The owner, the strange daughter Mesuline, whom Roger first meets tending her father's goats. She is like no girl he has ever seen, with her brusqueness and her expressionless black eyes, and as he gradually befriends her, he begins to realize that there is something very wrong about her, about the chateau, and about her life within it. Roger senses a cry for help. How can he know that by trying to answer it, he will involve himself and his family in a shocking drama that reaches its climax in a grisly discovery and sudden death?

    The first section of this collection pays homage to the poet's roots in a place where the world hands you nothing and promises less, so you are left to invent yourself or disappear. From there these poems both recount and embody repeated acts of defiant self-creation in the face of despair, loss, and shame, and always in the shadow of annihilation.With darkly raucous humor and wrenching pathos, Seuss burrows furiously into liminal places of no dimension—state lines, lakes' edges, the space "between the m and the e in the word amen." From what she calls "this place inbetween" come profane prayers in which "the sound of hope and the sound of suffering" are revealed to be "the same music played on the same instrument."Midway through this book, a man tells the speaker that beauty is that which has not been touched. This collection is a righteous and fierce counterargument: in the world of this imagination, beauty spills from that which has been crushed, torn, and harrowed. "We receive beauty," Seuss writes, "as a nail receives / the hammer blow." This is the poetry that comes only after the white dress has been blown open—the poetry of necessity, where a wild imagination is the only hope.

    Call it a dream come true. A dream? Or a nightmare? Donovan's wealth comes at a price. For Donovan lies thirty light years away--a two-year journey that few survive.When Turalon arrives in orbit, Supervisor Kalico Aguila discovers a failing colony, it's government overthrown, and the few colonists left now gone wild. For Kalico, Donovan offers the chance of a lifetime: one desperate spin of the wheel that will leave her the most powerful woman in the solar system. Or dead.Planetside, Talina Perez is one the three rulers of Port Authority--the only remnant of a town on Donovan. She's the only law left, and now a Corporate ship has appeared in orbit and is demaning answers about things she's done in the name of survival. Perez is about to lose everything, including her life, when Kalico lands with her Marines.For Dan Wirth, Donovan is a last chance. A psychopath with a death sentence looming over his head, he can't wait to set foot on Port Authority. He will make one desperate play to grab a piece of the action. No matter who he has to corrupt, murder, or destroy.Captain Max Taggart has been The Corporation's "go to" guy when it comes to brutal enforcement. As the situation in Port Authority deteriorates, he'll be faced with committing mass murder in order to dominate the wild Donovanians. Only Talina Perez stands in his way. Or. God forbid, is he getting squeamish in his old age?Just as matters spiral out of control, a ghost ship, the Freelander, appears in orbit. Missing for two years, she arrives with a crew dead of old age, and reeks of a bizarre death-cult ritual that forewarns any ship from making the return journey to Solar System.Does anyone dare space back on Turlon with her wealth of ore, ceramic, gems, and gold? Or do they take their chances on a deadly planet that kills three out of four colonists?And in the meantime, a brutal killer is stalking all of them, for Donovan plays its own complex and deadly game. One whose secrets are hidden in Talia Perez's very blood. A game which will change everything, forever.

    

    Whether illuminating a common laborer or a legendary thinker, Dubie meets his subjects with utter compassion for their humanity and the dignity behind their creative work. In pursuit of the well-told story, his love of history is ever-present—though often he recreates his own.“With its restoration of so many out-of-print poems and its addition of new works, The Mercy Seat was one of last year’s most significant publications.” —American Book Review“The voices of Dubie’s monologues are full of astonishing intimacy.” —The Washington Post Book World

    Henry Prize winner Jan Ellison delivers a brilliantly paced, beautifully written debut novel about one woman's reckoning with a youthful mistake. Named one of the best books of the year by San Francisco ChronicleAt nineteen, Annie Black trades a bleak future in a washed-out California town for a London winter of drinking and abandon. Twenty years later, she is a San Francisco lighting designer and happily married mother of three who has put her reckless youth behind her. Then a photo from that distant winter in Europe arrives inexplicably in her mailbox, and an old obsession is awakened. Past and present collide, Annie's marriage falters, and her son takes a car ride that ends with his life hanging in the balance. Now Annie must confront her own transgressions and fight for her family by untangling the mysteries of the turbulent winter that drew an invisible map of her future. Gripping, insightful, and lyrical, A Small Indiscretion announces the arrival of a major new voice in literary suspense as it unfolds a story of denial, passion, forgiveness—and the redemptive power of love.

