Between themselves they talk only about the practicalities of life", declares Duras in this collection of her transcribed conversations with friend Jerome Beaujour. Some of her free-ranging meditations are short and deceptively simple, while many are autobiographical and reveal her most intimate thoughts about motherhood, her struggle with alcohol, her love for a younger man, and more.

    Wealthy families ride escalators and fill shopping carts with imported food and luxury products from Paris and New York. Lamia Ziadé, seven years old, dreams of banana splits, American candy, flying on Pan Am Airways, and visiting the local cinema. Considered by the elite the “Paris, Las Vegas or Monaco of the Middle East,” Beirut was in reality a powder keg, waiting for a spark. On April 13, 1975 Lamia and her family returned from lunch in the countryside to find a city in flames. Looking back on the golden days before the war, and its immediate, devastating effects, Bye Bye Babylon positions an elegiac and shocking narrative next to a child’s perspective of the years 1975–79: of consumer icons next to burning buildings, scenes of violence and sparkling new weapons painted in vivid Technicolor—war as pop. It is a unique graphic memoir, and an important visual record of a terrible war.

    Carefully reassembled with calm, steady hands, these shards tell the story of an ordinary family that somehow managed to survive the myriad persecutions and repressions of the last century. The family’s pursuit of a quiet, civilized, ordinary life—during such atrocious times—is itself a strange odyssey.In dialogue with thinkers like Roland Barthes, W. G. Sebald, Susan Sontag, and Osip Mandelstam, In Memory of Memory is imbued with rare intellectual curiosity and a wonderfully soft-spoken, poetic voice. Dipping into various genres—essay, fiction, memoir, travelogue, and history—Stepanova assembles a vast panorama of ideas and personalities and offers a bold exploration of cultural and personal memory.

    973 c. 1020), author of The Tale of Genji, is an intimate picture of her life as tutor and companion to the young Empress Shoshi. Told in a series of vignettes, it offers revealing glimpses of the Japanese imperial palace the auspicious birth of a prince, rivalries between the Emperor's consorts, with sharp criticism of Murasaki's fellow ladies-in-waiting and drunken courtiers, and telling remarks about the timid Empress and her powerful father, Michinaga. The Diary is also a work of great subtlety and intense personal reflection, as Murasaki makes penetrating insights into human psychology her pragmatic observations always balanced by an exquisite and pensive melancholy.In his illuminating introduction, Richard Bowing discusses what is known of Murasaki's life, and the religion, ceremonies, costumes, architecture and politics of her time, to explain the cultural background to her vivid evocation of court life. This edition also includes an explanation of Japanese names and dates, appendices and updated further reading.Translated and introduced by RICHARD BOWRING

    From humble beginnings in New York, Burns and Allen went on to become much-loved stars of stage, radio, television, and the big-screen, one of the few entertainers to be successful in each venue. The book begins with Burns' childhood and early struggles in vaudeville before he meets Gracie Allen. Burns then details his efforts to win her affections; their marriage and adoptions of two children; radio, film, and TV productions (including the script of a 1955 show for their television series). Included are 16 pages of illustrations. George Burns, born in 1896, passed away at age 100 in 1996. Gracie Allen preceded him in death, passing away in 1964.

    From the enchanted basement storeroom where she played as a girl to the penthouse high above New York City where she would someday live, this is the delightful and inspiring story of her life as an artist, a wife and mother, a collector, and an Iranian. Here we see a mischievous girl become a spirited woman who defies tradition. Both a love story and a celebration of the warmth and elegance of Iranian culture, A Mirror Garden is a genuine fairy tale of an exuberant heroine who has never needed rescuing.From the Trade Paperback edition.

    Published just months after the end of the 1948 war (in which the author fought) the book as famous for Yizhar's haunting, lyrical style as for its wrenchingly honest soldier's-eye view of the brutality of that war and, perhaps, all wars. An absolute must for anyone interested in Middle Eastern literature and history.

    The daughter of liberal-minded professionals, she enjoys a safe, loving and privileged life. Some of her early memories include convivial family picnics and New Years’ celebrations overlooking the thousands of red flowers that carpet the hills of Mazar. But Nelofer’s world is shattered when she is just five and her father is imprisoned for refusing to support the communist party. This episode plants a “seed of anger” in her, which is given plenty of opportunity to grow as the years unfold.In 1979, the Soviets invade Afghanistan beginning a ten-year occupation. The country becomes an armed camp with Russians fighting U.S.-backed mujahidin fighters while trying to impose military rule. For Nelofer, daily life includes an endless succession of tanks, rockets screaming overhead and explosions in the street. During this time, she and her best friend, Dyana, seek refuge in their love of poetry. At eleven, the two girls throw stones at Soviet tanks and plot other acts of rebellion at the local school. As Nelofer gets older, she joins the resistance movement, distributes contraband books, studies guerilla warfare and hides a gun in her parent’s mint garden.When Nelofer’s younger brother comes home from school in military garb, the family finally decides to flee Afghanistan. What follows is a perilous, clandestine journey across rugged mountains into Pakistan. But the life of a refugee is not what Nelofer expects. Though she once idealized the mujahidin as freedom fighters, she is shocked, as a woman, to find herself stripped of her personal freedom in their midst.In 1990, Nelofer and her family are offered refugee status in Canada. Here she corresponds with her friend Dyana, whose letters reveal the increasing oppression of life under the Taliban. Fearing that her friend will kill herself, Pazira returns to Afghanistan to rescue her. This search becomes the basis for the acclaimed film Kandahar. Her journey to discover Dyana’s tragedy leads her finally to Russia, the land of her enemy, where she confronts the legacy of the Soviet invasion of her homeland first-hand.A Bed of Red Flowers is a gripping, heart-rending story about a country caught in a struggle of the superpowers – and of the real people behind the politics. Universally acclaimed for its astute insights and extraordinary humanity, Pazira’s memoir won the Drainie-Taylor Biography Prize for 2005.The Winnipeg Free Press writes: “Powerfully written, A Bed of Red Flowers is a rare account of a misunderstood country and its intrepid people, trying to live ordinary lives under extraordinary circumstances.” The Gazette (Montreal) describes the book as “an outpouring of passionate non-fiction that captivates like the tales of Sheherazade.… It’s a remarkable journey. An inspiring read.”

