Life for the Rowe family is good, but Florence can’t help yearning for more…When Jesse Boot, the successful owner of Boots the chemist, arrives on the island, Florence is immediately captivated by his tales of life in a busy, bustling city on the mainland. For the first time ever, Florence imagines a life away from the constraints of Jersey society, of being someone more than just a shopgirl.Until her parents reveal the shocking news they will refuse any marriage proposal from Mr Boot. Can Florence find a way to be with the man she loves and make a new life for herself?

    They are travelling at seventy miles per hour.A newborn baby is the sole survivor of a terrifying plane crash.She is raised in wealthy isolation by an overprotective father. She knows nothing of the rumours about a beautiful young woman, hidden from the world.When a suitor visits, he understands far more than he should. Forced to run for his life, he escapes aboard The Porpoise, an assassin on his tail…So begins a wild adventure of a novel, damp with salt spray, blood and tears. A novel that leaps from the modern era to ancient times; a novel that soars, and sails, and burns long and bright; a novel that almost drowns in grief yet swims ashore; in which pirates rampage, a princess wins a wrestler’s hand, and ghost women with lampreys’ teeth drag a man to hell – and in which the members of a shattered family, adrift in a violent world, journey towards a place called home.

    A time when cities burn, and in their ashes, empires rise.Alexander, Macedonia’s sixteen-year-old heir, is on the brink of discovering his fated role in conquering the known world but finds himself drawn to a newcomer…Katerina must navigate the dark secrets of court life while hiding her own mission: kill the Queen. But she doesn’t account for her first love…Jacob will go to unthinkable lengths to win Katerina, even if it means having to compete for her heart with Hephaestion, a murderer sheltered by the prince.And far across the sea, Zofia, a Persian princess and Alexander’s unmet betrothed, wants to alter her destiny by seeking the famed and deadly Spirit Eaters.Weaving fantasy with the shocking details of real history, New York Times bestselling author of Sex with Kings Eleanor Herman reimagines the greatest emperor the world has ever known, Alexander the Great, in the first book of the Blood of Gods and Royals series.

    King Cador knew this once, but now the land has turned from him, calling instead to his three children. Riva can cure others, but can’t seem to heal her own deep scars. Keyne battles to be accepted for who he truly is—the king’s son. And Sinne dreams of seeing the world, of finding adventure.All three fear a life of confinement within the walls of the hold, their people’s last bastion of strength against the invading Saxons. However, change comes on the day ash falls from the sky. It brings with it Myrdhin, meddler and magician. And Tristan, a warrior whose secrets will tear them apart.Riva, Keyne and Sinne—three siblings entangled in a web of treachery and heartbreak, who must fight to forge their own paths. Their story will shape the destiny of Britain.

    Rain-lashed city streets. A flash of lightning. A scruffy lad sees a girl leap desperately from a horse-drawn carriage in a vain attempt to escape her captors. Can the lad stand by and let her be caught again? Of course not, because he's...Dodger.Seventeen-year-old Dodger may be a street urchin, but he gleans a living from London's sewers, and he knows a jewel when he sees one. He's not about to let anything happen to the unknown girl--not even if her fate impacts some of the most powerful people in England.From Dodger's encounter with the mad barber Sweeney Todd to his meetings with the great writer Charles Dickens and the calculating politician Benjamin Disraeli, history and fantasy intertwine in a breathtaking account of adventure and mystery.Beloved and bestselling author Sir Terry Pratchett combines high comedy with deep wisdom in this tale of an unexpected coming-of-age and one remarkable boy's rise in a complex and fascinating world.

    It's just as well the coal is of the highest quality, as the upkeep of Netherwood Hall, his splendid estate on the outskirts of town, does not come cheap. And that's not to mention the cost of keeping his wife and daughters in the latest fashions—and keeping the heir, the charming but feckless Tobias, out of trouble. Below stairs, Eve Williams is the wife of one of Lord Netherwood's most stalwart employees. When her ordered existence amid the terraced rows of the miners' houses is brought crashing down by the twin arrivals of tragedy and charity, Eve must look to her own self-sufficiency, and talent, to provide for her three young children. And it's then that "upstairs" and "downstairs" collide in truly dramatic fashion.

