Born with red pupils, he was called “Devil Boy” or Sam “Hell” by his classmates; “God’s will” is what his mother called his ocular albinism. Her words were of little comfort, but Sam persevered, buoyed by his mother’s devout faith, his father’s practical wisdom, and his two other misfit friends.Sam believed it was God who sent Ernie Cantwell, the only African American kid in his class, to be the friend he so desperately needed. And that it was God’s idea for Mickie Kennedy to storm into Our Lady of Mercy like a tornado, uprooting every rule Sam had been taught about boys and girls.Forty years later, Sam, a small-town eye doctor, is no longer certain anything was by design—especially not the tragedy that caused him to turn his back on his friends, his hometown, and the life he’d always known. Running from the pain, eyes closed, served little purpose. Now, as he looks back on his life, Sam embarks on a journey that will take him halfway around the world. This time, his eyes are wide open—bringing into clear view what changed him, defined him, and made him so afraid, until he can finally see what truly matters.

    Months later, though, she hears a different account: that one brother killed the other. Determined to uncover the truth-and to keep her family from being ripped apart-Iris winds up uncovering something shocking about her siblings, her supposedly idyllic family, and herself.

    Peter Byerly isn't sure what drew him into this particular bookshop. Nine months earlier, the death of his beloved wife, Amanda, had left him shattered. The young antiquarian bookseller relocated from North Carolina to the English countryside, hoping to rediscover the joy he once took in collecting and restoring rare books. But upon opening an eighteenth-century study of Shakespeare forgeries, Peter is shocked when a portrait of Amanda tumbles out of its pages. Of course, it isn't really her. The watercolor is clearly Victorian. Yet the resemblance is uncanny, and Peter becomes obsessed with learning the picture's origins. As he follows the trail back first to the Victorian era and then to Shakespeare's time, Peter communes with Amanda's spirit, learns the truth about his own past, and discovers a book that might definitively prove Shakespeare was, indeed, the author of all his plays.

    Hearts are breaking as sons and husbands leave to fight, and when the Vicar decides to close the choir until the men return, all seems lost.But coming together in song is just what the women of Chilbury need in these dark hours, and they are ready to sing. With a little fighting spirit and the arrival of a new musical resident, the charismatic Miss Primrose Trent, the choir is reborn.Some see the choir as a chance to forget their troubles, others the chance to shine. Though for one villager, the choir is the perfect cover to destroy Chilbury’s new-found harmony.Uplifting and profoundly moving, THE CHILBURY LADIES’ CHOIR explores how a village can endure the onslaught of war, how monumental history affects small lives and how survival is as much about friendship as it is about courage.

    He was thinking about the lynx. The way it had looked at him, acknowledging his existence, then passing out of his life like smoke. . . It was the first thing—the only thing—that had managed, if only for a moment, to displace from his mind the image of the child. He had carried that image with him for a year now, and it had been a weight so great that sometimes he could hardly stand. Mary Lawson’s beloved novels, Crow Lake and The Other Side of the Bridge, have delighted legions of readers around the world. The fictional, northern Ontario town of Struan, buried in the winter snows, is the vivid backdrop to her breathtaking new novel.  Roads End brings us a family unravelling in the aftermath of tragedy: Edward Cartwright, struggling to escape the legacy of a violent past; Emily, his wife, cloistered in her room with yet another new baby, increasingly unaware of events outside the bedroom door; Tom, their eldest son, twenty-five years old but home again, unable to come to terms with the death of a friend; and capable, formidable Megan, the sole daughter in a household of eight sons, who for years held the family together but has finally broken free and gone to England, to try to make a life of her own.  Roads End is Mary Lawson at her best. In this masterful, enthralling, tender novel, which ranges from the Ontario silver rush of the early 1900s to swinging London in the 1960s, she gently reveals the intricacies and anguish of family life, the push and pull of responsibility and individual desire, the way we can face tragedy, and in time, hope to start again.

    Though Geneva and her sister, Ann, are as different as night and day (“I being night, of course, dark and dramatic”), Geneva remembers she had a family before she had a star on her door. But so accustomed is she to playing the lead, finding herself a supporting actress in someone else’s life is strange and unexplored territory. Then the discovery of an old scrapbook that she and her sister created long ago starts her thinking of things beyond fame. For The Great Mysterious is a collection of thoughts and feelings dedicated to answering life’s big questions—far outside the spotlight’s glow. . . .

