, “You are no Jew.” In the lowest circle of the Holocaust, Georg remains an outsider.The genius of Imre Kertesz’s unblinking novel lies in its refusal to mitigate the strangeness of its events, not least of which is Georg’s dogmatic insistence on making sense of what he witnesses–or pretending that what he witnesses makes sense. Haunting, evocative, and all the more horrifying for its rigorous avoidance of sentiment, Fatelessness is a masterpiece in the traditions of Primo Levi, Elie Wiesel, and Tadeusz Borowski.

    Readers of J. M. Coetzee's Disgrace, Bernhard Schlink's The Reader and Kafka will be captivated by Brodeck.Forced into a brutal concentration camp during a great war, Brodeck returns to his village at the war’s end and takes up his old job of writing reports for a governmental bureau. One day a stranger comes to live in the village. His odd manner and habits arouse suspicions: His speech is formal, he takes long, solitary walks, and although he is unfailingly friendly and polite, he reveals nothing about himself. When the stranger produces drawings of the village and its inhabitants that are both unflattering and insightful, the villagers murder him. The authorities who witnessed the killing tell Brodeck to write a report that is essentially a whitewash of the incident. As Brodeck writes the official account, he sets down his version of the truth in a separate, parallel narrative. In measured, evocative prose, he weaves into the story of the stranger his own painful history and the dark secrets the villagers have fiercely kept hidden.

    It is generally regarded as the masterpiece of Conscience, which earned him the title "the man who taught his people to read".

    Her death was the culmination of a brief, brilliant life lived in the shadow of clinical depression—a condition exacerbated by her tempestuous relationship with mercurial poet Ted Hughes. The ensuing years saw Plath rise to martyr status while Hughes was cast as the cause of her suicide, his infidelity at the heart of her demise.For decades, Hughes never bore witness to the truth of their marriage—one buried beneath a mudslide of apocryphal stories, gossip, sensationalism, and myth. Until now.In this mesmerizing fictional work, Connie Palmen tells his side of the story, previously untold, delivered in Ted Hughes’s own uncompromising voice. A brutal and lyrical confessional, Your Story, My Story paints an indelible picture of their seven-year relationship—the soaring highs and profound lows of star-crossed soul mates bedeviled by their personal demons. It will forever change the way we think about these two literary icons.

    A major hit in Germany that went on to become one of Europe’s biggest literary blockbusters in the last five years, Night Train to Lisbon is an astonishing novel, a compelling exploration of consciousness, the possibility of truly understanding another person, and the ability of language to define our very selves. Raimund Gregorius is a Latin teacher at a Swiss college who one day—after a chance encounter with a mysterious Portuguese woman—abandons his old life to start a new one. He takes the night train to Lisbon and carries with him a book by Amadeu de Prado, a (fictional) Portuguese doctor and essayist whose writings explore the ideas of loneliness, mortality, death, friendship, love, and loyalty. Gregorius becomes obsessed by what he reads and restlessly struggles to comprehend the life of the author. His investigations lead him all over the city of Lisbon, as he speaks to those who were entangled in Prado’s life. Gradually, the picture of an extraordinary man emerges—a doctor and poet who rebelled against Salazar’s dictatorship.

    Amsterdam is a city at the peak of its powers: science and art are flourishing in the Golden Age and Dutch ships bring back exotic riches from the Far East. Madam Van Nulandt passes her time taking expensive painting lessons from a local master, Rembrandt van Rigin, and when Catrin takes up a brush to finish some of her mistress's work, Rembrandt realizes the maid has genuine talent and encourages her to continue.When a figure from her past threatens her new life, Catrin flees to the smaller city of Delft. There, her gift as a painter earns her a chance to earn a living painting pottery at a local workshop. Slowly, the workshop begins to develop a new type of pottery to rival fancy blue-on-white imported Chinese porcelain—and the graceful and coveted Delft Blue designs she creates help revolutionize the industry. But when tragedy strikes, Catrin must decide whether to defend her newfound independence or return to the village that she'd fled.

    (Though this isn't a book for nine-year-olds.) And sooner or later you will arrive with Bruno at a fence.Fences like this exist all over the world. We hope you never have to encounter one.

    First published in 1913, this comic novella helped establish Willem Elsschot—the pseudonym of Alfons de Ridder—as one of the great Dutch writers of the 20th century.

    With the fire and patriotism of youth they sign up. What follows is the moving story of a young ‘unknown soldier’ experiencing the horror and disillusionment of life in the trenches.

    Provocative, stylish, and emotionally resonant, A Heart of Stone (her first book to be translated into English) is certain to cause a sensation on the international scene and Viking is proud to introduce her to the American public. This beautifully woven masterpiece, spare yet richly told, plumbs the undercurrents of family life and tragedy in a startling and wise story of love, fate, and survival. Ellen Van Bemmel lives with her parents, who run an American news-clipping service, and her three siblings in an old Dutch house in a suburb of Amsterdam. Ellen's idyllic childhood is suffused with Americana, both the frivolous fringes like potato chips and Coca-Cola as well as milestones like Neil Armstrong's first steps on the moon, until family disaster strikes on her twelfth birthday. From that moment on her world begins to unravel. Years later, Ellen plunges us into the past as she leafs through a faded photo album and confronts the literal and figurative ghosts of her childhood. Seamlessly alternating the past and present, taut with Hitchcockian tension and warmed by a redemptive love story, A Heart of Stone tells a darkly humorous, yet ultimately compassionate tale.