Blood Lyrics is a mother's song, one seared with the knowledge that her country wages long, aching wars in which not all lives are equal. There is beauty imparted, too, but it arrives at a cost: "Don't say it's the beautiful / I praise," Ford writes. "I praise the human, / gutted and rising."

    This hidden family exists in stolen moments in a small Parisian apartment on the Left Bank.It is a house of cards that Margot—fueled by a longing to be seen and heard—decides to tumble. The summer of her seventeenth birthday, she meets the man who will set her plan in motion: a well-regarded journalist whose trust seems surprisingly easy to gain. But as Margot is drawn into an adult world she struggles to comprehend, she learns how one impulsive decision can threaten a family’s love with ruin, shattering the lives of those around her in ways she could never have imagined.Exposing the seams between private lives and public faces, The Margot Affair is a novel of deceit, desire, and transgression—and the exhilarating knife-edge upon which the danger of telling the truth outweighs the cost of keeping secrets.

    Walter Lavender Jr. is a master of finding. A wearer of high-tops. A maker of croissants. A son keeping vigil, twelve years counting. But he wouldn’t be able to tell you. Silenced by his motor speech disorder, Walter’s life gets lonely. Fortunately, he has The Lavenders—his mother’s enchanted dessert shop, where marzipan dragons breathe actual fire. He also has a knack for tracking down any missing thing—except for his lost father. So when the Book at the root of the bakery’s magic vanishes, Walter, accompanied by his overweight golden retriever, journeys through New York City to find it—along the way encountering an unforgettable cast of lost souls. Steeped in nostalgic wonder, The Luster of Lost Things explores the depths of our capacity for kindness and our ability to heal. A lyrical meditation on why we become lost and how we are found, from the bright, broken heart of a boy who knows where to look for everyone but himself.

    Xavier is headed to college in the fall, and after years of single parenting, Valerie is facing the prospect of an empty nest. All is well until the Whitmans move in next door - an apparently traditional family with new money, ambition, and a secretly troubled teenaged daughter.Thanks to his thriving local business, Brad Whitman is something of a celebrity around town, and he's made a small fortune on his customer service and charm, while his wife, Julia, escaped her trailer park upbringing for the security of marriage and homemaking. Their new house is more than she ever imagined for herself, and who wouldn't want to live in Oak Knoll? With little in common except a property line, these two very different families quickly find themselves at odds: first, over an historic oak tree in Valerie's yard, and soon after, the blossoming romance between their two teenagers. Told from multiple points of view, A Good Neighborhood asks big questions about life in America today―What does it mean to be a good neighbor? How do we live alongside each other when we don't see eye to eye?―as it explores the effects of class, race, and heartrending star-crossed love in a story that’s as provocative as it is powerful.

    The signature sounds of Motown are filling Detroit's airwaves, and automobile factories are supporting a burgeoning black middle class, which works by day and plays bid whist by night. Rae's hip older sister, Kimmie, has moved home from New Orleans;her mother's nerves have calmed enough for her to stop taking her "vitamins"; her father has discovered new painkillers that ease his chronic migraines; and now, despite her parents' sleeping in separate rooms, the peace between them seems to be holding. All that shifts, however, when Rae's mother suddenly takes off with her lover down a stretch of highway.Left to care for her ailing father, Rae grows up faster than any young girl should and is forced to admit that her mother may be incapable of love, that her father's love may be too all-consuming. What's most obvious is that neither seems fully capable of looking after Rae, who is searching not only for a way to make her family whole again but also for a way to make sense of her own budding sexuality.With fully realized characters and an infinitely imaginative storyline, Shifting Through Neutral heralds the arrival of a promising new talent.

    A passionate exploration of the forces that shape us, The Last Love Poem I Will Ever Write explores themes of survival and the powerlessness of the self in a chaotic and unfair world, finding hope in the emotions and vitality of poetry. With characteristic meditative lyricism, the poet reflects on grief and the power of language in extended odes (“Ode to Nothing,” “Ode to Words”) and slips effortlessly from personal trauma (“Song of What Happens”) to public catastrophe (“Charlottesville Elegy”).The Last Love Poem I Will Ever Write confirms Orr’s place among the preeminent lyric poets of his generation, engaging the deepest existential issues with wisdom and humor and transforming them into celebratory song.

    Their school is about to be taught a lesson...Beverley Franklin will do whatever it takes to protect her local school's reputation.So when a scandal involving her own daughter threatens to derail the annual school musical's appearance on national television, Beverley goes into overdrive.But in her efforts to protect her daughter and keep the musical on track, she misses what's really going, both in her own house and in the insular Glass Lake community - with dramatic consequences.Glass Lake primary school's reputation is about to be shattered...

    She is also haltingly, fitfully giving heat and air to the art that simmers inside her. And then she meets Eric, a digital archivist with a family in New Jersey, including an autopsist wife who has agreed to an open marriage — with rules.As if navigating the constantly shifting landscapes of contemporary sexual manners and racial politics weren’t hard enough, Edie finds herself unemployed and invited into Eric’s home — though not by Eric. She becomes a hesitant ally to his wife and a de facto role model to his adopted daughter. Edie may be the only Black woman young Akila knows.Irresistibly unruly and strikingly beautiful, razor-sharp and slyly comic, sexually charged and utterly absorbing, Raven Leilani’s Luster is a portrait of a young woman trying to make sense of her life — her hunger, her anger — in a tumultuous era. It is also a haunting, aching description of how hard it is to believe in your own talent, and the unexpected influences that bring us into ourselves along the way.