    Like Whitney Otto’s How to Make an American Quilt in its intimate portrayal of women’ s lives, and reminiscent of novels by Elizabeth Berg and Anne Tyler, Keeping the House is a rich tapestry of a novel that introduces a wonderful new fiction writer. When Dolly Magnuson moves to Pine Rapids, Wisconsin, in 1950, she discovers all too soon that making marriage work is harder than it looks in the pages of the Ladies’ Home Journal. Dolly tries to adapt to her new life by keeping the house, supporting her husband’s career, and fretting about dinner menus. She even gives up her dream of flying an airplane, trying instead to fit in at the stuffy Ladies Aid quilting circle. Soon, though, her loneliness and restless imagination are seized by the vacant house on the hill. As Dolly’s life and marriage become increasingly difficult, she begins to lose herself in piecing together the story of three generations of Mickelson men and women: Wilma Mickelson, who came to Pine Rapids as a new bride in 1896 and fell in love with a man who was not her husband; her oldest son, Jack, who fought as a Marine in the trenches of World War I; and Jack’s son, JJ, a troubled veteran of World War II, who returns home to discover Dolly in his grandparents’ house. As the crisis in Dolly’s marriage escalates, she not only escapes into JJ’s stories of his family’s past but finds in them parallels to her own life. As Keeping the House moves back and forth in time, it eloquently explores themes of wartime heroism and passionate love, of the struggles of men’s struggles with fatherhood and war and of women’s conflicts with issues of conformity, identity, forbidden dreams, and love.Beautifully written and atmospheric, Keeping the House illuminates the courage it takes to shape and reshape a life, and the difficulty of ever knowing the truth about another person’s desires. Keeping the House is an unforgettable novel about small-town life and big matters of the heart.

    A little distant, perhaps, a little cautious, not at quite at ease with the emotional demands of fatherhood, or manly bonhomie. He does not understand the modern obsession with talking about everything. “The secret of contentment, George felt, lay in ignoring many things completely.” Some things in life, however, cannot be ignored.At 61, George is settling down to a comfortable retirement, building a shed in his garden, reading historical novels and listening to a bit of light jazz. Then his tempestuous daughter, Katie, announces that she is getting re-married, to the deeply inappropriate Ray. Her family is not pleased – as her brother Jamie observes, Ray has “strangler’s hands.” Katie can’t decide if she loves Ray, or loves the wonderful way he has with her son Jacob, and her mother Jean is a bit put out by all the planning and arguing the wedding has occasioned, which get in the way of her quite fulfilling late-life affair with one of her husband’s ex-colleagues. And the tidy and pleasant life Jamie has created crumbles when he fails to invite his lover, Tony, to the dreaded nuptials. Unnoticed in the uproar, George discovers a sinister lesion on his hip, and quietly begins to lose his mind. The way these damaged people fall apart – and come together – as a family is the true subject of Haddon’s disturbing yet amusing portrait of a dignified man trying to go insane politely.A SPOT OF BOTHER is Mark Haddon’s unforgettable follow-up to the internationally beloved bestseller THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME. Here the madness – literally – of family life proves rich comic fodder for Haddon’s crackling prose and bittersweet insights into misdirected love.

    To make up for that missed final conversation - and in the hopes of impressing beautiful nurse Sophie - he engages in some good-willed acts of deception- posing as the neglectful relatives of lonely old people in the Peggy Day Aged Cared Home. But when he meets Tamara, a frail and sick 76-year-old with a son she hasn't seen in twelve years, who will really be deceiving who? The Good Son is a story about people fulfilling each other's needs, sometimes unexpectedly. It is about love and fear and relationships, and how we treat the elderly people in our lives. And it is about the difference between blood relatives and the families that we make by choice rather than by birth. And, like all good stories, it involves a road trip.