    Well, one voice repeating one word over and over again. Soft and sweet with the promise of power, it calls to her. The twelve year old has no idea that the tender little word is a catalyst that serves to reveal a world hidden to most humans. Abbey has yet to discover that following the word’s call to its origin will change the course of her life forever. Abbey and her mother don’t have much, and depending on the day, sometimes they don’t even have a roof over their heads. She wants more out of life than just wondering where her next meal is. So she shouldn't be wasting her time daydreaming about going on a selfish quest, should she? Does she have the strength to leave behind what little she has? Will she have the courage to break through the illusions surrounding her and lift the cloak of shadows?

    First published in 1977, Ronald Johnson's RADI OS revises the first four books of Paradise Lost by excising words, discovering a modern and visionary poem within the seventeenth-century text. As the author explains, "To etch is 'to cut away, ' and each page, as in Blake's concept of a book, is a single picture." With God and Satan crossed out, RADI OS reduces Milton's Baroque poem to elemental forces. In this retelling of the Fall, song precipitates from chaos, sight from fire: "in the shape / as of / above the / rose / through / rose / rising / the radiant sun.

    "Stargazing at Noon" is Amanda Torroni's first poetry chapbook- a collection of thirty poems on topics ranging from loving at a distance to grief.

    All is going well until the ship makes a stop at a remote space station, the Yertina Feray, and the colonist's leader, Brother Blue, beats Tula within an inch of her life. An alien, Heckleck, saves her and teaches her the ways of life on the space station. When three humans crash land onto the station, Tula's desire for escape becomes irresistible, and her desire for companionship becomes unavoidable. But just as Tula begins to concoct a plan to get off the space station and kill Brother Blue, everything goes awry, and suddenly romance is the farthest thing from her mind.

    Well known for writing out the heartache and melancholia, this title explores the softer side of Savage, one not many are privileged to. She pours over the pages with a full love, one returned. You'll find no sadness or unrequited feelings in here. This is the real, heartfelt musings of a woman in love.

    That’s all Glaswegian recruitment consultant Gill does. Her friends fix her up with numerous blind dates, none suitable, until one day Gill decides enough is enough.Seeing an ad on a bus billboard for Happy Ever After dating agency ‘for the busy professional’, on impulse she signs up. Soon she has problems juggling her social life as well as her work diary.Before long she’s experiencing laughs, lust and … could it be love? But just when things are looking up for Gill, an unexpected reunion forces her to make an impossible choice.Will she get her happy ever after, or is she destined to be married to her job forever?

    . .From a woman intent on bizarre revenge, to a restaurant critic with a morbid fear of the number thirteen; and from a man arranging a life-changing assignation, to a couple heading for a disaster-filled vacation . . .In multi-million-copy bestselling author Peter James' collection of short stories we first come to meet Brighton's finest detective, Roy Grace, and read the tale that went on to inspire James' hugely successful novel, Dead Simple. James exposes the Achilles heel of each of his characters, and makes us question how well we can trust ourselves, and one another. Each tale carries a twist that will haunt readers for days after they turn the final page . . .Combining every twisted tale from the ebook bestsellers Short Shockers One and Short Shockers Two, with a never-seen-before collection of new material, A Twist of the Knife shows Peter James as the undisputed grand master of storytellers with this sometimes funny, often haunting, but always shocking collection.

    His use of it gives him yet another chance to say things never said before in prose or in verse and, as well, to bring new life to a form in which Donne talked to Death, Shelley to the West Wind, Whitman to the Earth, Pound to his Songs, O'Hara to the Sun at Fire Island.  Koch, in this new book, talks to things important in his life -- to Breath, to World War Two, to Orgasms, to the French Language, to Jewishness, to Psychoanalysis, to Sleep, to his Heart, to Friendship, to High Spirits, to his Twenties, to the Unknown. He makes of all these "new addresses" an exhilarating autobiography of a most surprising and unforeseeable kind.From the Hardcover edition.

    These characterful, intelligent and darkly witty poems explore lives lived strangely in unusual worlds, through a series of deft and seductive soliloquies.In a collection with a taste for ventriloquy and wickedness, and a flair for vocal cross-dressing, the balance of power is always shifting in an unexpected direction - an ingénue masquerades as a femme fatale, a doctor appears more disturbed than his patient, and parents seem more unruly than their children. Eccentric, intimate, arch, anxious, decadent and sometimes mournful, the book's confiding, conversational voices tell stories recognisable and refracted, carried along by the undercurrent on which the collection ebbs and rides: the anguish and energy brought about by a long-distance love affair, which propels and terrorises and ultimately unites the work.Dear Boy is an irresistible and enlivening collection by a new poet of startling and various gifts.