    Cahir is a tech millionaire. He would pay to have her, but he won't have to. Nadia, the event planner, cares what people think of her. The only thing one married couple cares about is having her. Delia, the escort, wants to be pay her bills and be a fashion stylist. Poppy wants to punish Delia for sleeping with her husband.  O’Shea has money, a career, and a sugar daddy she’s sick of. Even strangers are telling her to let go of the life she’s worked so hard to build and move on.  Sex, money, and now love for are coming for the New Money Girls even if they aren’t ready…  This story contains steamy sex scenes, unconventional thinking and lifestyles, and a group of women who go from friends to sisters.

    Will the adults trying to find and protect them reach them before it’s too late?It’s the summer of 1994 in Claypot, Wisconsin, and the lives of ten-year-old Fischer “Fish” Branson and Dale “Bread” Breadwin are shaped by the two fathers they don’t talk about.One night, tired of seeing his best friend bruised and terrorized by his no-good dad, Fish takes action. A gunshot rings out and the two boys flee the scene, believing themselves murderers. They head for the woods, where they find their way onto a raft, but the natural terrors of Ironsforge gorge threaten to overwhelm them.Four adults track them into the forest, each one on a journey of his or her own. Fish’s mother Miranda, a wise woman full of fierce faith; his granddad, Teddy, who knows the woods like the back of his hand; Tiffany, a purple-haired gas station attendant and poet looking for connection; and Sheriff Cal, who’s having doubts about a life in law enforcement.The adults track the boys toward the novel’s heart-pounding climax on the edge of the gorge and a conclusion that beautifully makes manifest the grace these characters find in the wilderness and one another. This timeless story of loss, hope, and adventure runs like the river itself amid the vividly rendered landscape of the Upper Midwest.

    It’s a heartfelt, tortured, contemporary YA high school romance with epistolary elements. Fans of Jenny Han’s To All the Boys I’ve Loved Before and Kristina Forest’s debut I Wanna Be Where You Are will love the juicy secrets, leap-off-the-page sexual tension and the enemy-to-lover romantic arc.Quinn keeps lists of everything—from the days she’s ugly cried, to “Things That I Would Never Admit Out Loud,” to all the boys she’d like to kiss. Her lists keep her sane. By writing her fears on paper, she never has to face them in real life. That is, until her journal goes missing…An anonymous account posts one of her lists on Instagram for the whole school to see and blackmails her into facing seven of her greatest fears, or else her entire journal will go public. Quinn doesn’t know who to trust. Desperate, she teams up with Carter Bennett—the last known person to have her journal—in a race against time to track down the blackmailer.Together, they journey through everything Quinn’s been too afraid to face, and along the way, Quinn finds the courage to be honest, to live in the moment, and to fall in love.

    For once, she will just get to be. No summer classes, none of Granddad’s intense expectations to live up to the family name. For generations, the Milbourn women have lead extraordinary lives—and died young and tragically. Granddad calls it a legacy, but Ivy considers it a curse. Why else would her mother have run off and abandoned her as a child?But when her mother unexpectedly returns home with two young daughters in tow, all of the stories Ivy wove to protect her heart start to unravel. The very people she once trusted now speak in lies. And all of Ivy’s ambition and determination cannot defend her against the secrets of the Milbourn past….

    His Own Where promises to be one."—New York Times Book Review (1971)Nominated for a National Book Award in 1971, His Own Where is the story of Buddy, a fifteen-year-old boy whose world is spinning out of control. He meets Angela, whose angry parents accuse her of being "wild." When life falls apart for Buddy and his father, and when Angela is attacked at home, they take action to create their own way of staying alive in Brooklyn. In the process, the two find refuge in one another and learn that love is real and necessary. His Own Where was one of The New York Times' Most Outstanding Books and was on the American Library Association's list of Best Books in 1971.June Jordan was a poet, essayist, journalist, dramatist, activist, and educator known for challenging oppression through her inspirational words and actions. She was the founder of Poetry for the People at the University of California, Berkeley, where she taught for many years. The author of over twenty books, her poetry is collected in Directed by Desire; her selected essays in Some of Us Did Not Die. Sapphire is the author of American Dreams, Black Wings & Blind Angels, and Push, which has been made into a motion picture called Precious.

    Her partner Tom has left her, Nigella and Jamie have got the cookery world sewn up, and now her restaurant reviewing column - her last bit of work - has been cancelled. Surely the only way is up from here?In a desperate bid for sympathy and attention she runs away, from the gas bill and the mouse under the sink, and in wet and wintry Aberystwyth she experiences a brush with her past and a glimmer of new prospects. And when her nephew - now a TV producer - has the bright idea to reunite her with her former nemesis and target of the mousse attack in a new show, it seems like things could be going Lizzie's way again after all!

    Then Emilie’s mom enrolls her in public school, and Emilie goes from studying at home in her pj’s to halls full of strangers. To make matters worse, Emilie is paired with starting point guard Chatham York for a major research project on Emily Dickinson. She should be ecstatic when Chatham shows interest, but she has a problem. She hasn’t told anyone about her epilepsy. Emilie lives in fear her recently adjusted meds will fail and she’ll seize at school. Eventually, the worst happens, and she must decide whether to withdraw to safety or follow a dead poet’s advice and “dwell in possibility.”