    On impulse, she sells it and goes to stay with her brother in Salcombe, Devon, while she plans her next move. There, she begins to look back at her life and reflect on the choices that have led her to this moment.Cosmo has also escaped – temporarily – from his life in the city, finding the south-west a relaxing and appealing fit, especially when he meets local girl, Amy. But is he being entirely truthful about what he’s left behind? Just out of uni, Sam has passed the Admiralty Interview Board and is set to follow in his naval father’s footsteps. His future is secure – but he feels cast adrift. With doubts and loosening family connections worrying him, an impartial new friend could be just the thing he needs. Forging a bond across the generations, can he and Cara help each other find the way to a new, happy chapter?Reflections ebb and flow as the estuary meets the sea . . . and Cara, Cosmo and Sam learn that for everything lost, there is something to be gained. Praise for Marcia Willett:'A beautifully woven tale of families and their secrets...' Liz Fenwick, bestselling author of The Cornish House'Riveting, moving and utterly feel-good' Daily Mail'Sweeping powers of description transport her readers to another time and place' Rosanna Ley

    The enigmatic Winter has spent six decades creating various outlandish life histories for herself -- all of them inventions that have brought her fame and fortune but have kept her violent and tragic past a secret. Now old and ailing, she at last wants to tell the truth about her extraordinary life. She summons biographer Margaret Lea, a young woman for whom the secret of her own birth, hidden by those who loved her most, remains an ever-present pain. Struck by a curious parallel between Miss Winter's story and her own, Margaret takes on the commission. As Vida disinters the life she meant to bury for good, Margaret is mesmerized. It is a tale of gothic strangeness featuring the Angelfield family, including the beautiful and willful Isabelle, the feral twins Adeline and Emmeline, a ghost, a governess, a topiary garden and a devastating fire. Margaret succumbs to the power of Vida's storytelling but remains suspicious of the author's sincerity. She demands the truth from Vida, and together they confront the ghosts that have haunted them while becoming, finally, transformed by the truth themselves. The Thirteenth Tale is a love letter to reading, a book for the feral reader in all of us, a return to that rich vein of storytelling that our parents loved and that we loved as children. Diane Setterfield will keep you guessing, make you wonder, move you to tears and laughter and, in the end, deposit you breathless yet satisfied back upon the shore of your everyday life.

    Her childhood in the New Forest is idyllic, but when she is fifteen tragedy strikes. Her adoptive parents are killed in a fire, and she is left with her strange, uncommunicative adoptive twin sisters. Sad and lonely, Cathy joins a local theatre group, where she becomes besotted with one of the directors. Nico is forty, and very good-looking, but he preys on vulnerable young girls, and has set his sights on Cathy. She is petite and pretty, and she is due to inherit a fortune.On her sixteenth birthday, Nico blackmails the twins into allowing Cathy to marry him. Their marriage soon turns sour, and after their daughter, Sammy-Jo, is born Cathy escapes with the child to Spain. But one day, Nico finds them...

    The other has ideas: about rhythm and time, about black bodies and black music, about what constitutes a tribe, or makes a person truly free. It's a close but complicated childhood friendship that ends abruptly in their early twenties, never to be revisited, but never quite forgotten, either.Dazzlingly energetic and deeply human, Swing Time is a story about friendship and music and stubborn roots, about how we are shaped by these things and how we can survive them. Moving from northwest London to West Africa, it is an exuberant dance to the music of time.

    George's, befriends her. But even as their relationship develops, so too does another: Sheba has begun an illicit affair with an underage male student. When the scandal turns into a media circus, Barbara decides to write an account in her friend's defense—and ends up revealing not only Sheba's secrets, but also her own.

    Unable to conceive, she’s trying desperately to adopt but her destiny is quickly altered by a young woman she’s never met.Fearless thirteen-year-old Carla Trujilio is being raised by her grandmother in Honduras along with her four year old twin brothers. Her mother is sending money home from Texas where she’s trying to make a better life for her family, but she only has enough to bring one son to her. When Carla’s grandmother dies, Carla decides to take her fate into her own hands and embarks on a dangerous journey across the border with Junior, the twin left behind.Two powerful journeys intersecting at a pivotal moment in time: Alice and Carla’s lives will be forever and profoundly changed. Heartbreaking, emotional, and arresting, this novel is about finding the courage to trail blaze your own path in life with faith, hope and love, no matter the struggle or the tragedy.