He hasn't seen his mother, Faye, since she walked out when he was a child. But then one day there she is, all over the news, throwing rocks at a presidential candidate. The media paints Faye as a militant radical with a sordid past, but as far as Samuel knows, his mother never left her small Iowa town. Which version of his mother is the true one? Determined to solve the puzzle--and finally have something to deliver to his publisher--Samuel decides to capitalize on his mother's new fame by writing a tell-all biography, a book that will savage her intimately, publicly. But first, he has to locate her; and second, to talk to her without bursting into tears. As Samuel begins to excavate her history, the story moves from the rural Midwest of the 1960s to New York City during the Great Recession and Occupy Wall Street to the infamous riots at the 1968 Chicago Democratic National Convention, and finally to Norway, home of the mysterious Nix that his mother told him about as a child. And in these places, Samuel will unexpectedly find that he has to rethink everything he ever knew about his mother--a woman with an epic story of her own, a story she kept hidden from the world.

    At first she dismisses this revelation, having other problems at hand, but as she and her friends struggle to cope with the challenges of their increasingly volatile lives--from alcoholism, to sex work, to suicide--Wendy is drawn to the lost pieces of her grandfather's life, becoming determined to unravel the mystery of his truth. Alternately warm-hearted and dark-spirited, desperate and mirthful, Little Fish explores the winter of discontent in the life of one transgender woman as her past and future become irrevocably entwined.

    It begins in 1973 when the Erickson family of Grenada, Iowa, gathers for the wedding of their eldest daughter, Anita. Even as they celebrate, the fault lines in the family emerge. The bride wants nothing more than to raise a family in her hometown, while her brother Ryan watches restlessly from the sidelines, planning his escape. He is joined by their cousin Chip, an unpredictable, war-damaged loner who will show Ryan both the appeal and the perils of freedom. Torrie, the Ericksons' youngest daughter, is another rebel intent on escape, but the choices she makes will bring about a tragedy that leaves the entire family changed forever.Stretching from the early 1970s in the Iowa farmlands to suburban Chicago to the coast of contemporary Italy—and moving through the Vietnam War's aftermath, the farm crisis, the numerous economic booms and busts—The Year We Left Home follows the Erickson siblings as they confront prosperity and heartbreak, setbacks and triumphs, and seek their place in a country whose only constant seems to be breathtaking change. Ambitious, richly told, and fiercely American, this is a vivid and moving meditation on our continual pursuit of happiness and an incisive exploration of the national character.

    At 51 years old, they still live with their mother, Dot, in rural isolation and poverty. Their rented cottage is simultaneously their armour against the world and their sanctuary. Inside its walls they make music, in its garden they grow (and sometimes kill) everything they need for sustenance.But when Dot dies suddenly, threats to their livelihood start raining down. At risk of losing everything, Jeanie and her brother must fight to survive in an increasingly dangerous world as their mother's secrets unfold, putting everything they thought they knew about their lives at stake.This is a thrilling novel of resilience and hope, of love and survival, that explores with dazzling emotional power how the truths closest to us are often hardest to see._

    Ginny, a devoted surgeon whose work often takes precedence over her family, has a baffling vision of a beautiful co-worker in Ginny’s own bed and begins to doubt the solidity of her marriage. Ginny’s husband, Mark, a wildlife scientist, sees a vision that suggests impending devastation and grows increasingly paranoid, threatening the safety of his wife and son. Samara, a young woman desperately mourning the recent death of her mother and questioning why her father seems to be coping with such ease, witnesses an apparition of her mother healthy and vibrant and wonders about the secrets her parents may have kept from her. Cass, a brilliant scholar struggling with the demands of new motherhood, catches a glimpse of herself pregnant again, just as she’s on the brink of returning to the project that could define her career.At first the visions are relatively benign, but they grow increasingly disturbing—and, in some cases, frightening. When a natural disaster threatens Clearing, it becomes obvious that the visions were not what they first seemed and that the town will never be the same.

    For almost all of those years she has been the clandestine lover to Paul Sheringham, young heir of a neighboring house. The two now meet on an unseasonably warm March day—Mothering Sunday—a day that will change Jane's life forever. As the narrative moves back and forth from 1924 to the end of the century, what we know and understand about Jane—about the way she loves, thinks, feels, sees, remembers—expands with every vividly captured moment. Her story is one of profound self-discovery, and through her, Graham Swift has created an emotionally soaring, deeply affecting work of fiction.

    By the popular Pulitzer Prize-winning journalist.In the 1950s, Ellie and Brick are teenagers in love. As a basketball star, Brick has the chance to escape his abusive father and become the first person in his blue-collar family to attend college. But after Ellie learns that she is pregnant, they get married, she gives up her dream of nursing school, and Brick gets a union card instead.From there, this riveting novel tells the story of Brick, Ellie, and their daughter Samantha. It illuminates the issues facing working-class families and their communities, as it chronicles the evolution of women's lives in America. It also explores how much people know about each other and pretend not to, and the secrets that explode lives.

    who becomes the sole survivor of a family tragedy. With her strict African American grandmother as her new guardian, Rachel moves to a mostly black community, where her light brown skin, blue eyes, and beauty bring mixed attention her way. Growing up in the 1980s, she learns to swallow her overwhelming grief and confronts her identity as a biracial young woman in a world that wants to see her as either black or white. In the tradition of Jamaica Kincaid's Annie John and Toni Morrison's The Bluest Eye, here is a portrait of a young girl - and society's ideas of race, class, and beauty.

    Each of them is handed a tantalizing clue to her true heritage—a clue which takes Maia across the world to a crumbling mansion in Rio de Janeiro, Brazil. Once there, she begins to put together the pieces of her story and its beginnings.Eighty years earlier in Rio’s Belle Epoque of the 1920s, Izabela Bonifacio’s father has aspirations for his daughter to marry into the aristocracy. Meanwhile, architect Heitor da Silva Costa is devising plans for an enormous statue, to be called Christ the Redeemer, and will soon travel to Paris to find the right sculptor to complete his vision. Izabela—passionate and longing to see the world—convinces her father to allow her to accompany him and his family to Europe before she is married. There, at Paul Landowski’s studio and in the heady, vibrant cafes of Montparnasse, she meets ambitious young sculptor Laurent Brouilly, and knows at once that her life will never be the same again.In this sweeping, epic tale of love and loss—the first in a unique, spellbinding series of seven novels—Lucinda Riley showcases her storytelling talent like never before.