    . . . Rowena BuxtonSir Philip Buxton raised three girls into beautiful and capable young women in a bohemian household that defied Edwardian tradition. Eldest sister Rowena was taught to value people, not wealth or status. But everything she believes will be tested when Sir Philip dies, and the girls must live under their uncle’s guardianship at the vast family estate, Summerset Abbey. Standing up for a beloved family member sequestered to the “underclass” in this privileged new world, and drawn into the Cunning Coterie, an exclusive social circle of aristocratic “rebels,” Rowena must decide where her true passions—and loyalties—lie. Victoria BuxtonFrail in body but filled with an audacious spirit, Victoria secretly dreams of attending university to become a botanist like her father. But this most unladylike wish is not her only secret—Victoria has stumbled upon a family scandal that, if revealed, has the potential to change lives forever. . . . Prudence TatePrudence was lovingly brought up alongside Victoria and Rowena, and their bond is as strong as blood. But by birth she is a governess’s daughter, and to the lord of Summerset Abbey, that makes her a commoner who must take her true place in society—as lady’s maid to her beloved “sisters.” But Pru doesn’t belong in the downstairs world of the household staff any more than she belongs upstairs with the Buxton girls. And when a young lord catches her eye, she begins to wonder if she’ll ever truly carve out a place for herself at Summerset Abbey.

    Annabelle Archer, the brilliant but destitute daughter of a country vicar, has earned herself a place among the first cohort of female students at the renowned University of Oxford. In return for her scholarship, she must support the rising women's suffrage movement. Her charge: recruit men of influence to champion their cause. Her target: Sebastian Devereux, the cold and calculating Duke of Montgomery who steers Britain's politics at the Queen's command. Her challenge: not to give in to the powerful attraction she can't deny for the man who opposes everything she stands for. Sebastian is appalled to find a suffragist squad has infiltrated his ducal home, but the real threat is his impossible feelings for green-eyed beauty Annabelle. He is looking for a wife of equal standing to secure the legacy he has worked so hard to rebuild, not an outspoken commoner who could never be his duchess. But he wouldn't be the greatest strategist of the Kingdom if he couldn't claim this alluring bluestocking without the promise of a ring... or could he? Locked in a battle with rising passion and a will matching her own, Annabelle will learn just what it takes to topple a duke....A stunning debut for author Evie Dunmore and her Oxford suffragists in which a fiercely independent vicar's daughter takes on a powerful duke in a fiery love story that threatens to upend the British social order.

    Having given birth to an illegitimate child, she has travelled to the famed Brookwood Cemetery to place her small infant's body in a rich lady's coffin. Following the advice of a kindly midwife, this is the only way that Grace can think of to give something at least to the little baby who died at birth, and to avoid the ignominy of a pauper's grave. Distraught and weeping, Grace meets two people at the cemetery: Mrs Emmeline Unwin and Mr James Solent. These two characters will have a profound affect upon Grace's life. But Grace doesn't know that yet. For now, she has to suppress her grief and get on with the business of living: scraping together enough pennies selling watercress for rent and food; looking after her older sister, who is incapable of caring for herself; thwarting the manipulative and conscience-free Unwin family, who are as capable of running a lucrative funeral business as they are of defrauding a young woman of her fortune. A stunning evocation of life in Victorian London, with vivid and accurate depictions, ranging from the deprivation that the truly poor suffered to the unthinking luxuries enjoyed by the rich: all bound up with a pacy and thrilling plot, as Grace races to unravel the fraud about to be perpetrated against her and her sister.Watch the video trailer at http://www.youtube.com/watch?v=esw86O...

    Charlotte is practical and cautious; Emily is headstrong and imaginative. But they do have one thing in common: a love of writing. This shared passion will lead them to be two of the first published female novelists and authors of several enduring works of classic literature. But they’re not there yet. First, they have to figure out if there is a connection between a string of local burglaries, rumors that a neighbor’s death may not have been accidental, and the appearance on the moors of a mysterious and handsome stranger. The girls have a lot of knots to untangle—before someone else gets killed.