    A college-educated player from Pennsylvania farm country, he restored respectability to a game tarnished by the rowdies who had dominated baseball in the 1890s. Pitching in a Pinch, originally published in 1912, is an insider’s account blending anecdote, biography, instruction, and social history. It celebrates baseball as it was played in the first decade of the twentieth century by famous contemporaries like Honus Wagner and Rube Marquand, managers like John McGraw and Connie Mack, and many others. Always sensitive to psychology as well as technique, Mathewson describes the “dangerous batters” he faced, the “peculiarities” of big-league pitchers, the “good and bad” of coaching, umpiring, sign-stealing, base-running, spring training, and the importance of superstition to athletes. Matty, as he was called, makes the reader feel that tense moment when a player in a pinch must use his head.

    At once a vibrant coming-of-age story, a portrait of a vanishing way of life and a reflection on fathers and sons, the narrative revolves around the construction of the Canso Causeway that would link the small Cape Breton village of MacIntyre's childhood to the wide world of the mainland. Shot through with humour, humanity and vivid characters, Causeway is an extraordinary book, a memoir that has set a new standard for the genre.

    This illuminating anthology provides a window into the country from the perspective of thirty-two expatriates from seven different nations - artists, entrepreneurs, Peace Corps volunteers, archaeologists, missionaries, and others - who established lives in Turkey for work, love, or adventure. Through narrative essays covering the last four decades, these diverse women unveil the mystique of the "Orient," describe religious conflict, embrace cultural discovery, and maneuver familial traditions, customs, and responsibilities. Poignant, humorous, and transcendent, the essays take readers to weddings and workplaces, down cobbled Byzantine streets, into boisterous bazaars along the Silk Road, and deep into the feminine stronghold of steamy Ottoman bathhouses. The outcome is a stunning collection of voices from women suspended between two homes as they redefine their identities and reshape their worldviews.Coining the "expat harem" as a distinct community, the editors also boldly reclaim the concept of an Eastern harem-long the subject of erroneous Western stereotype. "Much like the imported brides of fifteenth-century sultans, our expat harem is conjured by the shared circumstance of being foreign-born and female in a land laced with a harem tradition," Ashman and Gokmen declare."Our writers are inextricably wedded to Turkish culture, embedded in it, yet alien nonetheless."

    By the end of the First World War, the number of Armenians in what would become Turkey had been reduced by 90 percent--more than a million people. A century later, the Armenian Genocide remains controversial but relatively unknown, overshadowed by later slaughters and the chasm separating Turkish and Armenian interpretations of events. In this definitive narrative history, Ronald Suny cuts through nationalist myths, propaganda, and denial to provide an unmatched account of when, how, and why the atrocities of 1915-16 were committed. Drawing on archival documents and eyewitness accounts, this is an unforgettable chronicle of a cataclysm that set a tragic pattern for a century of genocide and crimes against humanity.

    Now, as I write this, you know nothing about anything, about what awaits you, the kind of world you will be born into. And I know nothing about you...I want to show you our world as it is now: the door, the floor, the water tap and the sink, the garden chair close to the wall beneath the kitchen window, the sun, the water, the trees. You will come to see it in your own way, you will experience things for yourself and live a life of your own, so of course it is primarily for my own sake that I am doing this: showing you the world, little one, makes my life worth living.Autumn begins with a letter Karl Ove Knausgaard writes to his unborn daughter, showing her what to expect of the world. He writes one short piece per day, describing the material and natural world with the precision and mesmerising intensity that have become his trademark. He describes with acute sensitivity daily life with his wife and children in rural Sweden, drawing upon memories of his own childhood to give an inimitably tender perspective on the precious and unique bond between parent and child. The sun, wasps, jellyfish, eyes, lice—the stuff of everyday life is the fodder for his art. Nothing is too small or too vast to escape his attention.This beautifully illustrated book is a personal encyclopaedia on everything from chewing gum to the stars. Through close observation of the objects and phenomena around him, Knausgaard shows us how vast, unknowable and wondrous the world is.

    Long regarded Africa's preeminent Francophone novelist, Laye (1928-80) herein marvels over his mother's supernatural powers, his father's distinction as the village goldsmith, and his own passage into manhood, which is marked by animistic beliefs and bloody rituals of primeval origin. Eventually, he must choose between this unique place and the academic success that lures him to distant cities. More than autobiography of one boy, this is the universal story of sacred traditions struggling against the encroachment of a modern world. A passionate and deeply affecting record, The Dark Child is a classic of African literature.

    In my case, blinking my left eyelid is my only means of communication.’In December 1995, Jean-Dominique Bauby, editor-in-chief of French ‘Elle’ and the father of two young children, suffered a massive stroke and found himself paralysed and speechless, but entirely conscious, trapped by what doctors call ‘locked-in syndrome’. Using his only functioning muscle – his left eyelid – he began dictating this remarkable story, painstakingly spelling it out letter by letter.His book offers a haunting, harrowing look inside the cruel prison of locked-in syndrome, but it is also a triumph of the human spirit.