    Poe and Longbourn explores the scandalous historical love affair between Branwell Brontë and Lydia Robinson, giving voice to the woman who allegedly corrupted her son’s innocent tutor and brought down the entire Brontë family.Yorkshire, 1843: Lydia Robinson—mistress of Thorp Green Hall—has lost her precious young daughter and her mother within the same year. She returns to her bleak home, grief-stricken and unmoored. With her teenage daughters rebelling, her testy mother-in-law scrutinizing her every move, and her marriage grown cold, Lydia is restless and yearning for something more. All of that changes with the arrival of her son’s tutor, Branwell Brontë, brother of her daughters’ governess, Miss Anne Brontë and those other writerly sisters, Charlotte and Emily. Branwell has his own demons to contend with—including living up to the ideals of his intelligent family—but his presence is a breath of fresh air for Lydia. Handsome, passionate, and uninhibited by social conventions, he’s also twenty-five to her forty-three. A love of poetry, music, and theatre bring mistress and tutor together, and Branwell’s colorful tales of his sisters’ elaborate play-acting and made-up worlds form the backdrop for seduction. But Lydia’s new taste of passion comes with consequences. As Branwell’s inner turmoil rises to the surface, his behavior grows erratic and dangerous, and whispers of their passionate relationship spout from her servants’ lips, reaching all three protective Brontë sisters. Soon, it falls on Lydia to save not just her reputation, but her way of life, before those clever girls reveal all her secrets in their novels. Unfortunately, she might be too late. Meticulously researched and deliciously told, Brontë’s Mistress is a captivating reimagining of the scandalous affair that has divided Brontë enthusiasts for generations and an illuminating portrait of a courageous, sharp-witted woman who fights to emerge with her dignity intact.

    The story begins in 1825, with the deaths of Maria and Elizabeth, the eldest siblings. It is in response to this loss that the four remaining Brontë children set pen to paper and created the fictional world that became known as Glass Town. This world and its cast of characters would come to be the Brontës’ escape from the realities of their lives. Within Glass Town the siblings experienced love, friendship, war, triumph, and heartbreak. Through a combination of quotes from the stories originally penned by the Brontës, biographical information about them, and Greenberg's vivid comic book illustrations, readers will find themselves enraptured by this fascinating imaginary world.

    Miss Lucinda Leavitt is shocked when she learns the author of her favorite serialized novel has died before completing the story. Determined to learn how it ends, Lucinda reluctantly enlists the help of her father’s young business partner, Mr. David Randall, to track down the reclusive author’s former whereabouts.David is a successful young businessman, but is overwhelmed by his workload. He wants to prove himself to his late father, as well as to himself. He doesn’t have the time, nor the interest, for this endeavor, but Lucinda is not the type to take no for an answer.Their search for the elusive Mrs. Smith and the rightful ending to her novel leads Lucinda and David around the country, but the truths they discover about themselves—and each other—are anything but fictional.

    But there are few wealthy suitors--or suitors of any kind--in their small Yorkshire town of Lesser Hoo. Then, the young and attractive (and very rich) Lord Boring arrives, and Althea sets her plans in motion. There's only one problem; his friend and business manager Mr. Fredericks keeps getting in the way. And, as it turns out, Fredericks has his own set of plans . . .

    Given half a choice, he would pick admin work over patrolling in a heartbeat, to say nothing of his distaste for engaging in combat. Nonetheless, at the behest of the king, he finds himself issuing a twice-daily challenge to the Israelites: “Choose a man. Let him come to me that we may fight. If he be able to kill me then we shall be your servants. But if I kill him, then you shall be our servants.” Day after day he reluctantly repeats his speech, and the isolation of this duty gives him the chance to banter with his shield-bearer and reflect on the beauty of his surroundings. This is the story of David and Goliath as seen from Goliath’s side of the Valley of Elah. Quiet moments in Goliath’s life as a soldier are accentuated by Tom Gauld’s drawing style, which contrasts minimalist scenery and near-geometric humans with densely crosshatched detail reminiscent of Edward Gorey. Goliath’s battle is simultaneously tragic and bleakly funny, as bureaucracy pervades even this most mythic of figures. Goliath displays a sensitive wit, a bold line, and a traditional narrative reworked, remade, and revolutionized.